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Good poetry is like a good painting: the more you linger over it, the more it reveals. It is a deep well that never runs dry. And that is why the Psalter, like a good painting, keeps giving. In the last four decades, Psalms scholarship has found remarkable fruitfulness in reading the Psalter as a book--that is, in reading the Psalms as a unified composition with a metanarrative across its 150 poems. Pivotal questions associated with this approach really boil down to two questions--how and why? How are individual psalms sequenced, if at all, and what is the design logic behind that macrostructure? This volume seeks to answer those questions. In essence, the Psalter unfurls the story of the Davidic covenant. While interest in the editing of the Psalter remains high in recent Psalms scholarship, this interest has not led to clear consensus. The specific and timely contribution of this volume is twofold. First, it consolidates the results of studies on groups of psalms. Second, it integrates poetic and thematic approaches that are typically separated in Psalms scholarship. Readers will find results of this study surprising and their implications sobering.
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An appreciation of the form and artistry of texts is essential to the understanding of their content, and nowhere is this more evident than in the case of biblical poetry. But poetic form is also worthy of appreciation in its own right, and as the studies in this collection show, Hebrew poetry can be seen as a monument to the literary-artistic achievement of the ancients. Great strides have been made in the investigation of the form and structure of the biblical texts, and no new study of the Hebrew Bible can afford to ignore the fruitful work that has been done in this field. This useful collection presents in a handy format an ample harvest of research by many of the world's leading Hebrew Bible scholars who have published their work in the pages of Vetus Testamentum in recent decades. It provides a fascinating reflection of the continuing new discoveries of the richness of the biblical text, which informs the lively present-day study of the Hebrew Bible as world literature.
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Hebrew poetry, Biblical --- Bible. --- Criticism, interpretation, etc.
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Despite the attention that has already been paid to the theme of creation in the book of Sirach, scholarship has yet to provide a comprehensive analysis of Ben Sira's instruction regarding the cosmic order and its role in the divine bestowal of wisdom upon human beings.This book, which consists of two parts, fills a lacuna in scholarship by offering such an analysis. The first part of this study examines Ben Sira's three main treatments of the created world, thus providing a comprehensive description and synthesis of Ben Sira's doctrine concerning the created order of the cosmos. The second part of this work analyzes the place of human beings in general, and the Jewish people in particular, within the cosmic order. This second part includes an analysis of the role of the created order in Ben Sira's wisdom instruction in 1:1-10 and 24:1-34 as well as an elucidation of the way in which his treatments of various kinds of people-civic leaders, wives, doctors, manual laborers, scribes, and cultic personnel-are integral to Ben Sira's doctrine of creation. This study demonstrates that the created order is a fundamental category that Ben Sira relies upon in articulating his instructions about wisdom and wise behavior.
Hebrew poetry, Biblical. --- Apocrypha. --- Ben Sira, Old Testament. --- Priesthood.
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Reading the poetry of first Isaiah' provides a literary and historical study of the prophetic poetry of First Isaiah, an underappreciated but highly sophisticated collection of poems in the Hebrew Bible. Informed by recent developments in biblical studies and broader trends in the study of poetry, Dr J. Blake Couey articulates a fresh account of Biblical Hebrew poetry and argues that careful attention to poetic style is crucial for the interpretation of these texts. Discussing lineation, he explains that lines serve important rhetorical functions in First Isaiah, but the absence of lineated manuscripts from antiquity makes it necessary to defend proposed line divisions using criteria such as parallelism, rhythm, and syntax. He examines poetic structure, and highlights that parallelism and enjambment create a sense of progression between individual lines, which are tightly joined to form couplets, triplets, quatrains, and occasionally even longer groups. Later, Dr Couey treats imagery and metaphor in First Isaiah. A striking variety of images-most notably agricultural and animal imagery-appear in diverse contexts in these poems, often with rich figurative significance
Hebrew poetry, Biblical --- History and criticism --- Bible. --- Criticism, interpretation, etc.
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Ce livre est la reproduction fidèle d'une oeuvre publiée avant 1920 et fait partie d'une collection de livres réimprimés à la demande éditée par Hachette Livre, dans le cadre d'un partenariat avec la Bibliothèque nationale de France, offrant l'opportunité d'accéder à des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF. Les oeuvres faisant partie de cette collection ont été numérisées par la BnF et sont présentes sur Gallica, sa bibliothèque numérique. En entreprenant de redonner vie à ces ouvrages au travers d'une collection de livres réimprimés à la demande, nous leur donnons la possibilité de rencontrer un public élargi et participons à la transmission de connaissances et de savoirs parfois difficilement accessibles. Nous avons cherché à concilier la reproduction fidèle d'un livre ancien à partir de sa version numérisée avec le souci d'un confort de lecture optimal.
Poetry, Ancient --- Hebrew poetry --- Hebrew poetry, Biblical --- Bible as literature
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