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"... a complete realization of the series exhibited at the 2019 Whitney Biennial. Hatleberg is known for traveling America, guided by intuition, to create scenes of American life and landscape. Working collaboratively with the people he meets, he recounts intimate stories of family and community. Here, in the follow-up to his first monograph Lost Coast (TBW Books, 2016), Hatleberg centers his narrative on the dog days of summer. Sweltering heat, dripping humidity, lush vegetation, and screaming insects- River’s Dream is a pulsing and episodic hallucination of life lived outdoors. In these sixty-five photographs, we move through swamps and groves, front yards and junkyards, encountering moments of haunting mystery and beautiful impermanence. Heightened by formal repetition, echo, and refrain, everyday scenes take on surreal, allegorical qualities. In the end, Hatleberg leaves us with the impression of memory, where the past is never gone, but appears and reappears endlessly, as in the flickering of a dream."--Publisher's description.
Photography, Artistic --- Documentary photography --- Portrait photography --- Hatleberg, Curran. --- Florida
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"In Lost Coast, Curran Hatleberg presents an episodic narrative about Eureka, California. Intimate portraits of town and people function like a collection of short stories, building to an understanding of place. The pictures live between extremes, between the grand and the granular, between the breathtaking natural landscape and the grim realities of industrial decline. The resulting portraits of everyday life contain stirring moments of intimacy, each frame its own micro narrative about life in the town. The pictures could be documents or dreams, but they all center on the strange beauty of an overlooked American life. An oversized golden foil stamp was selected for the cover of the book with the knowledge that it would fleck and become embedded in the fibers of the book cloth the more it was held, referencing both California's nickname and the region's distorted promises"--
Photography, Artistic --- Documentary photography --- Hatleberg, Curran. --- Eureka (Calif.)
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Paul Graham curates a subtle thesis and revitalising manifesto for photography. The dynamic and diverse work gathered here advocates an unashamed, but not uncomplicated, dedication to the brilliant tangle of reality. Without being tempted by the artifice of the studio or the restrictive demands of conventional documentary, these artists tell open-ended stories that shift, warp, and branch, attuned unfailingly to life-as-it-is. Included are Gregory Halpern's Californian waking dream ZZYZX; Vanessa Winship's peripatetic exercise in empathy she dances on Jackson; the human assemblages of Curran Hatleberg's Lost Coast; Stanley Wolukau-Wanambwa's rich and multitudinous One Wall a Web; the mortality-tinged America of Richard Choi's What Remains; RaMell Ross' visionary documentary work South County; the collaborative project Index G by Emanuele Bruti & Piergiorgio Casotti; and Kristine Potter's disorientating exploration of the American landscape and masculinity in Manifest. All these works are brought together in harmony and enlightening dissonance, as Graham teases out a new photographic form.
Photography, Artistic --- fotografie --- documentaire fotografie --- landschapsfotografie --- portretfotografie --- eenentwintigste eeuw --- 77.039 --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics --- Exhibitions --- documentary photography --- Video art --- History --- Photographie --- Brutti, Emanuele --- Casotti, Piergiorgio --- Choi, Richard --- Halpern, Gregory --- Hatleberg, Curran --- Potter, Kristine --- Ross, RaMell --- Winship, Vanessa --- Wolukau-Wanambwa, Stanley --- Photography, Artistic - 21st century - Exhibitions --- Video art - History - 21st century - Exhibitions --- Halpern, Gregory 1977 --- -Hatleberg, Curran
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Art --- art [discipline] --- racial discrimination --- postcolonialism --- Cuthand, Thirza --- Eisenman, Nicole --- Ezawa, Kota --- Galanin, Nicholas --- Hammer, Barbara --- Issa, Iman --- Luna, James --- Mutu, Wangechi --- Simpson, Diane --- Fernandes, Brendan --- Woodgate, Agustina --- Sun Kim, Christine --- Kline, Josh --- Leigh, Simone --- Balema, Olga --- Ellis, Janiva --- Harrison, Matthew Angelo --- Nietas de Nonó, Las --- Arunanondchai, Korakrit --- Sepuya, Paul Mpagi --- Arroyo, Eddie --- Bassichis, Morgan --- Blitz Bazawule --- Bell, Alexandra --- Belott, Brian --- Bennani, Meriem --- Bittenbender, Robert --- Blalock, Lucas --- Bradley, Garrett --- Chow, Milano --- Edmonds, John --- Fischer, Marcus --- Ga, Ellie --- Gallisá Muriente, Sofía --- Gibson, Jeffrey --- Gray, Todd --- Green, Sam --- Harris-Babou, Ilana --- Hatleberg, Curran --- Hollander, Madeline --- Jackson, Tomashi --- Jemison, Steffani --- Khalil, Adam --- Khalil, Zack --- Polys, Jackson --- Knight, Autumn --- Lazard, Carolyn --- Lee, Maia Ruth --- Lind-Ramos, Daniel --- Mack, Eric N. --- Marcus, Calvin --- McClodden, Tiona Nekkia --- Michie, Troy --- Minter, Joe --- Monaghan, Keegan --- Monnet, Caroline --- Monroe, Darius Clark --- Moss, Ragen --- Motalebi, Sahra --- Mullen, Marlon --- Mundt, Jeanette --- Nkiru, Jenn --- Ortman, Laura --- Packer, Jennifer --- Pastrana Santiago, Nibia --- Pérez, Elle --- Phillips, Pat --- Porras-Kim, Gala --- Price, Walter --- Rodriguez, Carissa --- Shin, Heji --- Syms, Martine --- Thurman, Kyle --- Valencia, Mariana --- Forensic Architecture [London] --- Colectivo Los Ingrávidos [Tehuacán] --- Paper Tiger Television [New York, N.Y.] --- FIERCE [New York, N.Y.]
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