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Architecture --- Greek influence --- Congresses --- Influence grecque --- Congrès --- Congresses.

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The embrace of reception theory has been one of the hallmarks of classical studies over the last 30 years. This volume builds on the critical insights thereby gained to consider reception within Greek antiquity itself. Reception, like 'intertextuality', places the emphasis on the creative agency of the later 'receiver' rather than the unilateral influence of the 'transmitter'. It additionally shines the spotlight on transitions into new cultural contexts, on materiality, on intermediality and on the body. Essays range chronologically from the archaic to the Byzantine periods and address literature (prose and verse; Greek, Roman and Greco-Jewish), philosophy, papyri, inscriptions and dance. Whereas the conventional image of ancient Greek classicism is one of quiet reverence, this book, by contrast, demonstrates how rumbustious, heterogeneous and combative it could be.

Classical literature --- Greek literature --- Reader-response criticism. --- Greek influences. --- History and criticism. --- Appreciation. --- Greek literature. --- Greek influence. --- Reader-response criticism --- Reader-oriented criticism --- Reception aesthetics --- Criticism --- Reading --- Literature, Classical --- Literature --- Literature, Ancient --- Latin literature --- Greek influence --- History and criticism

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Sculpture, Greek --- Statues --- Sculpture, Ancient --- Sculpture grecque --- Sculpture antique --- Influence --- Buschor, Ernst, --- Statues - Greece --- Sculpture, Greek - Influence --- Sculpture, Ancient - Greece --- Buschor, Ernst, - 1886-1961

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The embrace of reception theory has been one of the hallmarks of classical studies over the last 30 years. This volume builds on the critical insights thereby gained to consider reception within Greek antiquity itself. Reception, like 'intertextuality', places the emphasis on the creative agency of the later 'receiver' rather than the unilateral influence of the 'transmitter'. It additionally shines the spotlight on transitions into new cultural contexts, on materiality, on intermediality and on the body. Essays range chronologically from the archaic to the Byzantine periods and address literature (prose and verse; Greek, Roman and Greco-Jewish), philosophy, papyri, inscriptions and dance. Whereas the conventional image of ancient Greek classicism is one of quiet reverence, this book, by contrast, demonstrates how rumbustious, heterogeneous and combative it could be.

Classical literature --- Reader-response criticism. --- Greek literature --- Greek influence. --- History and criticism. --- Reader-oriented criticism --- Reception aesthetics --- Criticism --- Reading --- Literature, Classical --- Literature --- Literature, Ancient --- Latin literature

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This book is the first in English devoted to Francois Duquesnoy, a central figure in seventeenth-century European sculpture, a rival to Bernini, and a leading light in an artistic milieu that included Poussin and Rubens. Estelle Lingo reconstructs Duquesnoy's pursuit in Rome of a modern artistic practice "in the Greek manner". Reconstruction of Duquesnoy's Greek ideal enables Lingo to offer new interpretations of his exquisite marble and bronze sculptures. Moreover, she demonstrates that the archeological and poetic vision of Greek art developed by Duquesnoy and his circle formed the basis of Johann Joachim Winclemann's influential Reflections on the Imitation of Greek Works in Painting and Sculpture - thus overturning the long-held assumption that no meaningful distinction was made between ancient Greek and Roman art prior to Winckelmann's work in the eighteenth century. Examining in detail how Duquesnoy developed and employed his "Greek manner", Lingo brings to light the extent of his contributions to European culture and aesthetics, and to the rise of Neoclassicism

Duquesnoy, Frans --- oudheid --- neoclassicisme --- Du Quesnoy, François --- Winckelmann, Johann Joachim --- 17de eeuw --- Griekenland --- Art, Greek --- Influence. --- Duquesnoy, François, --- du Quesnoy, François --- Art, Greek - Influence. --- Duquesnoy, François, - approximately 1594-1643 - Criticism and interpretation --- Duquesnoy, François, - approximately 1594-1643 --- oudheid. --- neoclassicisme. --- du Quesnoy, François. --- Winckelmann, Johann Joachim. --- 17de eeuw. --- Griekenland.