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Art --- Grignani, Franco
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Art --- oil paintings [visual works] --- drawings [visual works] --- optical illusion --- acrylic paintings [visual works] --- glass [material] --- Op art --- Grignani, Franco
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Iconography --- kunstsociologie --- Calderara, Antonio --- Guarneri, Riccardo --- Verna, Claudio --- Biasi, Alberto --- Biggi, Gastone --- Borella, Rocco --- Cannilla, Franco --- Carlucci, Cosimo --- Costalonga, Franco --- Angelo, D', Claudio --- Gandini, Marcolino --- Lorenzetti, Carlo --- Sirello, Enrico --- Tornquist, Jorrit --- Calos, Nino --- Grignani, Franco --- Maldonado, Estuardo
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Das Museum im Kulturspeicher Würzburg, mit der Sammlung Peter C.Ruppert eines der Zentren für Konkrete Kunst in Deutschland, hat bereits 2005 den Begriff der 'Konkreten Fotografie' in den Blickpunkt der Forschung gerückt. Zehn Jahre später wagt die Ausstellung Licht- bild und Datenbild – Spuren Konkreter Fotografie ein Update und fragt anhand von Werken vor allem der letzten zehn Jahre erneut nach einer Definition Konkreter Fotografie vor dem Hintergrund des digitalen Wandels. Der Katalog zur Ausstellung zeigt mit einem Ausschnitt aus der Sammlung Peter C.Ruppert einige Klassiker der Konkreten Fotografie; von hier aus verfolgt er die Spuren einer ungegenständlichen, selbstreflexiven Fotografie in der heutigen Kunst. Dabei reagieren einige Fotokünstler auf die Digitalisierung ihres Mediums mit einer Rückwendung zum Apparat und zum Experiment mit Fotopapier und lichtempfindlichem Material, andere nutzen die neuen technischen Möglichkeiten für eine vollständig von der Außenwelt unabhängige Bilderzeugung mittels des Computers. Auf beiden Gebieten sind dem Experiment keine Grenzen gesetzt – die Lust an der Bilderzeugung ohne Abbild als ein Wesensmerkmal des 'Konkreten' bleibt bestehen und äußert sich in aufregend vielschichtiger Weise. Künstler: Théodore Bally, Kilian Breier, Nina Brauhauser, Marco Breuer, Richard Caldicott, Michel Campeau, Pierre Cordier, Akos Czigány, Inge Dick, Christian Doeller, Philipp Dorl, Christiane Feser, Johannes Franzen, Adam Fuss, Hein Gravenhorst, Franco Grignani, Heinz Hajek-Halke, Raphael Hefti, Heinrich Heidersberger, Stefan Heyne, Karl Martin Holzhäuser, Horáková + Maurer, Roger Humbert, Gottfried Jäger, Peter Keetman, Anton Kehrer, Ola Kolehmainen, Pit Kroke, Jacinthe Lessard-L, René Mächler, Andreas Müller-Pohle, Jaromír Novotný, Jerzy Olek, Michael Reisch, Christiane Richter, Thomas Ruff, Jörg Sasse, Otto Steinert, Claus Stolz, Wolfgang Tillmans, James Welling, Luigi Veronesi ----------- The Museum im Kulturspeicher Würzburg is one of the foremost centres for concrete art in Germany due to its "Collection Peter C. Ruppert". Already in 2005, it has helped to shift academic attention to the term of "concrete photography". Ten years later, the exhibition "Light Image and Data Image - Traces of Concrete Photography" ventures to update the earlier findings, endeavouring once again to come up with a definition of concrete photography in the light of the digital revolution by displaying works mainly created within the last decade. Beginning with the "classics" of concrete photography of the Collection Peter C. Ruppert, the exhibition follows the "traces" of non-representational, self-referential photography in contemporary art. Some artists react to the digitalisation of their medium with a return to the "apparatus" and by experimenting with photosensitive materials. Others make use of the new technical possibilities by generating images within their computers, completely independent from the outside world. Both reactions present inifinite opportunities for experiments - the major feature of the "concrete", a passion to create images without representing objects, persists and is expressed in various many-faceted, exciting ways. The Museum im Kulturspeicher Würzburg with its Peter C. Ruppert Collection is one of the centers for Concrete Art in Germany. Back in 2005, the museum proposed the concept of "Concrete Photography" as a productive new field of research. Ten years later, the exhibition Lichtbild und Datenbild – Spuren Konkreter Fotografie ventures to update this investigation, inquiring primarily on the basis of works from the last ten years into how Concrete Photography can be redefined in our digital age. The exhibition catalog shows a few classics of Concrete Photography from the Ruppert Collection and then proceeds to track the traces of nonrepresentational, self-reflexive photography in contemporary art. Some photo artists are responding to the digitization of their medium with a return to the apparatus and to experimentation with photo paper and photosensitive material, while others make use of the new technical possibilities to generate images on the computer that are fully autonomous from the outside world. In both approaches, the experimentation seemingly knows no bounds. The relish in generating images that are more than an imitation of nature thus remains the essential characteristic of the "Concrete" attitude, expressed in myriad exciting ways. Artists: Théodore Bally, Kilian Breier, Nina Brauhauser, Marco Breuer, Richard Caldicott, Michel Campeau, Pierre Cordier, Akos Czigány, Inge Dick, Christian Doeller, Philipp Dorl, Christiane Feser, Johannes Franzen, Adam Fuss, Hein Gravenhorst, Franco Grignani, Heinz Hajek-Halke, Raphael Hefti, Heinrich Heidersberger, Stefan Heyne, Karl Martin Holzhäuser, Horáková + Maurer, Roger Humbert, Gottfried Jäger, Peter Keetman, Anton Kehrer, Ola Kolehmainen, Pit Kroke, Jacinthe Lessard-L, René Mächler, Andreas Müller-Pohle, Jaromír Novotný, Jerzy Olek, Michael Reisch, Christiane Richter, Thomas Ruff, Jörg Sasse, Otto Steinert, Claus Stolz, Wolfgang Tillmans, James Welling, Luigi Veronesi
fotografie --- kunst --- Concrete kunst --- abstractie --- abstracte fotografie --- twintigste eeuw --- eenentwintigste eeuw --- Bally Théodore --- Brauhauser Nina --- Breier Kilian --- Breuer Marco --- Caldicott Richard --- Campeau Michel --- Cordier Pierre --- Czigany Akos --- Dick Inge --- Doeller Christian --- Dorl Philipp --- Feser Christiane --- Franzen Johannes --- Fuss Adam --- Gravenhorst Hein --- Grignani Franco --- Hajek-Halke Heinz --- Hefti Raphael --- Heidersberger Heinrich --- Heyne Stefan --- Holzhäuser Karl Martin --- Horakova + Maurer --- Humbert Roger --- Jäger Gottfried --- Keetman Peter --- Kehrer Anton --- Kolehmainen Ola --- Kroke Pit --- Lessard-L Jacinthe --- Mächler René --- Müller-Pohle Andreas --- Novotny Jaromir --- Olek Jerzy --- Reisch Michael --- Richter Christiane --- Ruff Thomas --- Sasse Jörg --- Steinert Otto --- Stolz Claus --- Tillmans Wolfgang --- Veronesi Luigi --- Welling James --- 77.038/039 --- Exhibitions --- Photography --- artistieke fotografie --- Concrete art
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Art --- Optical illusions in art --- Visual perception --- #gsdbA --- 7.017 --- Escher M.C --- illusionisme --- kunst --- perspectief --- waarnemingspsychologie --- Gezichtsbedrog --- Kunst en illusie --- Kunst ; optische effecten --- Kunsttheorie ; visuele waarneming --- Optics, Psychological --- Vision --- Perception --- Visual discrimination --- Psychology --- Kunst ; optische effecten, perspectief, illusie --- Psychological aspects --- Optics. Quantum optics --- art [fine art] --- geometric figures --- art appreciation --- optical illusion --- perspective [technique] --- illusionism --- Constructivist --- Buch, Monika --- de la Rive, Rob --- Del Prete, Sandro --- Farkas, Tamás F. --- Freudenreich, Marek --- Huizer, Dirk --- Kozakiewicz, M.K. --- Mellin, Curry --- Mensink, Jan --- Miyamoto, Koji --- Paulsen, Hermann --- Roovers, Kees --- Stibbe, Arthur --- Teepe, Leander --- Traarbach, Gerard --- Turner, Harry --- van Bossum, Joop --- van Brakel, Arnold --- van Mook, Piet --- Kulpa, Zenon --- Vasarely, Victor --- Vogelaere, De, Fons --- Anno, Mitsumasa --- Reutersvärd, Oscar --- Fukuda, Shigeo --- Grignani, Franco --- Mey, de, Jos --- art [discipline]
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"Thus art is not an object, but an experience." This volume collects the work of a generation of international "op artists" who were fascinated by the physical laws of light and optics, visual phenomena and the principles of perception. Op art, also known as optical art, is a style of visual art that makes use of optical illusions. "Optical art is a method of painting concerning the interaction between illusion and picture plane, between understanding and seeing." Op art works are abstract, with many of the better known pieces made in only black and white. When the viewer looks at them, the impression is given of movement, hidden images, flashing and vibration, patterns, or alternatively, of swelling or warping.
7.038 --- Beeldende kunst ; schilderkunst ; Op Art ; geschiedenis --- Op Art ; Optical Art --- Agam Yaacov --- Alviani Getulio --- Anceschi Giovanni --- Anuszkiewicz Richard --- Apollonio Marina --- Biasi Alberto --- Boriani Davide --- Boto Martha --- Bury Pol --- Böhm Hartmut --- Colombo Gianni --- Costa Toni --- Cruz-Diez Carlos --- Culbert Bill --- Dadamaino --- Demarco Hugo --- Devecchi Gabriele --- Duarte Angel --- Grignani Franco --- Landi Edoardo --- Le Parc Julio --- Luther Adolf --- Mari Enzo --- Mavignier Almir --- Megert Christian --- Morellet François --- Philipp Helga --- Piene Otto --- Riley Bridget --- Scheggi Paolo --- Soto Jesus Rafael --- Stein Joël --- Tomasello Luis --- Uecker Günther --- Vasarely Victor --- Wilding Ludwig --- Zehringer Walter --- beeldhouwkunst --- installaties --- kunst --- op art --- schilderkunst --- twintigste eeuw --- von Graevenitz Gerhard --- 705.8 --- Kunstgeschiedenis ; 1950 - 2000 --- kunstgeschiedenis, 20e eeuw --- Exhibitions --- Art --- Modern [style or period] --- moderne kunst --- anno 1900-1999 --- Optical art --- Kinetic art --- Op art --- Art cinétique
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Art styles --- installations [visual works] --- art [discipline] --- optical illusion --- light art --- kunst en wetenschap --- Op art --- Anuszkiewicz, Richard --- Dohr, Günter --- Luther, Adolf --- Alviani, Getulio --- Mari, Enzo --- Wilding, Ludwig --- Anceschi, Giovanni --- Apollonio, Marina --- Biasi, Alberto --- Boriani, Davide --- Costa, Toni --- Costalonga, Franco --- Dadamaino --- Vecchi, de, Gabriele --- Dobes, Milan --- Duarte, Angel --- Landi, Edoardo --- Ludwig, Wolfgang --- Philipp, Helga --- Scheggi, Paolo --- Zehringer, Walter --- Tomasello, Luis --- Vasarely, Victor --- Colombo, Gianni --- Cruz-Diez, Carlos --- Garcia-Rossi, Horacio --- Goepfert, Hermann --- Graevenitz, von, Gerhard --- Bury, Pol --- Mack, Heinz --- Mavignier, Almir --- Megert, Christian --- Morellet, François --- Parc, le, Julio --- Piene, Otto --- Soto, Jesús Rafael --- Uecker, Günther --- Yvaral, Jean-Pierre --- Schöffer, Nicolas --- Agam, Yaakov --- Riley, Bridget --- Böhm, Hartmut --- Boto, Martha --- Culbert, Bill --- Demarco, Hugo --- Fruhtrunk, Günter --- Grignani, Franco --- Sobrino, Francisco --- Stein, Joël --- Sykora, Zdenek --- Vardenega, Gregorio --- Varisco, Grazia --- Gruppo Mid --- Gruppo N --- Gruppo T
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Art, Modern --- Artists --- Biography --- -Artists --- -ed; by Gerald Woods, Philip Thompson, John Williams --- kunst --- twintigste eeuw --- film --- installaties --- Adami Valerio --- Antonioni Michelangelo --- Bailey Dennis --- Bass Saul --- Beall Lester --- Bill Max --- Birdsall Derek --- Bons Jan --- Borowczyk Walerian --- Boyle Mark --- Brandt Bill --- Brownjohn Robert --- Burri Alberto --- Bury Pol --- Calman Mel --- Carena Antonio --- Carmi eugenio --- Ceroli MArio --- Chermayeff Ivan --- Geismar Thomas H. --- Christo --- Chryssa --- Cieslewicz Roman --- Cittato Giulio --- Cobbin Bob --- Crosby, Fletcher, Forbes --- Crosby Theo --- Fletcher Alan --- Forbes Colin --- Crouwel Wim --- D'Arcangelo Allan --- De Harak Rudolph --- De Maré Eric --- De MAria Walter --- Fellini Federico --- Folon Jean-Michel --- Fontana Lucio --- François André --- Froshaug Anthony --- GAle geoffrey --- Gallina Pietro --- Gallo Frank --- Gaul Winfred --- Genoves Juan --- Godard Jean-Luc --- Grignani Franco --- HAmilton richard --- Higgins Dick --- Hockney David --- Houédard Dom Sylvester --- fotografie --- Kaine John --- Klein William --- Kriwet Ferdinand --- Lenica Jan --- Lewitt Sol --- Marber Romek --- MAssin Robert --- Mayer Hansjorg --- Moore Raymond --- Müller-Brockmann Josef --- Odermatt Siegfried --- Tissi Rosemarie --- Oldenburg Claes --- Pintori Giovanni --- Pistoletto Michelangelo --- Rand Paul --- design --- Rauschenberg Robert --- Raveel Roger --- Robbe-Grillet Alain --- Rot Diter --- Schleger Hans --- Schmidt Peter --- Smith Richard --- Themerson Stefan --- Themerson Franciszka --- Tschichold Jan --- Typografie --- Wesselmann Tom --- Wirth Kurt --- Wolf Henry --- Wright Edward --- 7.038 --- Persons --- Modern art --- Biography. --- ed; by Gerald Woods, Philip Thompson, John Williams --- Geismar Thomas H --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Art, Modern - 20th century --- Artists - Biography
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