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Brion Gysin (1916 – 1986) was a visual artist, historian, novelist, and an experimental poet credited with the discovery of the 'cut-up' technique — a collage of texts, not pictures — which his longtime collaborator William S. Burroughs put to more extensive use. He is also considered one of the early innovators of sound poetry, which he defines as 'getting poetry back off the page and into performance.' Back in No Time gathers materials from the entire Gysin oeuvre: scholarly historical study, baroque fiction, permutated and cut-up poetry, unsettling memoir, selections from The Process and The Last Museum, and his unproduced screenplay of Burroughs' novel Naked Lunch. In addition, the Reader contains complete texts of several Gysin pieces that are difficult to find, including "Poem of Poems," "The Pipes of Pan," and "A Quick Trip to Alamut."--

Gysin, Brion. --- Gysin, Brion --- Criticism and interpretation.

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Iconography --- Drawing --- Painting --- drawing [image-making] --- painting [image-making] --- scripts [writing] --- Degottex, Jean --- Ben Bella, Mahdjoub --- Gysin, Brion --- Hassan Al-Said, Shakir --- Lee, Ufan --- anno 1900-1999 --- Great Britain --- France --- South Korea --- Japan --- Iraq --- Algeria

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Mouvement d'inspiration littéraire et artistique né aux États-Unis, dans les années 1950, à l'initiative de William Burroughs, Allen Ginsberg et Jack Kerouac, la Beat Generation a profondément influencé la création contemporaine. Le beau livre revient sur dix-huit années explosives, de New York, en passant par Los Angeles et San Francisco, jusqu'au Mexique, Tanger et Paris. L'ouvrage met particulièrement en avant le séjour parisien des écrivains de la Beat Generation, une étape essentielle. Les nombreux documents reproduits (photos, manuscrits, pochettes de disques, dessins et peintures ...) témoignent de l'euphorie créative des membres du groupe, ainsi que de la pluridisciplinarité du mouvement (arts visuels, littérature, jazz, poésie sonore ...). Sous la direction de Philippe-Alain Michaud, l'ouvrage propose différents essais des plus grands spécialistes du sujet. Une dizaine d'entretiens inédits avec des protagonistes du mouvement, ainsi que des extraits de textes et poèmes (Allen Ginsberg, Gregory Corso, William Burroughs, notamment) viennent enrichir le catalogue.

kunst --- cultuurgeschiedenis --- fifties --- sixties --- Verenigde Staten --- engagement --- Kerouac Jack --- Ginsberg Allen --- kunst en politiek --- kunst en maatschappij --- muziek --- film --- California --- experimentele film --- Independent Film --- beat culture --- gender studies --- Afro-Amerikanen --- jazz --- Parker Charlie --- beat film --- Frank Robert --- Cassavetes John --- 7.038 --- homoseksualiteit --- San Francisco --- New York --- Paris --- Parijs --- Gysin Brion --- Burroughs William S. --- McClure Michael --- Kryger Joanne --- Murao Shigeyoshi --- Ferlinghetti Lawrence --- Howl --- Ruppersberg Allen --- literatuur --- twintigste eeuw --- Beat generation --- Exhibitions --- Burroughs William S --- Littérature --- Poésie --- Kerouac, Jack, --- Etats-Unis --- Kerouac, Jack, 1922-1969

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Art [Modern ] --- 21st century --- Exhibitions --- Kunst --- kunst --- leven --- technologie --- communiceren [functie] --- machines [uitrusting] --- virtual reality --- interactieve kunst --- nieuwe mediakunst --- lichamen [menselijke en dierlijke componenten] --- selfies --- Zipp, Thomas --- Paik, Nam June --- Saraceno, Tomás --- Gronon, Philippe --- Delvoye, Wim --- Ughetto, Henry --- Kahn, Fritz --- Boulet, Marc --- Lin Yu --- n+n Corsino --- Dombis, Pascal --- Gysin, Brion --- Keller, Evi --- Mehdi, Abdelmajid --- Perdrizet, Jean --- Plný, Luboš --- Hurk, van den, Joachim --- Rivero Jimenez, Pedro --- Verhaest, Alex --- Orlan --- Opałka, Roman --- Burroughs, William S. --- Meuris, Wesley --- Stelarc --- Vandenberg, Philippe --- Art --- art [fine art] --- life --- technology [general associated concept] --- communication [function] --- machines [general equipment] --- interactive art --- new media art --- bodies [animal components] --- art [discipline] --- life [biological concept] --- dood

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Art --- art [discipline] --- religions [belief systems, cultures] --- Christianity --- spiritualiteit --- Brancusi, Constantin --- Nijinsky, Vaslav --- Arp, Hans --- Jamie, Cameron --- Horn, Rebecca --- Richier, Germaine --- Chirico, de, Giorgio --- Michaux, Henri --- Nolde, Emil --- Chan, Paul --- Rainer, Arnulf --- Martin, Kris --- Paik, Nam June --- Warhol, Andy --- Ernst, Max --- Duchamp, Marcel --- Picasso, Pablo --- Ginsberg, Allen --- Berman, Wallace --- Kupka, Frantz --- Bourdelle, Antoine --- Fontana, Lucio --- Couturier, Marc --- Rothko, Mark --- Steiner, Rudolf --- Friedrich, Caspar David --- Gysin, Brion --- Hablik, Wenzel August --- Smithson, Robert --- Taut, Bruno --- Polke, Sigmar --- Abramovic, Marina --- Lotar, Eli --- Pollock, Jackson --- Cordier, de, Thierry --- Beuys, Joseph --- Rudolph, Charlotte --- Klee, Paul --- Kawara, On --- Masson, André --- Thek, Paul --- Klein, Yves --- Lehmbruck, Wilhelm --- Marc, Franz --- Ensor, James --- Cage, John --- Artaud, Antonin --- Kandinsky, Wassily --- Boccioni, Umberto --- Matisse, Henri --- Dalí, Salvador --- Rodin, Auguste --- Viola, Bill --- Chagall, Marc --- Rouault, Georges --- Bacon, Francis --- Munch, Edvard --- Cattelan, Maurizio --- Scharoun, Hans --- Hirst, Damien --- Kapoor, Anish --- Mullican, Matt --- Nauman, Bruce --- Huyghe, Pierre --- Schwitters, Kurt --- Matta, Roberto --- Giacometti, Augusto --- Jawlensky, Alexej --- Malevitsj, Kasimir --- McCorkle, Corey --- Lipchitz, Jacques --- Man Ray