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In eighteenth-century France, the ability to lose oneself in a character or scene marked both great artists and ideal spectators. Yet it was thought this same passionate enthusiasm, if taken to unreasonable extremes, could also lead to sexual deviance, mental illness-even death. Women and artists were seen as especially susceptible to these negative consequences of creative enthusiasm, and women artists, doubly so. Mary D. Sheriff uses these very different visions of enthusiasm to explore the complex interrelationships among creativity, sexuality, the body and the mind in eighteenth-century France. Drawing on evidence from the visual arts, literature, philosophy, and medicine, she portrays the deviance ascribed to both inspired men and women. But while various mythologies worked to normalize deviance in male artists, women had no justification for their deviance. For instance, the mythical sculptor Pygmalion was cured of an abnormal love for his statue through the making of art. He became a model for creative artists, living happily with his statue come to life. No happy endings, though, were imagined for such inspired women writers as Sappho and Heloise, who burned with erotomania their art could not quench. Even so, Sheriff demonstrates, the perceived connections among sexuality, creativity, and disease also opened artistic opportunities for creative women took full advantage of them. Brilliantly reassessing the links between sexuality and creativity, artistic genius and madness, passion and reason, Moved by Love will profoundly reshape our view of eighteenth- century French culture.
Arts, French --- Creation (Literary, artistic, etc.) --- Pygmalion (Greek mythology) --- Mythology, Greek --- Creative ability in art --- Creative ability in literature --- Art --- Imagination --- Inspiration --- Literature --- Creative ability --- Originality --- French arts --- Themes, motives. --- History --- Héloïse, --- Pygmalion --- Ėloiza, --- Eloisa, --- Heloísa, --- Pigmalione --- History of civilization --- inspiration --- anno 1700-1799 --- France --- Pygmalion (Greek mythology). --- Héloïse --- Arts [French ] --- 18th century --- Themes, motives
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The autobiographical and confessional writings of Abelard, Heloise and the Archpoet were concerned with religious authenticity, spiritual sincerity and their opposite - fictio, a composite of hypocrisy and dissimulation, lying and irony. How and why moral identity could be feigned or falsified were seen as issues of primary importance, and Peter Godman here restores them to the prominence they once occupied in twelfth-century thought. This book is an account of the relationship between ethics and literature in the work of the most famous authors of the Latin Middle Ages. Combining conceptual analysis with close attention to style and form, it offers a major contribution to the history of the medieval conscience.
Christian moral theology --- Christian church history --- Petrus Abaelardus --- Heloise --- Conscience --- Christian ethics --- Conscience (Morale) --- Morale chrétienne --- Religious aspects --- Christianity --- History --- Aspect religieux --- Christianisme --- Histoire --- Abelard, Peter, --- Héloïse, --- Conscience. --- Christliche Ethik --- Gewissen --- Fictionaliteit --- Integriteit --- Spiritualiteit --- Catholic Church. --- Abaelardus, Petrus --- Geschichte 500-1500. --- Ethics --- Guilt --- Superego --- Middle Ages, 600-1500 --- Heloise, --- Abaelard, Peter, --- Abaelardi, Petri, --- Abaelardus, --- Abaelardus, Petrus, --- Abailard, Peter, --- Abailard, Pierre, --- Abailardus, Petrus, --- Abeilard, Pierre, --- Abélard, Pierre, --- Abelard, Piotr, --- Abelardo, --- Abelardo, Pietro, --- Abeli︠a︡r, Petr, --- Abelʹi︠a︡rd, Petr, --- אבעלאר, --- Christliche Ethik. --- Gewissen. --- Fictionaliteit. --- Integriteit. --- Spiritualiteit. --- Abaelardus, Petrus. --- Morale chrétienne --- Héloïse, --- Religious aspects&delete& --- Catholic Church --- Ėloiza, --- Eloisa, --- Heloísa, --- Arts and Humanities --- Literature
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Textual Transvestism analyzes the flourishing of imitative versions of Heloise’s and Abelard’s love correspondence in the late 17th and 18th centuries. Current theoretical approaches on epistolarity, narratology, cultural, feminist and gender studies have been used to focus on the various transformations (rewriting, adapting, veiling, fragmenting) of Heloise’s epistles, mainly in the hands of male writers. I employ close textual analysis to investigate how the multiple (re)visions of her epistolary discourse and persona over two hundred years might have been indicative of, and helped construct, ideological changes in expectations concerning the role of women. The scope of this study is relevant, but not limited, to seventeenth- and eighteenth-century French Studies, especially since it explores contemporary cultural issues such as sexual discourse and gender construction throughout the nine chapters. In an age where women’s roles are shifting constantly, this project is especially germane because it traces historical roots of gender redefinition within French culture.
Women in literature. --- French literature. --- Woman (Christian theology) in literature --- Women as literary characters --- Women in drama --- Women in poetry --- Abelard, Peter, --- Héloïse, --- Correspondence (Abelard, Peter) --- Letters (Abelard, Peter) --- 1600 - 1799 --- Influence (Literary, artistic, etc.) --- Artistic impact --- Artistic influence --- Impact (Literary, artistic, etc.) --- Literary impact --- Literary influence --- Literary tradition --- Tradition (Literature) --- Art --- Influence (Psychology) --- Literature --- Intermediality --- Intertextuality --- Originality in literature --- Ėloiza, --- Eloisa, --- Heloísa, --- Abaelard, Peter, --- Abaelardi, Petri, --- Abaelardus, --- Abaelardus, Petrus, --- Abailard, Peter, --- Abailard, Pierre, --- Abailardus, Petrus, --- Abeilard, Pierre, --- Abélard, Pierre, --- Abelard, Piotr, --- Abelardo, --- Abelardo, Pietro, --- Abeli︠a︡r, Petr, --- Abelʹi︠a︡rd, Petr, --- אבעלאר, --- Influence
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Nine hundred years ago in Paris, a teacher and his brilliant female student fell in love and chronicled their affair in a passionate correspondence. Their 116 surviving letters, some whole and some fragmentary, are composed in eloquent, highly rhetorical Latin. Since their discovery in the late twentieth century, the Letters of Two Lovers have aroused much attention because of their extreme rarity. They constitute the longest correspondence by far between any two persons from the entire Middle Ages, and they are private rather than institutional-which means that, according to all we know about the transmission of medieval letters, they should not have survived at all. Adding to their mystery, the letters are copied anonymously in a single late fifteenth-century manuscript, although their style and range of reference place them squarely in the early twelfth century.Can this collection of correspondence be the previously lost love letters of Abelard and Heloise? And even if not, what does it tell us about the lived experience of love in the twelfth century?Barbara Newman contends that these teacher-student exchanges bear witness to a culture that linked Latin pedagogy with the practice of ennobling love and the cult of friendship during a relatively brief period when women played an active part in that world. Newman presents a new translation of these extraordinary letters, along with a full commentary and two extended essays that parse their literary and intellectual contexts and chart the course of the doomed affair. Included, too, are two other sets of twelfth-century love epistles, the Tegernsee Letters and selections from the Regensburg Songs. Taken together, they constitute a stunning contribution to the study of the history of emotions by one of our most prominent medievalists.
Love-letters --- Latin letters, Medieval and modern --- Letter writing --- Love --- 392.6 "04/14" --- Affection --- Emotions --- First loves --- Friendship --- Intimacy (Psychology) --- Correspondence --- English letter writing --- Letter writing, English --- Writing of letters --- Authorship --- Letters --- Erotic literature --- Courtship --- History --- History and criticism. --- Seksualiteit. Seksueel leven. Concubinaat. Samenwonen. Prostitutie. Erotiek. Seksuele gebruiken. Liefdeskunst--Middeleeuwen --- Abelard, Peter, --- Héloïse, --- Ėloiza, --- Eloisa, --- Heloísa, --- Abaelard, Peter, --- Abaelardi, Petri, --- Abaelardus, --- Abaelardus, Petrus, --- Abailard, Peter, --- Abailard, Pierre, --- Abailardus, Petrus, --- Abeilard, Pierre, --- Abélard, Pierre, --- Abelard, Piotr, --- Abelardo, --- Abelardo, Pietro, --- Abeli︠a︡r, Petr, --- Abelʹi︠a︡rd, Petr, --- אבעלאר, --- Epistolae duorum amantium. --- Tegernseer Briefsammlung des 12. Jahrhunderts. --- Carmina Ratisponensia. --- Héloïse, --- Tegernseer Briefsammlung des 12. --- 392.6 "04/14" Seksualiteit. Seksueel leven. Concubinaat. Samenwonen. Prostitutie. Erotiek. Seksuele gebruiken. Liefdeskunst--Middeleeuwen --- History and criticism --- Letters of two lovers --- Medieval Latin literature --- Philosophy and psychology of culture --- Literature. --- Medieval and Renaissance Studies.
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