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Patrick Siegmann's study explores the concept of hate in literature through the works of authors such as Elfriede Jelinek, Thomas Bernhard, and Rainald Goetz. It examines how a poetics of hate critiques categories like homeland and family while addressing Germany's historical and cultural identity. The work integrates philosophical, sociological, and psychological theories to analyze the role of hate as a societal force and its depiction in cultural studies. By distinguishing between real and literary hate speech, the study offers insights into hate as a medium for both historical reflection and literary criticism. Intended for academics and scholars interested in cultural studies and literary analysis, the book presents hate as a complex literary device with potential for social critique.
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"La violence n'a pas subitement surgi dans nos vies avec les attentats de janvier et de novembre 2015. Aucune de nos relations, qu'elles soient familiales, scolaires, professionnelles, morales ou politiques, n'y échappe. Mais la terreur instaurée par les attaques terroristes est une épreuve sans précédent. D'abord parce qu'elle provoque la hantise de la répétition : nous savons qu'à la terrasse d'un café, dans une salle de spectacle ou dans les transports en commun, la violence peut à nouveau frapper. La peur, le désir de vengeance et de justice accompagnent notre volonté d'en finir avec ce que nous considérons comme le mal radical. Comment pourrait-il en aller autrement ? Et qui nous le reprocherait ? Mais le risque est alors d'autoriser les emportements, les jugements précipités, les décisions aveugles et, finalement, de répondre à la violence par la violence. Faire face à la haine est un défi pour nos sociétés. Dans ce livre courageux, à contre-courant de bien des discours actuels, et convoquant toutes les ressources de la philosophie, Marc Crépon défend le principe du refus de la violence, du refus de consentir à son oeuvre et à la culture de destruction qui l'accompagne. Les grandes figures de la non-violence que furent Jaurès, Romain Rolland, Martin Luther King et Mandela nous offrent des modèles et prouvent que la terreur n'est ni invincible ni fatale."--Page 4 of cover.
Hate --- Violence --- Nonviolence --- Violence in literature. --- Hate in literature. --- Prevention. --- Philosophy. --- Political aspects.
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Literature, Medieval --- -Women --- -Women in literature --- History and criticism --- History --- Apathy in literature --- Feudalism in literature --- Hate in literature --- Women in literature --- History -
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To understand hatred and civility in today's world, argues Christopher Lane, we should start with Victorian fiction. Although the word "Victorian" generally brings to mind images of prudish sexuality and well-heeled snobbery, it has above all become synonymous with self-sacrifice, earnest devotion, and moral rectitude. Yet this idealized version of Victorian England is surprisingly scarce in the period's literature--and its journalism, sermons, poems, and plays--where villains, hypocrites, murderers, and cheats of all types abound.
English literature --- Misanthropy in literature. --- Literature and society --- Alienation (Social psychology) in literature. --- Interpersonal relations in literature. --- Manners and customs in literature. --- Courtesy in literature. --- Hate in literature. --- History and criticism. --- History --- England --- Great Britain --- Social life and customs
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Une évocation de la haine comme principe esthétique sensible dans la création littéraire. L'auteur aborde notamment la poésie de la Renaissance, les pamphlets des guerres de Religion, le tragique chez Corneille et Racine, la conscience littéraire chez Rousseau, la perversion chez Céline ou encore le roman contemporain.
Comparative literature --- Thematology --- Literature --- Hate in literature --- Littérature --- Haine dans la littérature --- Aesthetics --- Themes, motives --- Esthétique --- Thèmes, motifs --- French literature --- History and criticism --- Littérature --- Haine dans la littérature --- Esthétique --- Thèmes, motifs --- Themes, motives. --- French literature - History and criticism
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Latin literature --- Oratory, Ancient. --- Hate --- Littérature latine --- Eloquence antique --- Haine --- Translations into Italian --- Traductions italiennes --- Quintilian --- Authorship. --- Declamationes pseudo-Quintilianeae (Maiores) --- Hate in literature --- Oratory, Ancient --- Roman literature --- Classical literature --- Classical philology --- Latin philology --- Quintilianus, Marcus Fabius. --- Quinctilian --- Quintilien --- Quintiliano, Marco Fabio --- Kvintilijan --- 昆体良 --- Quintiliano --- Quintillian --- Declamationes maiores --- Declamationes majores --- Grandes déclamations --- Major declamations --- Quintilianus, Marcus Fabius --- Marcus Fabius Quintilianus --- Quintilianus
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This book studies how the tirades and unrestrained villainy of Shakespeare's art explode the decorum and safety of our sanitized lives and challenge the limits of selfhood. The literary criticism of anger and hate provides a vision of the experience of Shakespeare's theater as an intensification of human experience that goes beyond traditional contexts of character, culture, and ethics. The book, alive to the judgmental character of emotions, transforms the way we see the rancorous passions and the disorderly and disobedient demands of anger and hatred.
Hate in literature. --- Anger in literature. --- Self-knowledge in literature. --- Shakespeare, William, --- Šekspir, Vil'jam --- Criticism and interpretation. --- Shakespear, William, --- Shakspeare, William, --- Šekʻspiri, Uiliam, --- Saixpēr, Gouilliam, --- Shakspere, William, --- Shikisbīr, Wilyam, --- Szekspir, Wiliam, --- Šekspyras, --- Shekspir, Vilʹi︠a︡m, --- Šekspir, Viljem, --- Tsikinya-chaka, --- Sha-shih-pi-ya, --- Shashibiya, --- Sheḳspir, Ṿilyam, --- Shaḳspir, Ṿilyam, --- Syeiksŭpʻio, --- Shekspir, V. --- Szekspir, William, --- Shakespeare, Guglielmo, --- Shake-speare, William, --- Sha-ō, --- Şekspir, --- Shekspir, Uiliam, --- Shekspir, U. --- Šekspir, Vilijam, --- Ṣēkspiyar, Viliyam, --- Shakspir, --- Shekspyr, Vyli︠e︡m, --- Şekspir, Velyam, --- Ṣēkspiyar, Villiyam, --- Shēkʻspʻiyr, Vlilliam, --- Ṣēkspiyar, --- Ṣēkspiyar Mahākavi, --- Ṣēkspiyar Mahākaviya, --- Sheḳspier, Ṿilyam, --- Shēkʻspir, --- Shakespeare, --- Śeksper, --- Шекспир, Вильям, --- Шекспир, Уильям, --- שייקספיר, וויליאם, --- שייקספיר, וו., --- שיקספיר, וויליאם --- שיקספיר, ויליאם --- שיקספיר, ויליאם, --- שכספיר, ויליאם, --- שכספיר, וילים, --- שכספיר, ו׳ --- שעפקספיר, וויליאם, --- שעקספיער, וויליאם --- שעקספיער, וויליאם, --- שעקספיער, ווילליאם --- שעקספיער, וו., --- שעקספיר --- שעקספיר, וו --- שעקספיר, וויליאם, --- שעקספיר, וויליאמ --- שעקספיר, ווילליאם --- שעקספיר, ווילליאם, --- שעקספיר, וו., --- שעקספיר, װיליאם, --- שעקספיר, װילליאם, --- שעקספיר, װ., --- שעקספער --- שעקספער, וויליאמ --- שקספיר --- שקספיר, וו --- שקספיר, וויליאם --- שקספיר, וויליאם, --- שקספיר, ווילים, --- שקספיר, וילאם --- שקספיר, ויליאם --- שקספיר, ויליאם, --- שקספיר, ויליים, --- שקספיר, וילים --- שקספיר, וילים, --- شاكسبير، وليم --- شاكسپير، وليم --- شكسبير، وليام --- شكسبير، وليم --- شكسبير، وليم، --- شكسبير، و. --- شكسپير، وليم --- شكسپير، ويليام --- شيكسبير، وليام --- شيكسبير، وليام.، --- شيكسبير، وليم --- شکسبير، وليم --- وليم شکسبير --- 沙士北亞威廉姆, --- 沙士比亞威廉姆, --- 莎士比亞威廉姆, --- 莎士比亞威廉, --- 莎士比亞, --- Shakespeare, William --- Literature --- Shakespeare --- Coriolanus --- Emotion --- Iago --- King Lear --- Michel de Montaigne --- Othello --- William Shakespeare
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