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Grignani
Year: 2000

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Grignani, Franco


Book
L'occhio non vede : volumetrie a lettura mentale di Franco Grignani : [esposizione], Milano, Galleria San Fedele, marzo 1971
Authors: ---
Year: 1971 Publisher: [Lieu de publication non identifié] : [éditeur non identifié],

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Art --- Grignani, Franco


Book
Una metodologia della visione : Franco Grignani, mostra antologica
Authors: --- ---
Year: 1975 Publisher: Milano Antonio Cordani

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symmetry --- Grignani, Franco


Book
Franco Grignani
Author:
Year: 1970 Publisher: Bergamo Galleria Lorenzelli

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Book
1a Rassegna nazionale d'arte contemporanea sul tema Arte e societa
Year: 1972 Publisher: Rome Edizione Presenza


Book
Lichtbild und Datenbild : Spuren konkreter Fotografie = Light images and data image : traces of concrete photography
Authors: ---
ISBN: 9783868285550 3868285555 Year: 2015 Publisher: Heidelberg Kehrer

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Das Museum im Kulturspeicher Würzburg, mit der Sammlung Peter C.Ruppert eines der Zentren für Konkrete Kunst in Deutschland, hat bereits 2005 den Begriff der 'Konkreten Fotografie' in den Blickpunkt der Forschung gerückt. Zehn Jahre später wagt die Ausstellung Licht- bild und Datenbild – Spuren Konkreter Fotografie ein Update und fragt anhand von Werken vor allem der letzten zehn Jahre erneut nach einer Definition Konkreter Fotografie vor dem Hintergrund des digitalen Wandels. Der Katalog zur Ausstellung zeigt mit einem Ausschnitt aus der Sammlung Peter C.Ruppert einige Klassiker der Konkreten Fotografie; von hier aus verfolgt er die Spuren einer ungegenständlichen, selbstreflexiven Fotografie in der heutigen Kunst. Dabei reagieren einige Fotokünstler auf die Digitalisierung ihres Mediums mit einer Rückwendung zum Apparat und zum Experiment mit Fotopapier und lichtempfindlichem Material, andere nutzen die neuen technischen Möglichkeiten für eine vollständig von der Außenwelt unabhängige Bilderzeugung mittels des Computers. Auf beiden Gebieten sind dem Experiment keine Grenzen gesetzt – die Lust an der Bilderzeugung ohne Abbild als ein Wesensmerkmal des 'Konkreten' bleibt bestehen und äußert sich in aufregend vielschichtiger Weise.&#13;&#13;Künstler: Théodore Bally, Kilian Breier, Nina Brauhauser, Marco Breuer, Richard Caldicott, Michel Campeau, Pierre Cordier, Akos Czigány, Inge Dick, Christian Doeller, Philipp Dorl, Christiane Feser, Johannes Franzen, Adam Fuss, Hein Gravenhorst, Franco Grignani, Heinz Hajek-Halke, Raphael Hefti, Heinrich Heidersberger, Stefan Heyne, Karl Martin Holzhäuser, Horáková + Maurer, Roger Humbert, Gottfried Jäger, Peter Keetman, Anton Kehrer, Ola Kolehmainen, Pit Kroke, Jacinthe Lessard-L, René Mächler, Andreas Müller-Pohle, Jaromír Novotný, Jerzy Olek, Michael Reisch, Christiane Richter, Thomas Ruff, Jörg Sasse, Otto Steinert, Claus Stolz, Wolfgang Tillmans, James Welling, Luigi Veronesi&#13;&#13;-----------&#13;&#13;&#13;The Museum im Kulturspeicher Würzburg is one of the foremost centres for concrete art in Germany due to its "Collection Peter C. Ruppert". Already in 2005, it has helped to shift academic attention to the term of "concrete photography". Ten years later, the exhibition "Light Image and Data Image - Traces of Concrete Photography" ventures to update the earlier findings, endeavouring once again to come up with a definition of concrete photography in the light of the digital revolution by displaying works mainly created within the last decade.&#13;&#13;Beginning with the "classics" of concrete photography of the Collection Peter C. Ruppert, the exhibition follows the "traces" of non-representational, self-referential photography in contemporary art. Some artists react to the digitalisation of their medium with a return to the "apparatus" and by experimenting with photosensitive materials. Others make use of the new technical possibilities by generating images within their computers, completely independent from the outside world. Both reactions present inifinite opportunities for experiments - the major feature of the "concrete", a passion to create images without representing objects, persists and is expressed in various many-faceted, exciting ways. The Museum im Kulturspeicher Würzburg with its Peter C. Ruppert Collection is one of the centers for Concrete Art in Germany. Back in 2005, the museum proposed the concept of "Concrete Photography" as a productive new field of research. Ten years later, the exhibition Lichtbild und Datenbild – Spuren Konkreter Fotografie ventures to update this investigation, inquiring primarily on the basis of works from the last ten years into how Concrete Photography can be redefined in our digital age. The exhibition catalog shows a few classics of Concrete Photography from the Ruppert Collection and then proceeds to track the traces of nonrepresentational, self-reflexive photography in contemporary art. Some photo artists are responding to the digitization of their medium with a return to the apparatus and to experimentation with photo paper and photosensitive material, while others make use of the new technical possibilities to generate images on the computer that are fully autonomous from the outside world. In both approaches, the experimentation seemingly knows no bounds. The relish in generating images that are more than an imitation of nature thus remains the essential characteristic of the "Concrete" attitude, expressed in myriad exciting ways. &#13;&#13;Artists: Théodore Bally, Kilian Breier, Nina Brauhauser, Marco Breuer, Richard Caldicott, Michel Campeau, Pierre Cordier, Akos Czigány, Inge Dick, Christian Doeller, Philipp Dorl, Christiane Feser, Johannes Franzen, Adam Fuss, Hein Gravenhorst, Franco Grignani, Heinz Hajek-Halke, Raphael Hefti, Heinrich Heidersberger, Stefan Heyne, Karl Martin Holzhäuser, Horáková + Maurer, Roger Humbert, Gottfried Jäger, Peter Keetman, Anton Kehrer, Ola Kolehmainen, Pit Kroke, Jacinthe Lessard-L, René Mächler, Andreas Müller-Pohle, Jaromír Novotný, Jerzy Olek, Michael Reisch, Christiane Richter, Thomas Ruff, Jörg Sasse, Otto Steinert, Claus Stolz, Wolfgang Tillmans, James Welling, Luigi Veronesi

Het begoochelde oog : onmogelijke en meerzinnige figuren.
Author:
ISBN: 9029084847 Year: 1986 Publisher: Amsterdam Meulenhoff/Landshoff

Op art.
Authors: ---
ISBN: 9783865602060 3865602061 Year: 2007 Publisher: Frankfurt Verlag der Buchhandlung Walther König

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"Thus art is not an object, but an experience." This volume collects the work of a generation of international "op artists" who were fascinated by the physical laws of light and optics, visual phenomena and the principles of perception. Op art, also known as optical art, is a style of visual art that makes use of optical illusions. "Optical art is a method of painting concerning the interaction between illusion and picture plane, between understanding and seeing." Op art works are abstract, with many of the better known pieces made in only black and white. When the viewer looks at them, the impression is given of movement, hidden images, flashing and vibration, patterns, or alternatively, of swelling or warping.


Book
Op Art
Authors: --- ---
Year: 2007 Publisher: Köln Verlag der Buchhandlung Walther König

Art without boundaries 1950-70.
Authors: --- ---
ISBN: 0500181357 0500201293 9780500181355 9780500201299 Year: 1972 Publisher: London Thames

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Art, Modern --- Artists --- Biography --- -Artists --- -ed; by Gerald Woods, Philip Thompson, John Williams --- kunst --- twintigste eeuw --- film --- installaties --- Adami Valerio --- Antonioni Michelangelo --- Bailey Dennis --- Bass Saul --- Beall Lester --- Bill Max --- Birdsall Derek --- Bons Jan --- Borowczyk Walerian --- Boyle Mark --- Brandt Bill --- Brownjohn Robert --- Burri Alberto --- Bury Pol --- Calman Mel --- Carena Antonio --- Carmi eugenio --- Ceroli MArio --- Chermayeff Ivan --- Geismar Thomas H. --- Christo --- Chryssa --- Cieslewicz Roman --- Cittato Giulio --- Cobbin Bob --- Crosby, Fletcher, Forbes --- Crosby Theo --- Fletcher Alan --- Forbes Colin --- Crouwel Wim --- D'Arcangelo Allan --- De Harak Rudolph --- De Maré Eric --- De MAria Walter --- Fellini Federico --- Folon Jean-Michel --- Fontana Lucio --- François André --- Froshaug Anthony --- GAle geoffrey --- Gallina Pietro --- Gallo Frank --- Gaul Winfred --- Genoves Juan --- Godard Jean-Luc --- Grignani Franco --- HAmilton richard --- Higgins Dick --- Hockney David --- Houédard Dom Sylvester --- fotografie --- Kaine John --- Klein William --- Kriwet Ferdinand --- Lenica Jan --- Lewitt Sol --- Marber Romek --- MAssin Robert --- Mayer Hansjorg --- Moore Raymond --- Müller-Brockmann Josef --- Odermatt Siegfried --- Tissi Rosemarie --- Oldenburg Claes --- Pintori Giovanni --- Pistoletto Michelangelo --- Rand Paul --- design --- Rauschenberg Robert --- Raveel Roger --- Robbe-Grillet Alain --- Rot Diter --- Schleger Hans --- Schmidt Peter --- Smith Richard --- Themerson Stefan --- Themerson Franciszka --- Tschichold Jan --- Typografie --- Wesselmann Tom --- Wirth Kurt --- Wolf Henry --- Wright Edward --- 7.038 --- Persons --- Modern art --- Biography. --- ed; by Gerald Woods, Philip Thompson, John Williams --- Geismar Thomas H --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Art, Modern - 20th century --- Artists - Biography

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