Listing 1 - 5 of 5 |
Sort by
|
Choose an application
Duke Ellington (1899-1974) is widely considered the jazz tradition's most celebrated composer. This engaging yet scholarly volume explores his long career and his rich cultural legacy from a broad range of in-depth perspectives, from the musical and historical to the political and international. World-renowned scholars and musicians examine Ellington's influence on jazz music, its criticism, and its historiography. The chronological structure of the volume allows a clear understanding of the development of key themes, with chapters surveying his work and his reception in America and abroad. By both expanding and reconsidering the contexts in which Ellington, his orchestra, and his music are discussed, Duke Ellington Studies reflects a wealth of new directions that have emerged in jazz studies, including focuses on music in media, class hierarchy discourse, globalization, cross-cultural reception, and the role of marketing, as well as manuscript score studies and performance studies.
Jazz --- History and criticism. --- Ellington, Duke, --- Duke, Obie, --- Ėllington, Di︠u︡k, --- Ellington, Edward Kennedy, --- Ellington, Obie Duke, --- Greer, Sonny, --- Turner, Joe, --- Criticism and interpretation.
Choose an application
In Blutopia Graham Lock studies the music and thought of three pioneering twentieth-century musicians: Sun Ra, Duke Ellington, and Anthony Braxton. Providing an alternative to previous analyses of their work, Lock shows how these distinctive artists were each influenced by a common musical and spiritual heritage and participated in self-conscious efforts to create a utopian vision of the future.A century after Ellington’s birth, Lock reassesses his use of music as a form of black history and compares the different approaches of Ra, a band leader who focused on the future and cosmology, and Braxton, a contemporary composer whose work creates its own elaborate mythology. Arguing that the majority of writing on black music and musicians has—even if inadvertently—incorporated racial stereotypes, he explains how each artist reacted to criticism and sought to break free of categorical confines. Drawing on social history, musicology, biography, cultural theory, and, most of all, statements by the musicians themselves, Lock writes of their influential work.Blutopia will be a welcome contribution to the literature on twentieth-century African American music and creativity. It will interest students of jazz, American music, African American studies, American culture, and cultural studies.
Jazz --- History and criticism. --- Sun Ra --- Ellington, Duke, --- Braxton, Anthony --- Duke, Obie, --- Ėllington, Di︠u︡k, --- Ellington, Edward Kennedy, --- Ellington, Obie Duke, --- Greer, Sonny, --- Turner, Joe, --- Blount, Herman --- Ra, Sun --- Le Sun Ra --- Ra, Le Sun --- Le Sony'r Ra --- Ra, Le Sony'r --- Blount, Sonny --- Bourke, Sonny --- Lee, Herman --- Criticism and interpretation. --- MUSIC --- SUN RA --- ELLINGTON (DUKE), 1899-1974 --- BRAXTON (ANTHONY) --- JAZZ
Choose an application
Jazz musicians --- Gillespie, Dizzy, --- Ellington, Duke, --- Charles, Ray, --- Lincoln, Abbey --- Roach, Max, --- Silver, Horace, --- Evans, Bill, --- Evans, William John, --- Roach, Maxwell, --- Silva, Horace Ward Martin Tavares, --- Moseka, Aminata --- Wooldridge, Anna Marie --- Lee, Gaby --- Lincoln, Abby --- Robinson, Ray Charles, --- Berks, John, --- Birks, John, --- Gillespie, John Birks, --- Gillespie, John, --- Duke, Obie, --- Ėllington, Di︠u︡k, --- Ellington, Edward Kennedy, --- Ellington, Obie Duke, --- Greer, Sonny, --- Turner, Joe,
Choose an application
Breaking down walls between genres that are usually discussed separately-classical, jazz, and popular-this highly engaging book offers a compelling new integrated view of twentieth-century music. Placing Duke Ellington (1899-1974) at the center of the story, David Schiff explores music written during the composer's lifetime in terms of broad ideas such as rhythm, melody, and harmony. He shows how composers and performers across genres shared the common pursuit of representing the rapidly changing conditions of modern life. The Ellington Century demonstrates how Duke Ellington's music is as vital to musical modernism as anything by Stravinsky, more influential than anything by Schoenberg, and has had a lasting impact on jazz and pop that reaches from Gershwin to contemporary R&B.
Jazz --- Music --- History and criticism. --- Analysis, appreciation. --- Ellington, Duke, --- Duke, Obie, --- Ėllington, Di︠u︡k, --- Ellington, Edward Kennedy, --- Ellington, Obie Duke, --- Greer, Sonny, --- Turner, Joe, --- Criticism and interpretation. --- Ellington, Duke --- Criticism and interpretation --- History and criticism --- Analysis, appreciation --- 20th century --- 20th century classical music. --- 20th century history. --- 20th century music. --- aaron copland. --- book club reads. --- books for music lovers. --- discussion books. --- easy to read. --- educational books. --- engaging. --- evolution of music. --- gifts for music lovers. --- history of music. --- how music changed modern life. --- igor stravinsky. --- jazz history. --- jazz. --- learning about composers. --- learning from experts. --- leisure reads. --- music and culture. --- music exploration. --- music. --- musicians. --- nonfiction. --- page turner. --- pop music. --- timeless music. --- vacation reads.
Choose an application
Any listener knows the power of music to define a place, but few can describe the how or why of this phenomenon. In Lonesome Roads and Streets of Dreams: Place, Mobility, and Race in Jazz of the 1930s and '40s, Andrew Berish attempts to right this wrong, showcasing how American jazz defined a culture particularly preoccupied with place. By analyzing both the performances and cultural context of leading jazz figures, including the many famous venues where they played, Berish bridges two dominant scholarly approaches to the genre, offering not only a new reading of swing er
Jazz musicians --- Music and race --- Big band music --- Big band jazz --- Orchestral jazz --- Stage band music --- Symphonic jazz --- Jazz --- Popular music --- Dance orchestra music --- Swing (Music) --- Race and music --- Race --- Musicians --- Homes and haunts --- History --- Social aspects. --- Garber, Jan. --- Barnet, Charlie. --- Ellington, Duke, --- Christian, Charlie, --- Christian, Charles, --- Christian, Charley, --- Duke, Obie, --- Ėllington, Di︠u︡k, --- Ellington, Edward Kennedy, --- Ellington, Obie Duke, --- Greer, Sonny, --- Turner, Joe, --- Barnet, Charles --- Barnet, Charlie, --- Barnett, Charlie, --- jazz, america, music, history, venues, concerts, improvisation, nation, identity, performance, race, geography, boundaries, jan garber, duke ellington, bandleader, saxophone, charlie barnet, guitar, christian, segregation, south, north, traveling, jim crow, civil rights, prejudice, catalina island, manhattan, oklahoma city, musicians, big band, casino ballroom, make believe, meadowbrook inn, orchestra, region, place, space, nonfiction, reference.
Listing 1 - 5 of 5 |
Sort by
|