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Architecture, Postmodern. --- Architecture and technology. --- Artists' books. --- Architecture postmoderne --- Architecture et technologie --- Livres d'artistes --- Greene, David,

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Archigram comprised Warren Chalk (1927-88), Peter Cook (1936-), Dennis Crompton (1935-), David Greene (1937-), Ron Herron (1930-94), and Michael Webb (1937-). Together, in the 1960s and early 1970s, they envisioned the future of architecture in ways that enthralled a generation. In an era defined by the space race, they developed a 'high-tech', lightweight, infra-structural approach that stretched far beyond known technologies or contemporary realities. They devised autonomous dwellings and focused on survival technology; they experimented with mega-structures and modular construction systems; they explored mobility through the environment, and the use of portable living capsules: all through the medium of an incredible series of drawings and models. Archigram's influence has been profound and enduring. They gave the High-tech movement its impetus; they inspired architects such as Renzo Piano and Norman Foster; and they laid the ground for the design of buildings such as the Pompidou Centre. This book catalogues Archigram's activities over fourteen years, together with commentaries by the architects and critics writing then and now. Edited and designed by Archigram member Dennis Crompton, it has been 40 years in the making.

Architecture, Modern --- Archigram (Group). --- Architecture --- avant-garde --- hedendaagse architectuur --- Archigram --- Pop art --- Iconographie --- Utopie architecturale --- Années 1960 --- Années 1970 --- Chalk, Warren --- Cook, Peter --- Crompton, Dennis --- Greene, David --- Herron, Ron --- Webb, Michael --- Critique et interprétation --- Critique et interprétation. --- Art --- anno 1960-1969 --- anno 1970-1979 --- anno 1980-1989 --- Critique et interprétation.

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architecture [discipline] --- Architecture --- anno 1960-1969 --- anno 1950-1959 --- Great Britain --- -72.038(410) --- 72.036 --- Architectuur ; Groot-Brittannië ; 2de h. 20ste eeuw --- Groot-Brittannië --- architectuur --- twintigste eeuw --- Groot-Brittannie --- Smithson Alison --- Smithson Peter --- Stirling James --- Gowan James --- huisvesting --- urbanisme --- Cook Peter --- Webb Michael --- Banham Reyner --- Greene david --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Architectuurgeschiedenis ; 1950 - 2000 ; Groot-Brittannië --- 20ste eeuw (architectuur) --- Twintigste eeuw (architectuur) --- Design and construction --- History --- 72.038(410)

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In addition to thus identifying Beethoven's music as an overarching expression of values central to the age of both Goethe and Hegel, the author describes and then critiques the process by which the musical values of the heroic style quickly became the controlling model of compositional logic in Western music criticism and analysis. Apart from its importance for students of Beethoven and his music, this book should appeal to all those interested in canon formation in the arts and in music as a cultural, ethical, and emotional force - in short, to anyone interested in the questions of what we want from music and what music does for us. Bringing together reception history, music analysis and criticism, the history of music theory, and the philosophy of music, Beethoven Hero explores the nature and persistence of Beethoven's heroic style. What have we come to value in this music, asks Scott Burnham, and why do generations of critics and analysts hear it in much the same way? Specifically, what is it that fosters the intensity of listener engagement with the heroic style, the often overwhelming sense of identification with its musical process? Starting with the story of heroic quest heard time and again in the first movement of the Eroica Symphony, Burnham suggests that Beethoven's music matters profoundly to its listeners because it projects an empowering sense of self, destiny, and freedom, while modeling ironic self-consciousness.

Beethoven, Ludwig J. van. --- Beethoven, Ludwig van --- Beethoven, Ludwig van, --- Beethoven, Ludwig van, --- Beethoven, Ludwig van, --- Beethoven, Ludwig van, --- Beethoven, Ludwig van, --- Beethoven, Ludwig van, --- Beethoven, Ludwig van, --- Appreciation. --- Critique et interpretation. --- Appreciation. --- Criticism and interpretation. --- Appreciation. --- Criticism and interpretation. --- Abbate, Carolyn. --- Adorno, Theodor. --- Beethoven Hero. --- Bildungsroman. --- Cone, Edward T. --- Dahlhaus, Carl. --- Eroica Symphony. --- Fifth Symphony. --- Forchert, Arno. --- Greene, David B. --- Halm, August. --- Homer. --- Hyer, Brian. --- Iliad. --- Knittel, Kristin M. --- Kretzschmar, Hermann. --- Lenz, Wilhelm von. --- Lorenz, Alfred. --- Mann, Thomas. --- McClary, Susan. --- Oster, Ernst. --- Ratner, Leonard. --- Riemann, Hugo. --- Rosen, Charles. --- Schering, Arnold. --- Schleuning, Peter. --- Tovey, Donald Francis. --- canon, in music. --- diegesis. --- ergon. --- irony. --- narration, in music. --- protagonist, dramatic. --- sonata form.

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Exploration spéculative et intuitive des désastres et catastrophes écologiques au travers du prisme artistique des XXe et XXIe siècles. Ce catalogue insiste sur deux mutations récentes, la position du spectateur devenant acteur et l'idée même de catastrophe qui ajoute aux déchaînements de la nature les effets invisibles de l'homme. ©Electre 2016

Sublime (art) --- Nature --- Environnement --- Catalogues d'exposition --- Dans l'art --- kunst --- 7.038/039 --- 7.036/039 --- 7.03 --- Penone Giuseppe --- Miralles Fina --- Miler Karel --- Enokura Koji --- Barba Rosa --- Mendieta Ana --- Pane Gina --- Stembera Petr --- Heske Marianne --- Edelson Mary Beth --- Christo & Jeanne-Claude --- Matta-Clark Gordon --- Koller Julius --- Kinmont Robert --- Fujiwara Kazumichi --- Criado Nacho --- Denes Agnes --- Stevens Graham --- Larrain Barros Horacio --- Latham John --- Simonds Charles --- Ban Shigeru --- Haus-Rucker-Co --- Rougerie Jacques --- Rottier Guy --- Nalbach Gernot --- Greene David --- Dean Tacita --- Navarro Baldeweg Juan --- Buckminster Fuller Richard --- Kawamata Tadshi --- Biemann Ursula --- Neaderland Louise --- McAdams Dona Ann --- Melitopoulos Angela --- Lazzarato Maurizio --- Goin Peter --- Gilbert Sharon --- Heizer Michael --- Balkin Amy --- Dion Mark --- Almond Darren --- Garcia Uriburu Nicolas --- Leisgen Michael --- Leisgen Barbara --- Metzger Gustav --- Beuys Joseph --- Noguchi Isamu --- Misrach Richard --- Burtynsky Edward --- Baltz Lewis --- Adams Robert --- Sugimoto Hiroshi --- Lempert Jochen --- Hutchinson Peter --- Chen Zhen --- Smithson Robert --- Parker Cornelia --- Martin John --- Grasso Laurent --- Leonardo da Vinci --- da Vinci Leonardo --- Goiris Geert --- Xifra Jaume --- von Trier Lars --- Kolar Jiri --- Garcia Dora --- Missika Adrien --- Krafft Maurice --- Krafft Katia --- Volaire P.J. --- Hamilton William --- Dickson Menzies --- vulkanen --- Herzog Werner --- Alÿs Francis --- Hiller Susan --- Hugo Victor --- Turner Joseph Mallord William --- Pritchard Zarh --- Discrit Julien --- Civiale Aimé --- Bisson A.-R. --- Allouche Dove --- Ader Bas Jan --- kunst en natuur --- natuur --- kunst en ecologie --- ecologie --- lanterna magica --- land art --- romantiek --- landschapsschilderkunst --- landschapsfotografie --- landschap --- kunsttheorie --- Exhibitions --- Sublime, The, in art --- Disasters in art --- Volcanoes in art --- Storms in art --- Sublime dans l'art --- Catastrophes dans l'art --- Volcans dans l'art --- Tempêtes dans l'art --- Expositions --- Ecologie --- Exposition --- emoties --- landschappen --- Kawamata, Tadashi --- 16de eeuw --- 17de eeuw --- 18de eeuw --- 19de eeuw --- 20ste eeuw --- 21ste eeuw --- Tempêtes dans l'art --- Volaire P.J --- Bisson A.-R --- passies, emoties, affecties --- ecologie. --- natuur. --- passies, emoties, affecties. --- landschappen. --- Kawamata, Tadashi. --- 16de eeuw. --- 17de eeuw. --- 18de eeuw. --- 19de eeuw. --- 20ste eeuw. --- 21ste eeuw.