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Tony Harrison
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Year: 1987 Publisher: London : Book Trust in conjunction with the British Council,

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Harrison, Tony,

Tony Harrison: a bibliography, 1957-1987
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ISBN: 0720120241 Year: 1989 Publisher: London Mansell

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The poetry of Tony Harrison
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ISBN: 0745015883 Year: 1994 Publisher: New York,London : Harvester Wheatsheaf,

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Tony Harrison
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ISBN: 0746307896 1786946416 Year: 1996 Publisher: Plymouth, UK : Northcote House, in association with The British Council,

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Tony Harrison is one of the most popular and respected poets and verse writers for the stage working in Britain today. In his lucid critical study Joe Kelleher brings Harrison's diverse output together under coherent themes, from his early published verse The Loiners (1970), to his accomplished translation and adaptation of The Oresteia (1981), through to his recent work for stage and television including The Shadow of Hiroshima (1995). He pays particular critical and theoretical attention to the issues of autobiography, translation, testimony and remembrance, and to poetry's obligation to face up - publicly - to the 'worst things' of twentieth-century history. Joe Kelleher's book considers Harrison's work as that of a dramatic poet, in the widest sense, staging personal utterance upon the landscape of public concerns.


Book
Poetry in the British isles : non-metropolitan perspectives
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ISBN: 0708312667 Year: 1995 Publisher: Cardiff : University of Wales Press,

Tony Harrison and the Holocaust
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ISBN: 1781387907 1846314259 9781846314254 9780853235064 0853235066 0853235163 9780853235163 9781781387900 Year: 2001 Publisher: Liverpool : Liverpool University Press,

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This book argues that Tony Harrison's poetry is barbaric. It revisits one of the most misquoted passages of twentieth-century philosophy: Theodor Adorno's apparent dismissal of post-Holocaust poetry as 'impossible' or 'barbaric'. His statement is reinterpreted as opening up the possibility that the awkward and embarrassing poetics of writers such as Harrison might be re-evaluated as committed responses to the worst horrors of twentieth-century history. Most of the existing critical work on Harrison focuses on his representation of class, which occludes his interest in other aspects of historiography. The poet's predilection for establishing links between the atrocities perpetrated by the Nazis, the bombing of Hiroshima and Nagasaki, and the prospect of global annihilation is examined as a commitment to oppose the dangers of linguistic silence. Hence Harrison's work can be read fruitfully within the growing field of Holocaust Studies: his texts enter into arguments about the ethics of representing traumatic incidents that still haunt the contemporary. Harrison's status as a 'non-victim' author of the events is stressed throughout. His writing of the Holocaust, allied bombings and atom bomb is mediated by his reception of the events through newsreels as a child, and his adoption and subversion, as an adult poet, of traditional poetic forms such as the elegy and sonnet. This book also discusses the ways in which Holocaust literature engages with a number of concepts challenged or altered by the historical events, such as love, mourning, memory, humanism, culture and barbarism, articulacy and silence.


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Manifesta 9 : the deep of the modern : a subcyclopaedia
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ISBN: 9788836623266 Year: 2012 Publisher: Cinisello Balsamo Silvana

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hedendaagse kunst --- industrieel erfgoed --- 19de eeuw --- 20ste eeuw --- 21ste eeuw --- kunst --- eenentwintigste eeuw --- Genk --- steenkoolindustrie --- steenkoolmijnen --- industriële archeologie --- kunst en sociologie --- Limburg --- België --- steenkool --- mijnen --- mijnbouw --- erfgoed --- Alexandrov Grigori --- Almarcegui Lara --- kunst en politiek --- Amalrik Leoni --- Babichenko Vladimir --- Polkovnikov Vladimir --- Amorales Carlos --- Anthoine Roger --- twintigste eeuw --- Apostol alexander --- The Ashington group --- Auden Winston Hugh --- Becher Bernd --- Becher hilla --- Beehive design collective --- negentiende eeuw --- Bevierre Olivier --- fotografie --- Biscotti Rosselle --- Bissill George --- Boltanski Christian --- Boom Irma --- Pijnappel Johan --- Brandt Bill --- Britten Benjamin --- Broodthaers Marcel --- Buckle Janet --- Burian Zdenek --- Burtynsky Edward --- Cain Ben --- Campbell Duncan --- Cavalcanti Alberto --- Claire fontaine --- Claus Emile --- Cobb francis William --- Cornish Norman --- Cvijanovic Nemanja --- Daykin Gilbert --- Deller Jeremy --- Demuth Charles --- Douard Cécile --- Duchamp Marcel --- Duran Manuel --- Ernst Max --- Furlan Tomaz --- Geers Kendell --- Geerts Paul --- Granata Rocco --- Gronbach Eva --- Grubic Igor --- Guillaumin Armand --- Habex Jan --- Hair Thomas harrison --- Hammons David --- Harrison Tony --- van Harskamp Nicoline --- herman Josef --- Hüner Emre --- IRWIN --- Ivens Joris --- Storck henri --- Izquierdo Jota --- Jafri Maryam --- Jitrik magdalena --- Kaliski Kevin --- Karikis Mikhail --- Orlow Uriel --- Kessels Willy --- Kilbourn Oliver --- Klutsis Gustav --- Konrad Aglaia --- van Konijnenberg Willem Adriaan --- Kozakis Nicolas --- Vaneigen Raoul --- van der Leck Bart --- van Lieshou Erik --- Long Richard --- de Loutherbourg Philippe Jacques --- Luce maximilien --- Luque Manuel --- Macia Oswaldo --- Martin John --- Masereel Frans --- Mass-observation movement --- Matthys MichaëlMcCullin don --- McGuiness Tom --- McPhee Donn --- Meunier onstantin --- Mies van der Rohe Ludwig --- Monko Marge --- Moore Henry --- Munby Arthur --- Ni Haifeng --- Pabst Georg Wilhelm --- Perlee Parker Henry --- Paullus de Châtelet Pierre --- Raqs media collective --- Rittase William --- Robinson William Heath --- Ruegenberg Sergius --- Schlingelhoff Bea --- Selander Lina --- Shen Kuai --- Sime Sidney --- Smithson Robert --- Soi Praneet --- Stella Joseph --- Sutherland Graham Vivien --- Timmermans Ante --- Tomaszewski Yan --- Torfs Ana --- 2012architects --- REFUNC --- Vanden Eynde Maarten --- Vega Macotela José Antonio --- Venet Bernar --- Vermeir Katleen --- Heiremans Ronny --- Visible solutions, LLC --- Woods Paolo --- Zola Emile --- 7.03 --- 7.039 --- kunst 21e eeuw --- Manifesta --- kunstgeschiedenis - kunst vanaf 2001 --- Exhibitions --- MAD-faculty 12 --- Europese Biënnale --- Manifesta 2012 --- Kunsten --- Industriële archeologie --- Tentoonstellingen --- Biënnale --- Limburg (België) --- Steenkoolmijnen --- 20e eeuw --- 21e eeuw --- Kunst --- Tentoonstelling --- Limburg (Belgische provincie) --- Steenkoolmijn --- hedendaagse kunst. --- industrieel erfgoed. --- 19de eeuw. --- 20ste eeuw. --- 21ste eeuw.

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