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Bezeichnet man im deutschsprachigen Raum eine kulturelle Veranstaltung als »Spektakel«, geht damit oft eine negative Wertung einher. Im Gegensatz dazu zeigt der Band die vielfältigen Begriffsdimensionen, medialen Charakteristika und Funktionen dieser zentralen ästhetischen Kategorie in künstlerischen, epistemischen und politischen Kontexten auf. Beiträge aus Kunstgeschichte, Philosophie, Film-, Literatur-, Medien-, Tanz- und Theaterwissenschaft setzen sich mit ästhetischen Theorien und Praktiken des Spektakels von der Antike bis zur Gegenwart auseinander. Die behandelten Beispiele reichen von der christlichen Liturgie bis zur Barockoper, von Paulinus von Nola bis Christoph Schlingensief, vom populären Wissenschaftstheater des 19. Jahrhunderts bis zu politischen Funktionen des Spektakulären im südkoreanischen Kino oder dem italienischen Roman, in Alltag und Kunst des Sozialismus sowie der globalen Medienkultur.

Aesthetics --- Spectacular, The --- Arts --- Spectacle --- Philosophy --- Illusion --- Guy Debord --- Emotion --- Bildtheorie --- Begriffsgeschichte --- Jacques Rancière --- Schaulust --- Popularisierung von Wissen --- Louis Aragon --- Kulturgeschichte --- Theatralität

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La société du spectacle a été publié pour la première fois en 1967, ce livre étudiait systématiquement le processus de speculation dans la société occidentale et il a influencé la pratique de certains artistes des années 60/70. Guy Debord appartenait au mouvement Situationniste.

Psychologie sociale. --- Prolétariat --- Classes sociales. --- Société de consommation --- Proletariat. --- Guy Debord --- cultuurfilosofie --- maatschappij --- Frankrijk --- situationisme --- twintigste eeuw --- 130.2 --- Psychologie sociale --- Classes sociales --- Proletariat --- Internationale situationniste --- Situationnisme --- Ecrit théorique --- Communication --- Art et politique --- Social psychology. --- Social classes. --- 310 --- sociologie

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Radicalism --- Avant-garde (Aesthetics) --- Civilization. --- Radicalisme --- Avant-garde (Esthétique) --- Civilisation --- Internationale situationniste --- History --- Sources --- 7.038 --- situationisme --- Guy Debord --- kunst 20e eeuw --- kunstgeschiedenis - kunst na 1945 --- Avant-garde (Esthétique) --- Civilization --- Extremism, Political --- Ideological extremism --- Political extremism --- Political science --- Barbarism --- Auxiliary sciences of history --- Culture --- World Decade for Cultural Development, 1988-1997 --- Aesthetics --- Modernism (Art)

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Beat Studies represent a vibrant field of intellectual inquiry, and this collection examines Beat culture as deeply infused with ecological themes. Allen Ginsberg invented the term "Flower Power" and Beat texts uncover the sources of our current existential climate predicament. This is the first edited collection to place the Beat Generation in conversation with the environment. A diverse number of contributors from Asia, Europe, and North America addresses essential environmental subjects and the deep ecological vision of the Beats.

Research & information: general --- Environmental economics --- Allen Ginsberg --- Beat Generation --- poetry --- poetics --- memory --- Guy Debord --- psychogeography --- landscape --- ecocriticism --- pilgrimage --- Geoffrey Chaucer --- The Canterbury Tales --- Jack Kerouac --- On the Road --- ecopoetics --- slow travel --- vernacular --- William S. Burroughs --- Naked Lunch --- dark ecology --- consumption --- control --- Timothy Morton --- speciesism --- consumerism --- mass extinction --- climate change --- environmental humanities --- posthuman --- non-philosophy --- Beat women --- eco-criticism --- green reading --- Diane di Prima --- Anne Waldman --- Kerouac --- frontier --- ecotopia --- ecopoetry --- New York School --- New American Poetry --- reparative reading --- environment --- Black Mountain --- Queer --- Ghost of Chance --- Yage Letters --- Madagascar --- experimental film --- cyberpunk --- nature --- sound --- animals --- beat generation --- comparative literature --- white shamanism --- Beat poetry --- anthropocentric materialism --- Buddhist poetics --- biotic community

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Beat Studies represent a vibrant field of intellectual inquiry, and this collection examines Beat culture as deeply infused with ecological themes. Allen Ginsberg invented the term "Flower Power" and Beat texts uncover the sources of our current existential climate predicament. This is the first edited collection to place the Beat Generation in conversation with the environment. A diverse number of contributors from Asia, Europe, and North America addresses essential environmental subjects and the deep ecological vision of the Beats.

Research & information: general --- Environmental economics --- Allen Ginsberg --- Beat Generation --- poetry --- poetics --- memory --- Guy Debord --- psychogeography --- landscape --- ecocriticism --- pilgrimage --- Geoffrey Chaucer --- The Canterbury Tales --- Jack Kerouac --- On the Road --- ecopoetics --- slow travel --- vernacular --- William S. Burroughs --- Naked Lunch --- dark ecology --- consumption --- control --- Timothy Morton --- speciesism --- consumerism --- mass extinction --- climate change --- environmental humanities --- posthuman --- non-philosophy --- Beat women --- eco-criticism --- green reading --- Diane di Prima --- Anne Waldman --- Kerouac --- frontier --- ecotopia --- ecopoetry --- New York School --- New American Poetry --- reparative reading --- environment --- Black Mountain --- Queer --- Ghost of Chance --- Yage Letters --- Madagascar --- experimental film --- cyberpunk --- nature --- sound --- animals --- beat generation --- comparative literature --- white shamanism --- Beat poetry --- anthropocentric materialism --- Buddhist poetics --- biotic community --- Allen Ginsberg --- Beat Generation --- poetry --- poetics --- memory --- Guy Debord --- psychogeography --- landscape --- ecocriticism --- pilgrimage --- Geoffrey Chaucer --- The Canterbury Tales --- Jack Kerouac --- On the Road --- ecopoetics --- slow travel --- vernacular --- William S. Burroughs --- Naked Lunch --- dark ecology --- consumption --- control --- Timothy Morton --- speciesism --- consumerism --- mass extinction --- climate change --- environmental humanities --- posthuman --- non-philosophy --- Beat women --- eco-criticism --- green reading --- Diane di Prima --- Anne Waldman --- Kerouac --- frontier --- ecotopia --- ecopoetry --- New York School --- New American Poetry --- reparative reading --- environment --- Black Mountain --- Queer --- Ghost of Chance --- Yage Letters --- Madagascar --- experimental film --- cyberpunk --- nature --- sound --- animals --- beat generation --- comparative literature --- white shamanism --- Beat poetry --- anthropocentric materialism --- Buddhist poetics --- biotic community