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Nigel Henderson (1917-1985) was a British artist and founding member of the Independent Group, but he was also a photographer whose work has been compared to that of Cartier-Bresson and Brassai. Introduced to the art world by his mother Wyn Henderson who managed the famous Guggenheim Jeune gallery, he became acquainted with leading figures in modern art, including Max Ernst and Marcel Duchamp. In 1943, recovering from the trauma of his experiences as a pilot in the Second World War, Henderson began experimenting with photography. While living in Bethnal Green, east London, he created an extraordinary archive of photography documenting life in the area between 1949 and 1953. This beautiful book showcases 150 of these newly digitised photographs which capture the heart of working-class life. From hop-scotching children to a funeral cortege, and street parties celebrating the 1953 coronation, Henderson's unique view of the streets evokes the wit, resilience and character of the local people as well as documenting a way of life that would soon disappear, as Britain moved into the 1960s.
Street photography --- Documentary photography --- Henderson, Nigel, --- East End (London, England) --- History
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How a group of artists and theorists turned to exhibition design as the only medium capable of synthesizing high and low in postwar culture. In 1950s London, a cadre of young artists, theorists, and popular culture aficionados known as the Independent Group (IG) came together for a series of pressing meetings. Their humble goal: to reimagine the structure of postwar culture by situating art in the midst of military-industrial technologies and pop pleasures. In this book, Kevin Lotery argues that the IG turned to the cross-disciplinary form of exhibition design as the only medium capable of getting the measure of these forces, the only technique that could integrate high and low, aesthetic and scientific, and redesign them in turn. At the heart of this story are the IG's most unruly members, including artists Richard Hamilton, Nigel Henderson, and Eduardo Paolozzi; architects Alison and Peter Smithson; and critics Lawrence Alloway and Reyner Banham. To these upstarts, art was no more privileged an activity than the streamlining of a helicopter blade or the screening of the latest cinema spectacle. In place of the old cultural hierarchies, they saw a continuum that Alloway termed the long front of culture. Only exhibition making could redirect this long front toward something genuinely, startlingly new. Lotery shows that the IG's exhibitions sought out temporary interfaces with technological invention and scientific research in a search for the form of the new itself. The IG exhibitions he examines drew on biological morphogenesis, anthropology and photography, human-machine prosthetics, American pop, abstraction, and theories of play. The IG is often described as the precursor to the pop art of the 1960s. Lotery shows that it was much more, as entangled with the histories of science, technology, and design as with the dialectics of modern art and mass culture
Pop art --- Art --- Hamilton, Richard, 1922-2011 --- Henderson, Nigel --- Paolozzi, Eduardo, 1924-2005 --- Smithson, Alison --- Smithson, Peter --- Alloway, Lawrence, 1926-1989 --- Banham, Reyner, 1922-1988 --- London
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Architecture and photography share the condition of being suspended be¬tween fine art and craft. Realism is considered a given, something that happens almost by default. From the moment it is taken, a photograph is un-derstood to be a record of what was in front of the camera—just as a building, as soon as it is inhabited, becomes the fixed backdrop for everyday life.In Epics in the Everyday, Jesús Vassallo explores this condition, tracing a series of collaborations between architects and photographers from the postwar years up to the present. Consistently, the subject matter of these collaborations is the built environment, which presents architects and photographers—in different ways—with a mirror that challenges the idea of realism in their respective disciplines. Beyond casting a diagonal light on important developments within the two individual disciplines, the book chronicles an alternative history of both modern architecture and photography and builds a case for a specific type of realism found at their intersection.
Architecture --- Photography --- photography [process] --- architecture [object genre] --- realism [philosophical movement] --- 72.01 --- 77.046 --- fotografie --- fotografietheorie --- architectuur --- architectuurfotografie --- twintigste eeuw --- Henderson Nigel --- Ruscha Ed --- Ruff Thomas --- Demand Thomas --- Becher Bernd --- Becher Hilla --- Architectuur (theorie) --- Architectuurtheorie --- Architectuurfotografie --- Photographie --- Rapport art-architecture --- Réalisme --- Avant-garde --- Architectural photography. --- Architecture and photography. --- Photographic reproduction of plans, drawings, etc. --- Realism in art.
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Art styles --- Art --- collages [visual works] --- art [discipline] --- private collections [object groupings] --- Pop [fine arts styles] --- Blake, Peter Thomas --- Mellis, Margaret Nairne --- Lennon, John --- Hausmann, Raoul --- Hamilton, Richard --- Ernst, Max --- Oldenburg, Claes --- Picasso, Pablo --- Henderson, Nigel --- Nicholson, Ben --- Paolozzi, Eduardo --- Emin, Tracey --- Lucas, Sarah --- Samaras, Lucas --- Schwitters, Kurt --- McCartney, Paul --- Cornell, Joseph --- anno 1950-1959 --- anno 1960-1969
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Photography --- Street photography --- Cities and towns --- Documentary photography --- Photographie de rue --- Villes --- Photographie documentaire --- Exhibitions. --- Pictorial works --- Expositions --- Ouvrages illustrés --- with Essays by Kerry Brougher and Russell Ferguson --- fotografie --- documentaire --- documentaire fotografie --- straatfotografie --- twintigste eeuw --- Araki Nobuyoshi --- DiCorcia Philip-Lorca --- Donovan Terence --- Eggleston William --- Frank Robert --- Friedlander Lee --- Henderson Nigel --- Klein William --- Lee Nikki S. --- Meiselas Susan --- Moriyama Daido --- Opie Catherine --- Sekula Allan --- Singh Raghubir --- Streuli Beat --- Struth Thomas --- Tillmans Wolfgang --- Wall Jeff --- Winogrand Garry --- 77.036 --- 77.044 --- 77.041 --- Ouvrages illustrés --- Exhibitions --- Photography [Artistic ] --- Streets --- Lee Nikki S
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Art --- posters --- collages [visual works] --- prints [visual works] --- art [discipline] --- drawing [image-making] --- painting [image-making] --- photography [process] --- Independent Group --- Adams, Robert --- Scanavino, Emilio --- Hamilton, Richard --- Alloway, Lawrence --- Catleugh, J.D.H. --- Cordell, Magda --- Crosby, Theo --- Renzio, del, Toni --- Facetti, Germano --- Goldfinger, Ernö --- Henderson, Nigel --- Holroyd, Geoffrey --- Hull, James --- Jackson, Anthony --- Jackson, Sarah --- Stirling, James --- Matthews, Richard --- McHale, John --- Pasmore, Victor --- Paolozzi, Eduardo --- Newby, Frank --- Phillips, Helen --- Pine, Michael --- Smithson, Alison & Peter --- St. John Wilson, Colin --- Voelcker,John --- Weeks, John --- Williams, Denis --- Wright, Edward --- Thornton, Leslie --- Ernest, John --- Heath, Adrian --- Hill, Anthony --- Martin, Kenneth --- Martin, Mary --- Turnbull, William --- Great Britain
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Art --- design [discipline] --- textile materials --- Vezelay, Paule --- Kent, Rockwell --- Collins, Cecil --- Piper, John --- Cocteau, Jean --- Warhol, Andy --- Hepworth, Barbara --- Picasso, Pablo --- Clarke, Geoffrey --- Léger, Fernand --- Henderson, Nigel --- Sutherland, Graham --- Marini, Marino --- Nicholson, Ben --- Paolozzi, Eduardo --- Steichen, Edward --- Tilson, Joe --- Plumb, John --- Reeves, Ruth --- Reynolds, Alan --- Rhodes, Zandra --- Rowntree, Kenneth --- Steinberg, Saul --- Vertès, Marcel --- Miró, Joan --- Picabia, Francis --- Matisse, Henri --- Braque, Georges --- Dalí, Salvador --- Vasarely, Victor --- Dufy, Raoul --- Chagall, Marc --- Moore, Henry --- Cohen, Harold --- Heron, Patrick --- Scott, William --- Vaughan, Keith --- Brocquy, le, Louis M. --- Gear, William --- Bérard, Christian --- Calder, Alexander --- Derain, André
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Architecture --- anno 1950-1959 --- Great Britain --- Arts, British --- Architecture, British --- Arts --- Aesthetics, British --- Arts britanniques --- Architecture britannique --- Esthétique britannique --- History --- Philosophy. --- Histoire --- Philosophie --- Edited by Claude Lichtenstein, Thomas Schregenberger --- Groot-Brittannië --- twintigste eeuw --- kunst --- architectuur --- interieurvormgeving --- Henderson Nigel --- Paolozzi Eduardo --- Fischli Peter --- Weiss David --- Fischli & Weiss --- Stirling James --- Gowan James --- Bill Max --- Lewerentz Sigurd --- Price Cedric --- St. John Wilson Colin --- Füeg Franz --- Hamilton Richard --- Anderson Lindsay --- Cordell Magda --- Richardson Tony --- Lassally Walter --- Sillitoe Alan --- Delaney Shelagh --- Osborne John --- Banham Reyner --- stedenbouw --- urbanisme --- Tanner Alain --- Goretta Claude --- Lambert Galvin --- theater --- film --- pop art --- design --- collages --- beeldhouwkunst --- literatuur --- Angry Young Men --- Kureishi Hanif --- Smithson Alison --- Smithson Peter --- 7.038 --- 72.036 --- 791.43 --- Esthétique britannique
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Art --- art [fine art] --- Brandt, Bill --- Adams, Robert --- Bowling, Frank --- Kossoff, Leon --- Hockney, David --- Hamilton, Richard --- Frink, Elisabeth --- Metzger, Gustav --- Chandra, Avinash --- Cordell, Magda --- Frankfurther, Eva --- Hardy, Bert --- Henderson, Nigel --- King, Peter --- Ayres, Gillian --- Mayne, Roger --- McHale, John --- Medalla, David --- Pasmore, Victor --- Paolozzi, Eduardo --- Sleigh, Sylvia --- Smithson, Alison & Peter --- Williams, Denis --- Newton Souza, Francis --- Shemza, Anwar Jalal --- Williams, Aubrey --- Baker, Shirley --- Cooke, Jean --- Freud, Lucian --- Bacon, Francis --- Rie, Lucie --- Auerbach, Frank --- Bratby, John --- Clough, Prunella --- Denny, Robyn --- Heath, Adrian --- Heron, Patrick --- Hill, Anthony --- Latham, John --- Lim, Kim --- Martin, Mary --- Miller, Lee --- Scott, William --- Turnbull, William --- Coper, Hans --- Chadwick, Lynn --- Davie, Alan --- Themerson, Franciszka --- anno 1940-1949 --- anno 1950-1959 --- anno 1960-1969 --- United Kingdom --- art [discipline] --- moderne kunst. --- gender. --- 1945 - 1965. --- 20ste eeuw. --- Groot-Brittannië.
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