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Annesley, David --- Bolus, Michael --- Hall, David --- King, Phillip --- Scott, Tim --- Tucker, William --- Witkin, Isaac --- Woodham, Derrick --- Groot-Brittannië
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Art --- art [discipline] --- Caro, Anthony --- Hall, David --- Kim, Lina --- Robertson-Swann, Ron --- Schottlander, Bernard --- Wall, Brian --- Woodham, Derrick --- Turnbull, William
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Sculpture --- sculpture [visual works] --- beeldhouwkunst --- Hall, David --- Woodham, Derrick --- King, Phillip --- Bolus, Michael --- Scott, Tim --- Tucker, William --- Witkin, Isaac --- Annesley, David --- anno 1900-1999 --- Great Britain
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Despite a number of retrospective works on cultural studies, to date no other book dedicates itself to the historical and theoretical examination of British cultural studies' engagement with the »active audience theory« of the Birmingham School and its legacies. However, this book is no mere reconstruction of active audience theory as Huimin Jin develops new theoretical insights initially through a critical review of Stuart Hall's classical model of »encoding/decoding« and close readings of David Morley's groundbreaking ethnographic audience studies. Questioning the discourse model of the active audience proposed by Hall and Morley, Jin elaborates a new materialistic concept of audiences for the twenty-first century. »Jin bietet einen sehr interessanten Ansatz, mit dem das Konzept des aktiven Publikums eine neue Facette erhält.« Lothar Mikos, tv diskurs, 17/4 (2013) Reviewed in: GMK-Newsletter, 2 (2013)
Mass media --- Popular culture --- Culture --- Cultural studies --- Philosophy. --- Study and teaching. --- Cultural Studies; Media Theory; Discourse; Everyday Life; Stuart Hall; David Morley; Culture; Media; Media Aesthetics; Cultural Theory --- Cultural Theory. --- Culture. --- David Morley. --- Discourse. --- Everyday Life. --- Media Aesthetics. --- Media Theory. --- Media. --- Stuart Hall.
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Art --- filmstrips --- installations [visual works] --- video art --- artists' films --- Hiller, Susan --- Finn-Kelcey, Rose --- Goddard, Judie --- Graham, Roberta --- Hall, David --- Keane, Tina --- Krikorian, Tamara --- Marshall, Stuart --- Parker, Jayne --- Warburton, Holly --- Welsby, Chris --- Welsh, Jeremy --- Wilson, Anthony --- Evans, Cerith Wyn --- anno 1980-1989 --- Great Britain
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The landmark Jewish Museum exhibition 'Primary Structures' offered the first presentation of Minimalist sculptures in the United States, in 1966. The accompanying catalogue became a key resource on artists such as Donald Judd, Carl Andre, Dan Flavin, and Sol LeWitt, who were virtually unknown at the time. 'Other Primary Structures' is a long-overdue reintroduction of this classic, out-of-print text. This two-volume set includes a replica of the original catalogue, plus a new companion volume that offers a global survey of early Minimalist sculpture during the 1960s and 1970s, featuring important sculptors from Asia, Africa, Latin America and Eastern Europe, and complementing the earlier catalogue's focus on American and British artists. Beautifully designed, this publication comes enclosed in a clear jacket that pays homage to the original catalogue's iconic cover. 'Other Primary Structures' is invaluable for the study of modern art history and provides an authoritative survey of Minimalist sculpture in the 1960s.0Exhibition: The Jewish Museum, NYC, USA (14.3.-3.8.2014).
Sculpture --- sculpting --- Minimal --- Caro, Anthony --- Puzzolo, Norberto --- Maria, de, Walter --- Andre, Carl --- Pape, Lygia --- Sekine, Nobuo --- Sosa, Antonieta --- Kožarić, Ivan --- Katsurō, Yoshida --- Kolíbal, Stanislav --- Nour, Amir I.M. --- Hall, David --- Araeen, Rasheed --- Takamatsu, Jiro --- Flavin, Dan --- Escandell, Noemí --- Annesley, David --- Forakis, Peter --- Artschwager, Richard --- Clark, Lygia --- Oiticica, Hélio --- Bladen, Ronald --- Bony, Oscar --- Lamelas, David --- Medalla, David --- Koshimizu, Susumu --- Gerowitz, Judy --- Suga, Kishio --- Bolus, Michael --- Bell, Larry --- Ufan, Lee --- DeLap, Tony --- Frazier, Paul --- Gego --- Camargo --- Choucair, Saloua Raouda --- Krasiński, Edward --- Puente, Alejandro --- Efrat, Benni --- Renzi, Juan Pablo --- Vlahovič, Branko --- Gorski, Daniel --- Doyle, Tom --- Gray, David --- Lee, Ufan
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A critical introduction and guide to artists' video in both Europe and North America, this title covers the period from the early 1960s - when video art first appeared as a distinctive medium - into the 1990s, when digital technology merged video's distinctive practice with that of independent film-making and photography.
History of civilization --- Film --- Video art --- History --- Videokunst. --- Video art. --- History. --- Geschichte. --- video --- videokunst --- film --- video-installaties --- digitale kunst --- computerkunst --- experimentele film --- Jonas Joan --- Serra Richard --- Hall David --- Partridge Steve --- Bruszewski Wojciech --- Cameron Eric --- Birnbaum Dara --- vom Bruch Klaus --- Elwes Catherine --- Duvet Brothers --- Sjölander Ture --- Weck Lars --- Donebauer Peter --- Viola Bill --- Cahen Robert --- Vasulka Woody --- Reeves Daniel --- Snow Michael --- Studio Azzurro --- Goddard Judith --- Hill Gary --- kunst en technologie --- performances --- narratologie --- virtual reality --- cybercultuur --- Paik Nam June --- Hooykaas Madelon --- Stansfield Elsa --- Sinden Tony --- Critchley David --- Lucier Mary --- Meynell Katherine --- Campus Peter --- Meigh-Andrews Chris --- Le Grice Malcolm --- Biggs Simon --- Collins Susan --- 791.45 --- Video art - History
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Iconography --- Art --- Film --- art [discipline] --- video art --- kunst en technologie --- Horn, Rebecca --- Kriesche, Richard --- Dibbets, Jan --- Oppenheim, Dennis --- Paik, Nam June --- Antin, Eleanor --- Fox, Terry --- Holt, Nancy --- Kahlen, Wolf --- Cameron, Eric --- Davis, Douglas --- Downey, Juan --- Emshwiller, Ed --- Freed, Hermine --- Froese, Dieter --- Gillette, Frank --- Gusella, Ernest --- Hall, David --- Hocking, Ralph --- Iimura, Takahiko --- Korot, Beryl --- Kos, Paul --- Landry, Richard --- Weiner, Lawrence --- Lord, Chip --- Mann, Andy --- Michels, Doug --- Otth, Jean --- Palestine, Charlemagne --- Pezold, Friederike --- Schneider, Ira --- Schreier, Curtis --- Tambelllini, Aldo --- Vasulka, Steina --- Vasulka, Woody --- Walker, Willie --- Yalkut, Jud --- Hoover, Nan --- Rosenbach, Ulrike --- Serra, Richard --- Export, Valie --- Viola, Bill --- Jonas, Joan --- Sonnier, Keith --- Acconci, Vito --- Ruthenbeck, Reiner --- Graham, Dan --- Gilbert and George --- Nauman, Bruce --- Gerz, Jochen --- Baldessari, John --- Benglis, Lynda --- Burden, Chris --- Dominicis, de, Gino --- Kubota, Shigeko --- Levine, Les --- Muntadas, Antonio --- Rückriem, Ulrich --- Wegman, William --- Weibel, Peter --- Knoebel, Imi --- Campus, Peter --- Ant Farm --- Telethon --- anno 1900-1999 --- multimedia works --- multimediakunst
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Americans have never been more religious than they are now, at the dawn of the twenty-first century. By all reports, attendance rates at traditional places of worship are high and rising; the influx of new immigrant religions has revitalized standard faiths and drawn in those who had strayed from them. Popular television shows like "The Simpsons" feature characters who go to church every Sunday and speak to God; special events, like the 1998 outdoor mass in Worcester, Massachusetts, for a comatose girl believed to have miraculous powers, attract thousands of people. This collection is both part of this ferment and an intellectual reflection upon it. Religion and Cultural Studies features essays by major scholars from the fields of anthropology, history, literary criticism, and religion in order to enrich critical discourse about religion and culture. Despite the variety of disciplines represented by this group of scholars and the variety of cultures explored in their essays--from fifteenth-century Flemish asceticism and nineteenth-century African-American spiritualism to Russian blood-libel trials and Alien Abduction Reports in the twentieth century--their common ground is the question of religion's place in current American academic analysis, and more broadly in American life today. The volume's range of vocabulary and subject matter is aimed at vitalizing scholarly interest in the field of religion and cultural studies and deepening intellectual inquiry in the contemporary academy. The contributors are Eytan Bercovitch, Karen McCarthy Brown, Gillian Feeley-Harnik, Richard Wightman Fox, Jenny Franchot, Giles Gunn, Geoffrey Galt Harpham, Bruce B. Lawrence, Jack Miles, Susan L. Mizruchi, and Jonathan Z. Smith.
Religion and culture --- Religion and culture. --- United States --- Religion. --- Abraham. --- Acosta, Jose. --- Alexander the Great. --- Appadurai, Arjun. --- Aristotle. --- Arnold, Matthew. --- Bachelard, Gaston. --- Barthes, Roland. --- Bellah, Robert. --- Bhabha, Homi. --- Bradford, William. --- Brown, John. --- Cameron, William. --- Carver, Raymond. --- Castells, Manuel. --- Chance, David. --- Comstock, Anthony. --- Cooper, James Fenimore. --- Cunningham, Merce. --- Day, Dorothy. --- Delbanco, Andrew. --- Diamond, Jared. --- Doctor, Laura Parker. --- Duden, Barbara. --- Eagleton, Terry. --- Eastman, Max. --- Eliot, George. --- Emerson, Ralph Waldo. --- Euclid. --- Falk, Candace. --- Fiedler, Leslie. --- Flaubert, Gustave. --- Fraser, Nancy. --- Frye, Northrup. --- Gaylin, Willard. --- Goldman, Emma. --- Greeley, Horace. --- Hall, David. --- Hawthorne, Nathaniel. --- Hill, Barney. --- Homer. --- Ingold, Tim. --- Jameson, Fredric. --- Jones, William. --- Kern, Stephen. --- Klaw, Spencer. --- Kuspit, Donald. --- Lawrence, Peter. --- Masuzawa, Tomoko. --- Morgan, Alfred Gray. --- Morrison, Toni. --- Nash, June C. --- Noah.
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Art, British --- Conceptual art --- 7.038 --- Araeen Rasheed --- Arnatt Keith --- Arrowsmith Sue --- Art & Language --- Atkinson Conrad --- Boshier Derek --- Boyle Family --- Breakwell Ian --- Brisley Stuart --- Burgin Victor --- Chaimowicz Marc --- Chopin Henry --- Clark Judy --- Cobbing Bob --- concept art --- conceptuele kunst --- COUM Transmissions --- Craig-Martin Michael --- Crozier Robin --- Dugger John --- Dye David --- Eatherley Gill --- Edmonds Tom --- Farrer Steve --- Finn-Kelcey Rose --- Flanagan Barry --- Fulton Hamish --- Gidal Peter --- Gilbert & George --- Groot-Brittannië --- Halford Marilyn --- Hall David --- Harrison Margaret --- Head Tim --- Hemsworth Gerard --- Hilliard John --- Hill Tony --- Houédard Dom Sylvester --- Hunter Alexis --- Hunt Kay Fido --- Kelly Mary --- kunst --- Lamelas David --- Latham John --- Law Bob --- Le Grice Malcolm --- Long Richard --- Louw Roelof --- McLean Bruce --- Medalla David --- Metzger Gustav --- Newman Gerald --- Nicolson Annabel --- Ono Yoko --- Plackman Carl --- Raban William --- Rhodes Lis --- Rickaby Tony --- Sherwin Guy --- Sinden Tony --- Smith John --- Stezaker John --- Toren Amikam --- Troostwyk David --- twintigste eeuw --- Welsby Chris --- Willats Stephen --- Ziranek Silvia --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art --- Exhibitions --- Contemporary [style of art] --- hedendaagse kunst --- anno 1960-1969 --- anno 1970-1979 --- Great Britain
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