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Valladolid au siècle d'or : Une ville de Castille et sa campagne au XVIe siècle
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ISBN: 3111657663 Year: 2019 Publisher: Berlin ; Boston : De Gruyter Mouton,

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Golden Age.


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Chapter La edición de textos para las compañías hoy : Algunos ejemplos del trabajo de la Compañía Nacional de Teatro Clásico
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Year: 2021 Publisher: Florence : Firenze University Press,

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The debate about to what extent the comedia nueva can and should be modified for the contemporary scene has always been very lively. In order to understand the different positions about this issue, I study the work of the Compañía Nacional de Teatro Clásico by analyzing four versions of two different comedies, El perro del hortelano and El burlador de Sevilla, with the aim of finding out how the different adapters have worked and the way they have proceeded over time.

Keywords

Golden age.


Book
Chapter La edición de textos para las compañías hoy : Algunos ejemplos del trabajo de la Compañía Nacional de Teatro Clásico
Author:
Year: 2021 Publisher: Florence : Firenze University Press,

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Abstract

The debate about to what extent the comedia nueva can and should be modified for the contemporary scene has always been very lively. In order to understand the different positions about this issue, I study the work of the Compañía Nacional de Teatro Clásico by analyzing four versions of two different comedies, El perro del hortelano and El burlador de Sevilla, with the aim of finding out how the different adapters have worked and the way they have proceeded over time.

Keywords

Golden age.


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The shifting image of the Golden Age
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Year: 2001 Publisher: Zwolle Waanders

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The White Indians of Mexican Cinema : Racial Masquerade throughout the Golden Age
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Year: 2022 Publisher: State University of New York Press

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The White Indians of Mexican Cinema theorizes the development of a unique form of racial masquerade—the representation of Whiteness as Indigeneity—during the Golden Age of Mexican cinema, from the 1930s to the 1950s. Adopting a broad decolonial perspective while remaining grounded in the history of local racial categories, Mónica García Blizzard argues that this trope works to reconcile two divergent discourses about race in postrevolutionary Mexico: the government-sponsored celebration of Indigeneity and mestizaje (or the process of interracial and intercultural mixing), on the one hand, and the idealization of Whiteness, on the other. Close readings of twenty films and primary source material illustrate how Mexican cinema has mediated race, especially in relation to gender, in ways that project national specificity, but also reproduce racist tendencies with respect to beauty, desire, and protagonism that survive to this day. This sweeping survey illuminates how Golden Age films produced diverse, even contradictory messages about the place of Indigeneity in the national culture.This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries—and the generous support of Emory University and the Andrew W. Mellon Foundation. Learn more at the TOME website, available at: https://www.openmonographs.org/. It can also be found in the SUNY Open Access Repository at: http://hdl.handle.net/20.500.12648/7153


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Autour de l'âge d'or
Year: 1977 Publisher: Paris: Champion,

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Het " wonderjaar" en het afsluiten van Antwerpen's "Gouden Eeuw"

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Les peintres et la mer : les premières marines: l'âge d'or flamand et hollandais: peindre la mer au XXe siècle
Year: 2020 Publisher: Dijon Editions Faton

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The golden age
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Year: 1604

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L'Age d'Or espagnol : la peinture en Espagne et en France autour du caravagisme

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