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Goodman, Nelson --- Goodman, Nelson. --- Goodman, Henry Nelson
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Induction (Logic) --- Inductive logic --- Logic, Inductive --- Logic --- Reasoning --- Goodman, Nelson --- -Goodman, Henry Nelson --- Contributions in logical induction --- -Contributions in logical induction --- Induction (Logique) --- Goodman, Nelson. --- Goodman, Henry Nelson
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Philosophy of language --- Theory of knowledge --- Reference (Philosophy) --- Référence (Philosophie) --- Goodman, Nelson. --- Referring, Theory of --- Theory of referring --- Philosophy --- Goodman, Nelson --- Goodman, Henry Nelson --- Référence (Philosophie)
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Nominalism. --- Constructivism (Philosophy) --- Relativity. --- Nominalisme --- Constructivisme (Philosophie) --- Relativité --- Goodman, Nelson. --- Nominalism --- Relativity --- Relativism --- Goodman, Henry Nelson --- Knowledge, Theory of --- Reality --- Relationism --- Conceptualism --- Logic --- Philosophy --- Realism --- Scholasticism --- Universals (Philosophy)
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Signs and symbols --- Symbolism --- Representation, Symbolic --- Symbolic representation --- Mythology --- Emblems --- Semeiotics --- Signs --- Symbols --- Abbreviations --- Omens --- Semiotics --- Sign language --- Visual communication --- Goodman, Nelson --- -Goodman, Henry Nelson --- Contribution in doctrine of symbols --- -Contribution in doctrine of symbols --- Symbolism. --- Signs and symbols. --- Symbolisme --- Signes et symboles --- Goodman, Nelson. --- Contribution in doctrine of symbols. --- Goodman, Henry Nelson
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Art --- -Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Philosophy --- Goodman, Nelson --- -Aesthetics, Modern --- -Goodman, Henry Nelson --- -Philosophy --- -Aesthetics --- Aesthetics, Modern --- Esthétique moderne --- Philosophy. --- Philosophie --- Aesthetics. --- Esthétique moderne --- Beautiful, The --- Beauty --- Art and philosophy --- Analysis, interpretation, appreciation --- History --- Goodman, Henry Nelson
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Philosophy of science --- Categories (Philosophy) --- Classification --- Knowledge, Classification of --- Information organization --- Predicaments (Categories) --- Knowledge, Theory of --- Logic --- Ontology --- Predicate (Logic) --- Goodman, Nelson --- Goodman, Henry Nelson --- Classification. --- Catégories (Philosophie) --- Goodman, Nelson.
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Nelson Goodman (1906-1998) was one of the outstanding thinkers of the 20th century. In a memorial note, Hilary Putnam considers him to be ""one of the two or three greatest analytic philosophers of the post-World War II period"". Goodman has left his mark in many fields of philosophical investigation: Epistemology, Philosophy of Science, Logic, Metaphysics, the General Theory of Symbols, Philosophy of Languageand Philosophy of Art, all have been challenged and enriched by the problems he has shown up, the projects he developed from them and the solutions he has suggested. In August 2006 a coup
Goodman, Nelson. --- Philosophy. --- Visual Arts --- Philosophy & Religion --- Art, Architecture & Applied Arts --- Visual Arts - General --- Philosophy --- Art --- Beautiful, The --- Beauty --- Analysis, interpretation, appreciation --- Goodman, Henry Nelson --- Aesthetics --- Art and philosophy
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Nelson Goodman's disparate writings are often written about only within their own particular discipline, such that the epistemology is discussed in contrast to others' epistemology, the aesthetics is contrasted with more traditional aesthetics, and the ontology and logic is viewed in contrast to both other contemporary philosophers and to Goodman's historical predecessors. This book argues that that is not an adequate way to view Goodman. The separate disciplines of ontology, epistemology, and aesthetics should be viewed as sequential steps within his thought, such that each provides the ground rules for the next section and, furthermore, providing the reasons for limitations on the terms available to the subsequent writing(s). This is true not merely because this is the general chronology of his writing, but more importantly because within his metaphysics lies Goodman's basic nominalist ontology and logic, and it is upon those principles that he builds his epistemology and, furthermore, it is the sum of both the metaphysics and the epistemology, with the nominalist principle as the guiding force, which constructs the aesthetics. At the end of each section of this book, the consequent limitations imposed on his terms and concepts available to him are explicated, such that, by the end of the book, the book delineates the constraints imposed upon the aesthetics by both the metaphysics and the epistemology. "The author has given us the needed scholarly reference work on Goodman. Goodman sought to replace psychology with semantics, and showed us how far we could travel in that direction. The trip was admirably designed and guided by his genius. In end, it was genius, and not the lack of it, that showed us that the philosophy of language and languages of art will lead us back to the hardest questions in the philosophy of mind." Keith Lehrer, Regents Professor of Philosophy, The University of Arizona
kennisleer --- Theory of knowledge --- filosofie --- Metaphysics --- epistomologie --- metafysica --- persoonlijkheidsleer --- Aesthetics --- esthetica --- epistemologists --- metaphysics --- aesthetics --- Philosophy --- Psychology --- Nominalism. --- Nominalisme --- Goodman, Nelson --- Criticism and interpretation. --- EPUB-LIV-FT LIVHUMAI SPRINGER-B --- Nominalism --- Conceptualism --- Logic --- Realism --- Reality --- Scholasticism --- Universals (Philosophy) --- Goodman, Henry Nelson
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Zwei Aspekte bilden die Grundlage der allgemeinen Symboltheorie, die der amerikanische Philosoph Nelson Goodman in einem seiner Hauptwerke, Languages of Art, als Zentrum seiner analytischen Philosophie entworfen hat: Zum einen setzt jede Symbolisierung Bezugnahme voraus, zum anderen finden sämtliche Arten von Symbolisierung - als Performanzakte - im Bereich zwischen sowohl syntaktisch als auch semantisch eindeutigen (formalen, notationalen) und weder syntaktisch noch semantisch eindeutigen (pikturalen, ,repräsentationalen') Symbolsystemen - kurz, im Spannungsbereich zwischen ,Wissenschaft' und ,Kunst' - statt. Somit muss es einen Bereich geben, in dem diese beiden extremen Weisen von Darstellung ,ineinander übergehen', und genau in diesem Bereich lässt sich, so die zentrale These dieses Buches, das Verfahren der Metaphernbildung lokalisieren. Das hat Konsequenzen für einen tragfähigen Kompetenzbegriff in Wissenschaft und Kunst, für den Kreativitätsbegriff, wirft ein besonderes Licht auf Goodmans Neufassung des Induktionsproblems und letztlich auf das Wesen (philosophischer) Erkenntnis im Allgemeinen...
Metaphor. --- Symbolism. --- Signs and symbols. --- Representation, Symbolic --- Semeiotics --- Signs --- Symbolic representation --- Symbols --- Abbreviations --- Omens --- Semiotics --- Sign language --- Symbolism --- Visual communication --- Mythology --- Emblems --- Signs and symbols --- Parabole --- Figures of speech --- Reification --- Goodman, Nelson. --- Goodman, Henry Nelson --- Nelson Goodman. --- Symbol.
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