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L'Avant-Scène Cinéma propose un numéro exceptionnel pour un moment-clé de l'histoire du cinéma, avec le numéro double 691-692 et sa pagination exceptionnelle ! Le meilleur box office de tous les temps, Hollywood à son apogée. Au programme : - Un dossier complet sur le "Autant en emporte le vent" grâce à de nombreux collaborateurs. - Un focus sur les polémiques politiques et idéologiques traitées aujourd'hui avec un regard actualisé.- Le dialogue en anglais intégral avec notre traduction - Le découpage technique - La présentation de documents importants - L'histoire du tournage - Une analyse critique détaillée
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Women --- Motion picture audiences --- Books and reading --- History --- Mitchell, Margaret, --- Mitchell, Margaret, --- O'Hara, Scarlett, --- Film and video adaptations. --- Gone with the wind (Motion picture). --- Georgia --- Georgia --- History --- Literature and the war. --- History --- Motion pictures and the war.
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"The U.S. South is a distinctive political and cultural force--not only in the eyes of Americans, but also in the estimation of many Europeans. The region played an important role as a major agricultural center and the source of much of the wealth in early America, but it has also served as a catalyst for the nation's only civil war, and later, as a battleground in violent civil rights conflicts. Once considered isolated and benighted by the international community, the South has recently evoked considerable interest among popular and academic observers on both sides of the Atlantic. In The U.S. South and Europe, editors Cornelis A. van Minnen and Manfred Berg have assembled contributions that interpret a number of political, cultural, and religious aspects of the transatlantic relationship during the nineteenth and twentieth centuries. The contributors discuss a variety of subjects, including European colonization, travel accounts of southerners visiting Europe, and the experiences of the German 'Forty-Eighters'--immigrants who settled in the South after the German Revolution of 1848. This volume also examines slavery, foreign recognition of the Confederacy as a sovereign government, the lynching of African Americans and Italian immigrants in the South, and transatlantic religious fundamentalism. Finally, it addresses contemporary issues such as international perceptions of the Jim Crow South and the civil rights movement as a framework for understanding race relations in the United Kingdom following World War II. Featuring contributions from leading scholars based in the United States and Europe, this illuminating volume explores the South from an international perspective and offers a new context from which to consider the region's history."--Jacket.
Autant en emporte le vent (Film) --- Gejaagd door de wind (Film) --- Gone with the Wind (Film) --- Gone with the Wind (Motion picture) --- Southern States --- Europe --- Relations --- Foreign public opinion, European --- Race relations --- Foreign public opinion [European ] --- Tocqueville, Alexis de --- Travel --- United States --- Wells, Ida Barnett --- Raper, Arthur F. --- Griffith, David Wark --- Amerikabild. --- International relations. --- Public opinion, European. --- Race relations. --- Europa. --- Europe. --- Southern States. --- Foreign public opinion, European. --- Southern States - Relations - Europe --- Europe - Relations - Southern States --- Southern States - Foreign public opinion, European --- Southern States - Race relations
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The discipline of American studies was established in the early days of World War II and drew on the myth of American exceptionalism. Now that the so-called American Century has come to an end, what would a truly globalized version of American studies look like? Brian T. Edwards and Dilip Parameshwar Gaonkar offer a new standard for the field's transnational aspiration with Globalizing American Studies. The essays here offer a comparative, multilingual, or multisited approach to ideas and representations of America. The contributors explore unexpected perspectives on the international circulation of American culture: the traffic of American movies within the British Empire, the reception of the film Gone with the Wind in the Arab world, the parallels between Japanese and American styles of nativism, and new incarnations of American studies itself in the Middle East and South Asia. The essays elicit a forgotten multilateralism long inherent in American history and provide vivid accounts of post-Revolutionary science communities, late-nineteenth century Mexican border crossings, African American internationalism, Cold War womanhood in the United States and Soviet Russia, and the neo-Orientalism of the new obsession with Iran, among others. Bringing together established scholars already associated with the global turn in American studies with contributors who specialize in African studies, East Asian studies, Latin American studies, media studies, anthropology, and other areas, Globalizing American Studies is an original response to an important disciplinary shift in academia.
Exceptionalism --- Americanists --- Philosophy. --- United States --- Study and teaching. --- American studies specialists --- Area specialists --- globalization, america, united states, academic, scholarly, research, college, university, literature, literary, english major, academia, textbook, wwii, postwar, wartime, world war, exceptionalism, myth, comparative, multilingual, international, culture, cultural, movies, gone with the wind, arab, british, japanese, nativism, cinema, cinematic, theatre, theatrical, film, history, historical.
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Motion pictures --- History --- Mitchell, Margaret, --- Mitchell, Margaret, --- Cukor, George --- Film and video adaptations. --- Gone with the wind (Motion picture) --- United States --- United States --- Etats-Unis --- Etats-Unis --- History --- Motion pictures and the war. --- History --- Literature and the war. --- Histoire --- Cinéma et la guerre --- Histoire --- Littérature et guerre
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African American men in motion pictures --- Masculinity in motion pictures --- Griffith, David Wark --- Gone with the Wind (Motion picture) --- The Emperor Jones (Motion picture) --- Robinson, Bill ""Bojangles"" --- Robeson, Paul --- Lee, Canada --- Poitier, Sidney --- Belafonte, Harry --- Murphy, Eddie --- Pryor, Richard --- Lee, Spike --- Perry, Tyler --- Smith, Will
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791.43 --- film --- 791.42 --- Struss Karl --- Miller Arthur --- Daniels William --- Cortez Stanley --- Wong Howe James --- Garmes Lee --- Shamroy Leon --- twintigste eeuw --- Verenigde Staten --- Hollywood --- cinematografie --- camerawerk --- cameramannen --- camera's --- filmtechniek --- 791.43 Filmkunst. Films. Cinema --- Filmkunst. Films. Cinema --- Film --- United States --- 798.75 --- cinema --- cameratechnieken --- cameravoering --- filmen --- decoupage --- director of photography (DoP; DP) --- Shamroy, Leon --- Garmes, Lee --- Daniels, William --- Wong Howe, James --- Cortez, Stanley --- Struss, Karl --- Miller, Arthur --- Justine --- Gone With the Wind --- Sweet Smell of Success --- Hombre --- The Magnificent Ambersons --- Night of the Hunter --- film, filmtechniek --- CDL --- United States of America
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"This definitive interdisciplinary collection by leading scholars probes the theoretical and historical contexts of films made about the American past from silent film to the present. The book offers a fresh assessment of studio era historical filmmaking and its legacy across a range of genres"--
Film --- United States --- Autant en emporte le vent (Film) --- Certains l'aiment chaud (Film) --- Cinéma et histoire --- Film en geschiedenis --- Gejaagd door de wind (Film) --- Gone with the Wind (Film) --- Gone with the Wind (Motion picture) --- Histoire au cinéma --- Histoire et cinéma --- Julia (Film) --- Julia (Motion picture) --- L'Homme qui tua Liberty Valance (Film) --- Man Who Shot Liberty Valance, The (Film) --- Man Who Shot Liberty Valance, The (Motion picture) --- Motion pictures and history --- PT 109 (Film) --- PT 109 (Motion picture) --- Some Like It Hot (Film) --- Some Like It Hot (Motion picture) --- Some Like It hot (Film) --- Streetcar Named Desire, A (Film) --- Streetcar Named Desire, A (Motion picture) --- Un tramway nommé Désir (Film) --- Films historiques --- Historical films --- Motion pictures and history. --- Histoire et critique --- History and criticism. --- #SBIB:309H1326 --- HISTORY / United States / 20th Century --- PERFORMING ARTS / Film & Video / History & Criticism --- PERFORMING ARTS / Film & Video / General --- History and motion pictures --- Moving-pictures and history --- History --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Performing arts --- 20th Century --- Film & Video --- History & Criticism --- General --- 20th Century. --- History & Criticism. --- General. --- History and criticism --- 20th century --- Griffith, David Wark --- Sirk, Douglas --- Cinéma et histoire. --- Histoire et critique. --- Cinéma et histoire. --- United States of America
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