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"This collection of essays offers an inquiry into the complex interaction between exegesis and poetry that characterized medieval and early modern Karaite and Rabbanite treatment of the Bible in the Islamic world, the Byzantine Empire, and Christian Europe. Discussing a variety of topics that are usually associated with either exegesis or poetry in conjunction with the two fields, the authors analyze a wide array of interactions between biblical sources and their interpretive layers, whether in prose exegesis or in multiple forms of poetry and rhymed prose. Of particular relevance are mechanisms for the production and transmission of exegetical traditions, including the participation of Jewish poets in these processes, an issue that serves as a leitmotif throughout this collection"--
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Hebrew poetry, Medieval --- Indexes. --- Davidson, Israel, --- Indexes.
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This work contains a Hebrew and an English section. The former is an edition of the Maḥberot Eitan ha-Ezraḥi , a maqama collection composed after the pattern of al-Ḥarizi's Taḥkemoni. The edition opens with an introduction, translated at the beginning of the English section. The rest of the English section is devoted to an analysis of that branch of the Hebrew maqama tradition that is rooted in the Maqāmāt of al-Ḥarīrī, starting from a review of the evidence for the presence of the Maqāmāt in the world of Hebrew letters, through the Taḥkemoni , and concluding with the Maḥbarot of Immanuel ha-Romi.
Hebrew poetry, Medieval --- Maqamah --- History and criticism
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Moses Dar'ī of Alexandria was the product of both Arab courtly culture and Jewish civilization, and certainly the most gifted poet of medieval Karaism. This collection of his work reflects the tension and blend between his two contrasting backgrounds. The volume offers a close reading of the Hebrew collection of over five hundred of his writings, based on manuscripts from St. Petersburg, Ramle and New York. This gives good reason to believe that Moses Dar''1,133.
Hebrew poetry, Medieval --- Piyutim --- Egypt --- Piyutim. --- Egypt.
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Ambiguity in literature. --- Hebrew poetry, Medieval --- History and criticism.
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The book includes sixteen studies about medieval Hebrew poetry compared with Arabic poetry. It is well known that since the tenth century medieval Hebrew poets took Arabic poetry as the ultimate paradigm in terms of prosody, language purism and rhetorical devices and even in regard to poetical genres. However, the concept unifying all studies in this book is that a comparative examination must consider not only the identical elements in which Hebrew poetry borrowed from the Arabic one, but alos what is much more significant – what Hebrew poetry stubbornly set itself at a distance from Arabic poetry. The conclusive result of this sort of examination is that Hebrew poetry combined selectively borrowed Arabic poetical values with traditional ethical Jewish values to create a distinctive poetical school.
Hebrew poetry, Medieval --- Arabic poetry --- History and criticism. --- Arab influences.
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The first steps in Hebrew secular poetry took place around the turn of the ninth century, under the impact of contemporary Arabic poetry. This impact was so great that some researchers, incorrectly, define the Hebrew poetry as a school which is distinct from the Arabic school only by virtue of its Hebrew language. However, the right way to the essence of medieval Hebrew poetry is not only by revealing and describing its ties with Arabic poetry but also by determining the specific characteristics by which it stubbornly distinguished itself from its Arabic contemporaries. This innovative critical approach is the central feature of this book.
Hebrew poetry, Medieval --- Arabic poetry --- Medieval Hebrew poetry --- History and criticism. --- Arab influences. --- History and criticism --- Arab influences --- Hebrew poetry [Medieval ] --- Spain --- Middle East
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Jewish philosophy --- Hebrew poetry, Medieval --- Philosophie juive --- Poésie hébraïque médiévale
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