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"Dietrich Bonhoeffer publicly confronted Nazism and anti-Semitic racism in Hitler's Germany. The Reich's political ideology, when mixed with theology of the German Christian movement, turned Jesus into a divine representation of the ideal, racially pure Aryan and allowed race-hate to become part of Germany's religious life. Bonhoeffer provided a Christian response to Nazi atrocities. In this book author Reggie L. Williams follows Dietrich Bonhoeffer as he encounters Harlem's black Jesus. The Christology Bonhoeffer learned in Harlem's churches featured a black Christ who suffered with African Americans in their struggle against systemic injustice and racial violence--and then resisted. In the pews of the Abyssinian Baptist Church, under the leadership of Adam Clayton Powell Sr., Bonhoeffer was captivated by Christianity in the Harlem Renaissance. This Christianity included a Jesus who stands with the oppressed, against oppressors, and a theology that challenges the way God is often used to underwrite harmful unions of race and religion. Now featuring a foreword from world-renowned Bonhoeffer scholar Ferdinand Schlingensiepen as well as multiple updates and additions, Bonhoeffer's Black Jesus argues that Dietrich Bonhoeffer's immersion within the black American narrative was a turning point for him, causing him to see anew the meaning of his claim that obedience to Jesus requires concrete historical action. This ethic of resistance not only indicted the church of the German Volk, but also continues to shape the nature of Christian discipleship today--
Black theology --- Harlem Renaissance --- Influence --- Bonhoeffer, Dietrich,
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Wallace Thurman (1902-1934) played a pivotal role in creating and defining the Harlem Renaissance. Thurman's complicated life as a black writer is described here for the first time: from his birth in Salt Lake City, Utah; through his quixotic and spotty education; to his arrival and residence in New York City at the height of the New Negro Movement in Harlem. Seen as it often is through the life of Langston Hughes, the Harlem Renaissance is celebrated as a highly successful Afro-centrist achievement. Seen from Thurman's perspective, as set against the historical and cultural background of the Jazz Age, the accomplishments of the Harlem Renaissance appear more qualified and more equivocal. In Thurman's view the Harlem Renaissance's failure to live up to its initial promise resulted from an ideological underpinning which was overwhelmingly concerned with race. He felt that the movement's self-consciousness and faddism compromised the aesthetic standards of many of its writers and artists, including his own.
American Studies --- Harlem Renaissance --- Literature, Arts & Science
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African American authors. --- Artists. --- Harlem Renaissance.
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African Americans --- American fiction --- Harlem Renaissance. --- African American authors.
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