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"In America today there is no lyric work more compelling and well made than To the Center of the Earth," Allen Grossman wrote ten years ago of Michael Fried's last collection of poetry. Fried's new book, The Next Bend in the Road, is a powerfully coherent gathering of lyric and prose poems that has the internal scope of a novel with a host of characters, from the poet's wife and daughter to Franz Kafka, Paul Cézanne, Osip Mandelstam, Sigmund Freud, Gisèle Lestrange, and many others; transformative encounters with works of art, literature, and philosophy, including Heinrich von Kleist's "The Earthquake in Chile," Giuseppe Ungaretti's "Veglia," and Edouard Manet's Le Déjeuner sur l'herbe; and, running through the book from beginning to end, a haunted awareness of the entanglement of the noblest accomplishments and the most intimate joys with the horrors of modern history.

American poetry. --- American literature --- poetry, collection, creative writing, literature, contemporary, poetics, gisele lestrange, sigmund freud, osip mandelstam, paul cezanne, franz kafka, wife, daughter, family, joy, horror, humanity, le dejeuner sur lherbe, edouard manet, veglia, giuseppe ungaretti, earthquake in chile, heinrich von kleist, art, philosophy, prose poems, lyric, nobility, noble, good and evil, terror, vice.

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For over 150 years, Heinrich von Kleist (1777-1811) has been one of the most widely read and performed German authors. His status in the literary canon is firmly established, but he has always been one of Germany's most contentiously discussed authors. Today's critical debate on his unique prose narratives and dramas is as heated as ever. Many critics regard Kleist as a lone presager of the aesthetics and philosophies of late nineteenth- and early twentieth-century modernism. Yet there can be no question that he responds in his works and letters to the philosophical, aesthetic, and political debates of his time. During the last thirty years, the scholarship on Kleist's work and life has departed from the existentialist wave of the 1950s and early 1960s and opened up new avenues for comingto terms with his unusual talent. The present volume brings together the most important and innovative of these newer scholarly approaches: the essays include critically informed, up-to-date interpretations of Kleist's most-discussed stories and dramas. Other contributions analyze Kleist's literary means and styles and their theoretical underpinnings. They include articles on Kleist's narrative and theatrical technique, poetic and aesthetic theory, philosophical and political thought, and insights from new biographical research.

Contributors: Jeffrey L. Sammons, Jost Hermand, Anthony Stephens, Bianca Theisen, Hinrich C. Seeba, Bernhard Greiner, Helmut J. Schneider, Tim Mehigan, Susanne Zantop, Hilda M. Brown, and Seán Allan.

Bernd Fischer is Professor of German andHead of the Department of German at Ohio State University.

Kleist, Heinrich von, --- Kleĭst, Genrikh, --- Kleist, Bernd Heinrich Wilhelm von, --- Kleist, H. V. --- Ḳlaisṭ, Hainrikh fun, --- קלייסט, היינריך --- קלייסט, היינריך פון, --- קלייסט, הינריך פון, --- Criticism and interpretation. --- von Kleist, Heinrich --- LITERARY CRITICISM / European / German. --- German dramatist. --- Heinrich von Kleist. --- aesthetic. --- aesthetics. --- biographical research. --- early 19th century. --- literary canon. --- male-male desire. --- modernism. --- philosophical. --- philosophy. --- political debates. --- prose narratives. --- short-story writer. --- unique talent.

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New essays employing a multitude of approaches to the works of Kleist, in the process shedding light on our present modernity. Modernity, according to some views, poses the problem of homo politicus -- the problem of how to act in a moral universe without a "master narrative," without a final foundation. From this angle, the oeuvre of Heinrich vonKleist -- novellas, dramas, and essays -- addresses problems emerging from a new universe of Kantian provenance, in many ways the same universe we inhabit today. This volume of new essays investigates Kleist's position in ourever-changing conception of modernity, employing aesthetic, narrative, philosophical, biographical, political, economic, anthropological, psychological, and cultural approaches and wrestling with the difficulties of historicizingKleist's life and work. Central questions are: To what extent can the multitude of breaking points and turning points, endgames and pre-games, ruptures and departures that permeate Kleist's work and biography be conceptually bundled together and linked to the emerging paradigm of modernity? And to what extent does such an approach to Kleist not only advance understanding of this major German writer and his work, but also shed light on the nature of our present modernity? Contributors: Seán Allan, Peter Barton, Hilda Meldrum Brown, David Chisholm, Andreas Gailus, Bernhard Greiner, Jeffrey L. High, Anette Horn, Peter Horn, Wolf Kittler, Jonathan W. Marshall, Christian Moser, Dorothea von Mücke, Nancy Nobile, David Pan, Ricarda Schmidt, Helmut J. Schneider. Bernd Fischer is Professor of German at the Ohio State University. Tim Mehigan is Professor of German in the Department of Languagesand Cultures at the University of Otago, New Zealand.

Modernism (Literature) --- Kleist, Heinrich von, --- Kant, Immanuel, --- Criticism and interpretation. --- Appreciation. --- Influence. --- Crepuscolarismo --- Literary movements --- Kant, Immanuel --- Kant, I. --- Kānt, ʻAmmānūʼīl, --- Kant, Immanouel, --- Kant, Immanuil, --- Kʻantʻŭ, --- Kant, --- Kant, Emmanuel, --- Ḳanṭ, ʻImanuʼel, --- Kant, E., --- Kant, Emanuel, --- Cantơ, I., --- Kant, Emanuele, --- Kant, Im. --- קאנט --- קאנט, א. --- קאנט, עמנואל --- קאנט, עמנואל, --- קאנט, ע. --- קנט --- קנט, עמנואל --- קנט, עמנואל, --- كانت ، ايمانوئل --- كنت، إمانويل، --- カントイマニユエル, --- Kangde, --- 康德, --- Kanṭ, Īmānwīl, --- كانط، إيمانويل --- Kant, Manuel, --- von Kleist, Heinrich --- Kleĭst, Genrikh, --- Kleist, Bernd Heinrich Wilhelm von, --- Kleist, H. V. --- Ḳlaisṭ, Hainrikh fun, --- קלייסט, היינריך --- קלייסט, היינריך פון, --- קלייסט, הינריך פון, --- Heinrich von Kleist. --- Kleist's position. --- aesthetic. --- anthropological. --- biographical. --- cultural approaches. --- economic. --- historical context. --- modernity. --- moral universe. --- narrative. --- philosophical. --- political. --- psychological.

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Today, the term "Jewish self-hatred" often denotes a treasonous brand of Jewish self-loathing, and is frequently used as a smear, such as when it is applied to politically moderate Jews who are critical of Israel. In On the Origins of Jewish Self-Hatred, Paul Reitter demonstrates that the concept of Jewish self-hatred once had decidedly positive connotations. He traces the genesis of the term to Anton Kuh, a Viennese-Jewish journalist who coined it in the aftermath of World War I, and shows how the German-Jewish philosopher Theodor Lessing came, in 1930, to write a book that popularized "Jewish self-hatred." Reitter contends that, as Kuh and Lessing used it, the concept of Jewish self-hatred described a complex and possibly redemptive way of being Jewish. Paradoxically, Jews could show the world how to get past the blight of self-hatred only by embracing their own, singularly advanced self-critical tendencies--their "Jewish self-hatred.? Provocative and elegantly argued, On the Origins of Jewish Self-Hatred challenges widely held notions about the history and meaning of this idea, and explains why its history is so badly misrepresented today.

Self-hate (Psychology) --- Antisemitism --- Self-hatred (Psychology) --- Hate --- Self-perception --- Psychological aspects. --- Adage. --- Adolf Loos. --- Afrikan Spir. --- Alfred Kerr. --- Anti-Zionism. --- Anti-imperialism. --- Anti-nationalism. --- Antisemitism (authors). --- Antisemitism. --- Anxiety of influence. --- Bildung. --- Bildungsroman. --- Boris Groys. --- Buddenbrooks. --- Consciousness. --- Counter-revolutionary. --- Cultural pessimism. --- Defamation. --- Deportation. --- Edmund Husserl. --- Erudition. --- Erving Goffman. --- Feuilleton. --- Franz Kafka. --- Franz Werfel. --- Fritz Haarmann. --- German Forest. --- German nationalism. --- Germans. --- Gershom Scholem. --- Gustav Wyneken. --- Hans Gross. --- Hans Mayer. --- Hatred. --- Heinrich Heine. --- Heinrich von Kleist. --- Highbrow. --- His Family. --- Houston Stewart Chamberlain. --- Hugo Bettauer. --- Humiliation. --- Hypocrisy. --- Jacques Derrida. --- Jakob Wassermann. --- Jewish assimilation. --- Jewish guilt. --- Jews. --- Judaism. --- Karl Kraus (writer). --- Kurt Tucholsky. --- Lecture. --- Lessing. --- Ludwig Klages. --- Ludwig Wittgenstein. --- Martin Buber. --- Modern Paganism. --- Modernity. --- Moses Mendelssohn. --- Narrative. --- Novelist. --- Oedipus complex. --- On the Jewish Question. --- Oppression. --- Oswald Spengler. --- Otto Gross. --- Otto Weininger. --- Pacifism. --- Paul Heyse. --- Persecution. --- Pessimism. --- Philosophy. --- Pity. --- Pogrom. --- Polemic. --- Prejudice. --- Prostitution. --- Psychoanalysis. --- Rainer Maria Rilke. --- Ridicule. --- Rudolf Steiner. --- Satire. --- Self-consciousness. --- Self-criticism. --- Self-hating Jew. --- Self-hatred. --- Suggestion. --- Superiority (short story). --- The Decline of the West. --- The Other Hand. --- The Philosopher. --- The Pity of It All. --- Theodor Fritsch. --- Theodor Lessing. --- Theodor. --- Thomas Mann. --- Thought. --- Vladimir Nabokov. --- Walter Benjamin. --- Writing. --- Zionism. --- Jews --- History. --- Lessing, Theodor,