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A true account of my life and selected meditations
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ISBN: 1649590253 Year: 2023 Publisher: New York, New York : Iter Press,

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Abstract

"Born in the early 1620s to parents of Scottish descent who were servants in Charles I's household, Anne, Lady Halkett (née Murray), grew up on fringes of the English court during a period of increasing political tension. From 1644 to 1699, Halkett recorded her personal and political experiences in both England and Scotland in a series of manuscript meditations and an autobiographical narrative (A True Account of My Life). Royalism, romance, and contemporary religious debates are central to Halkett's vivid portrayal of her life as a single woman, wife, mother, and widow: collectively, the materials edited here offer the opportunity to explore how Halkett's meditational practice informed her life writing in the only version of her writings to date available in a fully modernized edition"--

The Memoirs of Anne, Lady Halkett and Ann, Lady Fanshawe
Authors: --- --- --- ---
ISBN: 0198120877 Year: 1979 Publisher: Oxford : Clarendon Press,

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Autobiography and gender in early modern literature: reading women's lives, 1600-1680
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ISBN: 9780511483967 9780521856959 9780521121644 051116128X 9780511161285 0511160186 9780511160189 0511160755 9780511160752 0511161468 9780511161469 0511483961 128043693X 9781280436932 0521856957 1107155894 9781107155893 0511312237 9780511312236 0521121647 Year: 2006 Publisher: Cambridge Cambridge University Press

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Abstract

Early modern autobiographies and diaries provide a unique insight into women's lives and how they remembered, interpreted and represented their experiences. Sharon Seelig analyses the writings of six seventeenth-century women: diaries by Margaret Hoby and Anne Clifford, more extended narratives by Lucy Hutchinson, Ann Fanshawe, and Anne Halkett, and the extraordinarily varied and self-dramatising publications of Margaret Cavendish. Combining an account of the development of autobiography with close and attentive reading of the texts, Seelig explores the relation between the writers' choices of genre and form and the stories they chose to tell. She demonstrates how, in the course of the seventeenth century, women writers progressed from quite simple forms based on factual accounts to much more imaginative and persuasive acts of self-presentation. This important contribution to the fields of early modern literary studies and gender studies illuminates the interactions between literature and autobiography.

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