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Conferences - Meetings --- Greek poetry --- History and criticism --- Social aspects --- Philosophy --- Greek poetry - History and criticism - Congresses --- Greek poetry - Social aspects - Congresses --- Greek poetry - Philosophy - Congresses

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In The Reception of Greek Lyric Poetry in the Ancient World: Transmission, Canonization and Paratext, a team of international scholars consider the afterlife of early Greek lyric poetry (iambic, elegiac, and melic) up to the 12th century CE, from a variety of intersecting perspectives: reperformance, textualization, the direct and indirect tradition, anthologies, poets’ Lives, and the disquisitions of philosophers and scholars. Particular attention is given to the poets Tyrtaeus, Solon, Theognis, Sappho, Alcaeus, Stesichorus, Pindar, and Timotheus. Consideration is given to their reception in authors such as Aristophanes, Herodotus, Plato, Plutarch, Athenaeus, Aelius Aristides, Catullus, Horace, Virgil, Ovid, and Statius, as well as their discussion by Peripatetic scholars, the Hellenistic scholia to Pindar, Horace’s commentator Porphyrio, and Eustathius on Pindar.

Greek poetry --- Classical literature --- History and criticism --- Influence --- Classical literature. --- Greek poetry. --- Littérature antique --- Poésie grecque --- Histoire et critique. --- Influence. --- Greek poetry - History and criticism - Congresses --- Greek poetry - Influence - Congresses --- Classical literature - History and criticism - Congresses --- Greek literature

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Epigrams, Greek --- Epigrammes grecques --- Greek poetry --- Criticism, Textual --- History and criticism --- 091 =75 --- 091 <063> --- Handschriftenkunde. Handschriftencatalogi--Grieks --- Handschriftenkunde. Handschriftencatalogi--Congressen --- Conferences - Meetings --- 091 <063> Handschriftenkunde. Handschriftencatalogi--Congressen --- 091 =75 Handschriftenkunde. Handschriftencatalogi--Grieks --- Greek literature --- Greek epigrams --- Epigrams, Greek - Congresses --- Epigrams, Greek - Criticism, Textual - Congresses --- Greek poetry - History and criticism - Congresses --- Épigrammes grecques

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Authorship and Greek Song is a collection of papers dealing with various aspects of authorship in the song culture of Ancient Greece. In this cultural context the idea of the poet as author of his poems is complicated by the fact that poetry in archaic Greece circulated as songs performed for a variety of audiences, both local and “global” (Panhellenic). The volume’s chapters discuss questions about the importance of the singers/performers; the nature of the performance occasion; the status of the poet; the authority of the poet/author and/or that of the performer; and the issues of authenticity arising when poems are composed under a given poet’s name. The volume offers discussions of major authors such as Pindar, Sappho, and Theognis.

Greek poetry --- Oral tradition --- History and criticism --- Authorship --- Oral interpretation of poetry --- Griechisch. --- Lyrik. --- Autorschaft. --- History --- Poésie grecque --- Poésie --- Tradition orale --- Congresses. --- Congresses --- Histoire et critique --- Congrès --- Art d'écrire --- Lecture publique --- Histoire --- Tradition, Oral --- Oral communication --- Folklore --- Oral history --- Poetry --- Poetry reading --- Reading poetry aloud --- Greek literature --- Oral interpretation --- Poésie grecque --- Poésie --- Congrès --- Art d'écrire --- Greek poetry - History and criticism - Congresses --- Greek poetry - Authorship - Congresses --- Oral tradition - Greece - Congresses