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Quelques lettres qui résonnent depuis plus de deux mille ans dans l'histoire de l'humanité et à travers toutes les formes d'art connues, que ce soit l'architecture, la peinture, la littérature, le cinéma, la musique, la mode et des noms comme Alaric 1er, Horace Walpole, Ann Radcliffe, Mary Shelley, Bram Stoker, Charles Baudelaire, Eugène Viollet-le-Duc, John Everett Millais, John William Waterhouse, Gustave Doré, Jerome Bosch, Lord Byron, Bela Lugosi, Christopher Lee, Joy Division, Bauhaus, Siouxsie, The Sisters of Mercy ou encore Vivienne Westwood parmi tant d'autres qui semblent n'avoir a priori rien en commun mais qui ont pourtant été les acteurs parfois involontaires à un moment ou à un autre de ce que l'on appelle à présent la subculture gothique. Entrez dans les ténèbres du romantisme noir et parcourez l'histoire d'un mouvement subversif, souvent mal compris ou apprécié, aux ramifications multiples qui font toute sa richesse et sa complexité.

Gothique (subculture) --- Histoire.

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L'histoire du cinéma gothique à travers l'étude de ses oeuvres majeures, organisée en sept thématiques : les vampires, le Diable, les monstres, le fétichisme, les fantômes, le mysticisme et les loups-garous.

Horror films --- Goth culture (Subculture) --- Films d'horreur --- Gothique (Subculture) --- History and criticism --- Histoire et critique

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This book explores 'irruptions' which disturb modernity from without: fragments or deposits of history that have spectral or noir properties, whether ruins, collective memories, or the dark Gothic or the Satanic as manifested in culture. The study investigates what irrupts from these depths to unsettle our understanding of modernity so as to reveal its theological roots. A ground-breaking and extensive work, Sociological Noir explores literature, history and theology to re-cast the sociological imagination in ways that inspire reflection on new configurations in modernity. As such, it will have wide-spread appeal to sociologists and social theorists with interests in religion, theology and debates on postsecularism and culture.

Critical theory. --- Sociology --- Film noir. --- Sociologie et philosophie. --- Modernité --- Gothique (subculture) --- Religion et culture. --- Lumière et ténèbres --- Films noirs. --- Philosophy. --- Sociologie. --- Sociologie.

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The Queer Uncanny: New Perspectives on the Gothic investigates the roles played by the concept of the uncanny, as defined by Sigmund Freud and other theorists, in the representation of lesbian and male gay sexualities and transgender in a selection of contemporary British, American and Caribbean fiction published 1980-2007. Novels by Christopher Bram, Philip Hensher, Alan Hollingurst, Randall Kenan, Shani Mootoo, Sarah Schulman, Ali Smith, Sarah Waters, Jeanette Winterson and other writers receive analysis in the context of queer theory and gothic critical writing. Topics discussed include: secrets and their disclosure, queer spectrality, the homely/ unhomely house, the grotesque, lesbian social invisibility, transgender doubles, and the intersection between sexuality and race.

Psychanalyse et littérature --- Étrangeté --- Homosexualité --- Roman gothique --- Gothique (subculture) --- Roman anglais --- Dans la littérature --- Histoire et critique --- Gothic fiction (Literary genre) --- Homosexuality in literature. --- Gothic horror tales (Literary genre) --- Gothic novels (Literary genre) --- Gothic romances (Literary genre) --- Gothic tales (Literary genre) --- Romances, Gothic (Literary genre) --- Detective and mystery stories --- Horror tales --- Suspense fiction --- Homosexuality in literature --- Sex in literature --- Psychanalyse et littérature. --- Roman gothique. --- Dans la littérature. --- Histoire et critique. --- English fiction --- Uncanny, The (Psychoanalysis), in literature. --- Gays in literature. --- English literature --- History and criticism. --- Gay people in literature.