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Photography, Artistic --- Photomontage --- Heinecken, Robert,
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Robert Heinecken was a pioneer in the postwar Los Angeles art scene who described himself as a para-photographer because his work stood "beside" or "beyond" traditional ideas of the medium. Published in conjunction with the first museum exhibition of the artist’s work since his death in 2006, this publication covers four decades of his remarkable and unique practice, from the early 1960s through the late 1990s, with special emphasis on his early experiments with technique and materiality. Culling images from newspapers, magazine advertisements and television, Heinecken recontextualized them through collage and assemblage, double-sided photograms, photolithography and re-photography. Although he was rarely behind the lens of a camera, his photo-based works question the nature of photography and radically redefine the perception of it as an artistic medium. As the most comprehensive survey of Heinecken’s oeuvre, this book sets his work in the context of twentieth-century history of photographic experimentation and conceptual art. An illustrated essay by conservator Jennifer Jae Gutierrez about the artist’s experimental techniques, which ranged from photograms to photolithography to collage, contributes to the sparse scholarship on Heinecken’s working methods. Robert Heinecken was born in 1931 in Denver, Colorado and in 1942 his family relocated to Riverside, California. After serving in the US Marine Corp, he earned a BA in 1959 from the University of California, Los Angeles, where he continued his studies, specializing in printmaking and graduating with an MFA in 1960. He founded the graduate program for photography at UCLA in 1964, where he taught until 1991. Heinecken died at age 74 in 2006 in Albuquerque, New Mexico.
Heinecken, Robert --- kunst --- fotografie --- seksualiteit --- erotiek --- collage --- montage --- Verenigde Staten --- twintigste eeuw --- Heinecken Robert --- 7.071 HEINECKEN --- Exhibitions --- Photography --- manipulated photographs --- nudes [representations] --- artistieke fotografie
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kunst --- fotografie --- polaroids --- modefotografie --- Verenigde Staten --- twintigste eeuw --- seksualiteit --- erotiek --- Heinecken Robert --- 7.071 HEINECKEN --- Exhibitions
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Butler, Lynn --- Byrne, David --- Cowin, Eileen --- Heinecken, Robert --- Nash Graham --- Parker, Olivia --- Reff, Jonathan
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Halilaj, Petrit --- Swennen, Walter --- Walther, Franz Erhard --- Zaatari, Akram --- Ruppersberg, Allen --- Heinecken, Robert --- Biscotti, Rossella --- Torfs, Ana --- Leckey, Mark
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Heinecken, Robert ; Shore, Stephan ; Epstein, Mitch ; Levitt, Helen ; Meyerowitz, Joel ; Sonneman, Eve ; Slavin, Neal ; Krims, Les ; Sternfeld, Joel ; Christenberry, William ; Eggleston, William ; Groover, Jan ; Kasten, Barbara ; Divola, John ; Pfahl, John ; Misrach, Richard ; Callahan, Harry ; Rubinfien, Leo
Color photography --- 77.038 --- Callahan Larry --- Christenberry William --- Divola John --- Eggleston William --- Epstein Mitch --- fotografie --- Groover Jan --- Heinecken Robert --- Kasten Barbara --- kleurfotografie --- Krims Les --- Levitt Helen --- Meyerowitz Joel --- Misrach Richard --- Pfahl John --- Rubinfien Leo --- Shore Stephen --- Slavin Neal --- Sonneman Eve --- Sternfeld Joel --- twintigste eeuw --- Verenigde Staten --- Chromophotography --- Heliochromy --- Photography, Color --- Photography --- History
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Si l'histoire de la photographie s'est construite autour de la question du tirage, la projection photographique a connu un important développement dès le dernier tiers du XIXe siècle, notamment dans la tradition des spectacles de lanterne magique. Longtemps restreinte au domaine de l'enseignement, aux conférences publiques et au divertissement populaire, la photographie projetée se développe également chez les photographes amateurs. C'est à partir des années 1960 que la création artistique intègre la diapositive, lorsque les artistes conceptuels s'en emparent comme moyen alternatif de création.
fotografie --- projectie --- projecties --- negentiende eeuw --- twintigste eeuw --- kunst --- dia's --- fotografiegeschiedenis --- Langenheim frêres --- Stieglitz Alfred --- Personnaz Antonin --- Kahn Albert --- Freund Gisèle --- Levitt Helen --- Graham Dan --- Floyer Ceal --- Le Corbusier --- Eames Charles --- Eames Ray --- Isaacs Ken --- Ifert Gerard --- Meyer Rudi --- Svoboda Josef --- Heinecken Robert --- Gadenne Bertrand --- Sabatier Alain --- Dibbets Jan --- Sekula Allan --- Goldin Nan --- Fischli Peter --- Weiss David --- Lagomarsino Runo --- Gervais-Courtellemont Jules --- Hine Lewis W. --- Smithson Robert --- Broodthaers Marcel --- Leguillon Pierre --- 77.03 --- Exhibitions --- Diapositives --- Photography, Artistic --- Photographie artistique --- Slides (Photography) --- Photography, Artistic. --- Histoire --- Catalogues d'exposition. --- Hine Lewis W --- Histoire de la photographie
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Art --- art [discipline] --- Treiman, Joyce --- Kienholz, Edward --- Zajac, Jack --- Altoon, John --- Baca, Judith F. --- Berman, Eugène --- Berman, Wallace --- Biller, Les --- Buchanan, Nancy --- Burkhardt, Hans --- Cameron --- Caroompas, Carole --- Chavez, Roberto --- Cremean, Robert --- Everts, Connor --- Foulkes, Llyn --- Garabedian, Charles --- Gill, James --- Heinecken, Robert --- Jones, Kim --- Lebrun, Rico --- Mesches, Arnold --- Morphesis, Jim --- Outterbridge, John --- Saar, Betye --- Sakoguchi, Ben --- Smith, Barbara T. --- Strombotne, James --- Stussy, Jan --- Teske, Edmund --- Warshaw, Howard --- Wayne, June --- White, Charles --- Zorthian, Jirayr --- Jones, John Paul --- Chicago, Judy --- McCarthy, Paul --- Brice, William --- Burden, Chris --- Hammons, David --- Kienholz, Nancy --- California --- California [state]
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visual arts --- nudes [representations] --- sexuality --- Art --- Human anatomy --- Sexology --- eroticism --- private collections --- pornography --- Man Ray --- Büchel, Christoph --- Borremans, Michaël --- Bamgboyé, Oladélé Ajiboyé --- Slinger, Penny --- Kelley, Mike --- Metinides, Enrique --- Warhol, Andy --- Kahrs, Johannes --- Baumann, Selina --- Afif, Saadane --- Tuymans, Luc --- Levine, Sherrie --- Moriyama, Daido --- Araki, Nobuyoshi --- Rhoades, Jason --- Picasso, Pablo --- Sherman, Cindy --- Dubossarsky, Vladimir --- Dokoupil, Jirí Georg --- McCarthy, Paul --- Mellor, Dawn --- Lozano, Lee --- Manders, Mark --- Phillips, Richard --- Dunham, Carroll --- Prince, Richard --- Bellmer, Hans --- Vasquez de la Horra, Sandra --- Meene, Hellen, van --- Goldin, Nan --- Linder --- Goldberg, Jim --- Grannan, Katy --- Aitken, Doug --- Vinogradov, Alexander --- Koons, Jeff --- Hirakawa, Noritoshi --- Heinecken, Robert --- Dubossarsky & Vinogradov --- Mendieta, Ana --- Orozco, Gabriel --- Degas, Edgar --- Wool, Christopher --- Pettibon, Raymond --- Clark, Larry --- Woodman, Francesca --- Mikhailov, Boris --- Mapplethorpe, Robert --- Currin, John --- Lucas, Sarah --- Clemente, Francesco --- Álvarez Bravo, Manuel --- Alpern, Merry --- Dohmen, Leo --- Dr. Lakra --- Hirst, Damien --- Dumas, Marlene --- Kippenberger, Martin --- Cantor, Ellen --- Koether, Jutta --- Joffe, Chantal --- English, Simon --- Djurberg, Nathalie --- erotiek --- verzameling Thomas Koerfer --- seksualiteit --- Dood --- Koerfer, Thomas --- 19de eeuw --- 20ste eeuw --- 21ste eeuw --- visual arts [discipline] --- Afif, Saâdane --- erotiek. --- verzameling Thomas Koerfer. --- seksualiteit. --- Dood. --- Koerfer, Thomas. --- 19de eeuw. --- 20ste eeuw. --- 21ste eeuw. --- private collections [object groupings] --- lichaam (van de mens)
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