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The most prolific woman writer of the eighteenth century, Eliza Haywood (1693-1756?) was a key player in the history of the English novel. Along with her contemporary Defoe, she did more than any other writer to create a market for fiction prior to the emergence of Richardson, Fielding, and Smollett.Also one of Augustan England's most popular authors, Haywood came to fame in 1719 with the publication of her first novel, Love in Excess. In addition to writing fiction, she was a playwright, translator, bookseller, actress, theater critic, and editor of The Female Spectator, the first English pe
Women and literature --- Novelists, English --- History --- Haywood, Eliza Fowler, --- Haywood,
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Haywood, Eliza Fowler, --- Criticism and interpretation --- Haywood, Eliza Fowler, - 1693?-1756 - Criticism and interpretation --- Haywood, Eliza Fowler, - 1693?-1756 - Love in excess, or, The fatal enquiry --- Haywood, Eliza Fowler, - 1693?-1756 --- Haywood, Eliza Fowler, 1693?-1756 --- Haywood, Eliza Fowler, 1693?-1756 - Love in excess, or, The fatal enquiry
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Feminism and literature --- Women and literature --- History --- History --- Haywood, Eliza Fowler,
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"Eliza Haywood (1693-1756), the most important female English novelist of the 1720s who is famous for writing scandalous fiction about London society. Her short novels, The Masqueraders and The Surprize are valuable sources for the study of 18th century gender and identity, the social history of masquerade, the dangers of courtship and seduction, and conceptions of elite and popular cultures. Well suited to the teaching of these two texts, this volume contains annotated scholarly editions of both novels, and extensive introduction, and useful appendices that discuss the masquerade's role in 18th century debates on gender, morality, and identity."--
English fiction --- English fiction. --- Kvinnor --- Maskerader --- Masquerades in literature. --- Masquerades in literature. --- Masquerades --- Masquerades. --- Women --- Women --- Conduct of life --- Conduct of life. --- Haywood, Eliza Fowler, --- Haywood, Eliza Fowler, --- Criticism and interpretation. --- 1700-1799. --- England.
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Authors, English --- Authors, English. --- Political and social views. --- Politics and literature --- Politics and literature. --- Politics in literature. --- Politics in literature. --- Women authors, English --- Women authors, English. --- History --- Haywood, Eliza Fowler, --- Haywood, Eliza Fowler, --- Haywood, Eliza Fowler, --- Political and social views. --- 1700-1799. --- Great Britain.
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Theories of sight and spectatorship captivated many writers and philosophers of the eighteenth century and, in turn, helped to define both sexual politics and gender identity. Eliza Haywood was thoroughly engaged in the social, philosophical, and political issues of her time, and she wrote prolifically about them, producing over seventy-five works of literature? plays, novels, and pamphlets? during her lifetime. Examining a number of works from this prodigious canon, Juliette Merritt focuses on Haywood's consideration of the myriad issues surrounding sight and seeing and argues that Haywood explored strategies to undermine the conventional male spectator/female spectacle structure of looking.Combining close readings of Haywood's work with twentieth-century debates among feminist and psychoanalytic theorists concerning the visual dynamics of identity and gender formation, Merritt explores insights into how the gaze operates socially, epistemologically, and ontologically in Haywood's writing, ultimately concluding that Haywood's own strategy as an author involved appropriating the spectator position as a means of exercising female power. Beyond Spectacle will cement Haywood's deservedly prominent place in the canon of eighteenth-century fiction and position her as a writer whose work speaks not only to female agency, but to eighteenth-century writers, gender relations, and power politics as well.
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" ... Haywood's first novel, Love in Excess [is] ... a well-crafted novel in which the claims of love and ambition are pursued through multiple storylines until the heroine engineers a melodramatic conclusion."--Back cover.
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This book brings together new contributions in Popular Fiction Studies, giving us a vivid sense of new directions in analysis and focus. It looks into the histories of popular genres such as the amatory novel, imperial romance, the western, Australian detective fiction, Whitechapel Gothic novels, the British spy thriller, Japanese mysteries, the 'new weird', fantasy, girl hero action novels and Québecois science fiction. It also examines the production, reproduction and distribution of popular fiction as it carves out space for itself in transnational marketplaces and across different media entertainment systems; and it discusses the careers of popular authors and the various investments in popular fiction by readers and fans. This book will be indispensable for anyone with a serious interest in this prolific but highly distinctive literary field.
Fiction --- Literature --- History --- science fiction --- detectiveromans --- Gothic --- fantasy --- literatuur --- literatuurgeschiedenis --- Corelli, Marie --- Mina, Denise --- Unno, Jūza --- Levin, Ira --- Haywood, Eliza --- anno 1900-1999 --- anno 2000-2099
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Fiction --- English literature --- Haywood, E. --- anno 1700-1799 --- English fiction --- Romanticism --- Popular literature --- Women and literature --- Narration (Rhetoric) --- Roman anglais --- Romantisme --- Littérature populaire --- Femmes et littérature --- Narration --- History and criticism. --- Women authors --- History. --- Histoire et critique --- Femmes écrivains --- Histoire --- Haywood, Eliza Fowler, --- Shelley, Mary Wollstonecraft, --- Technique. --- -English fiction --- -Popular literature --- -Romanticism --- -Women and literature --- -Narration (Rhetoric) --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Literature --- Pseudo-romanticism --- Romanticism in literature --- Aesthetics --- Literary movements --- Literature, Popular --- Books and reading --- Popular culture --- -History and criticism --- History and criticism --- History --- Haywood, Eliza Fowler --- -Shelley, Mary Wollstonecraft --- -Technique --- Technique --- Littérature populaire --- Femmes et littérature --- Femmes écrivains --- Haywood, Eliza --- Women authors&delete& --- Shelley, Mary Wollstonecraft Godwin, --- Shelli, Mėri, --- Shelley, --- Shelley, Percy Bysshe, --- Shelley, Mary, --- Shelley, Maria, --- שלי, מרי, --- Haywood, --- English fiction - 18th century - History and criticism --- Romanticism - Great Britain --- English fiction - Women authors - History and criticism --- Popular literature - Great Britain - History and criticism --- Women and literature - Great Britain - History --- Haywood, Eliza Fowler, - 1693?-1756 - Technique --- Shelley, Mary Wollstonecraft, - 1797-1851 - Technique --- Litterature anglaise --- 18e siecle --- Critique textuelle --- Haywood, Eliza Fowler, - 1693?-1756 --- Shelley, Mary Wollstonecraft, - 1797-1851
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Fiction --- Thematology --- History --- Literature --- Writers --- Book --- Edited volume --- Rossetti, Christina --- Richardson, Dorothy M. --- Wollstonecraft, Mary --- Cavendish, Margaret [Duchess of Newcastle] --- Ward, Mary Augusta --- Wilcox, Ella Wheeler --- Gaskell, Elizabeth --- Schreiner, Olive --- Mansfield, Katherine --- Browning, Elizabeth Barrett --- Behn, Aphra --- Austen, Jane --- Brontë, Charlotte --- Haywood, Eliza --- Eliot, George --- Woolf, Virginia
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