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fotografie --- landschapsfotografie --- twintigste eeuw --- Alexander Vikky --- Brooks Ellen --- Baltz Lewis --- McAuley Skeet --- Drahos Tom --- Nio Maurice --- de Jonge Jaap --- Brodsky Michael --- Horlitz Andreas --- Fastenaekens Gilbert --- O'Donnell Ron --- Shibata Toshio --- Manual --- Bloom Suzanne Hill Ed --- Kanemura Osamu --- Shaw Jeffrey --- Wasow Oliver --- Markerink Cary --- Willmann Manfred --- Vargas Eugenia --- Southam Jem --- Willats Stephen --- Goin Peter --- Garnell Jean-Louis --- Clegg & Guttmann --- Graham Paul --- Berger Wout --- Bos Theo --- Tsuchida Hiromi --- Faure Nicolas --- Dawson Robert --- Gossage John --- Abeles Kim --- Kippin John --- Basilico Gabriele --- Rambow Inge --- Arnatt Keith --- Westerlund Sven --- Linders Jannes --- Sekula Allan --- Seiland Alfred --- Bustamante Jean-Marc --- Puranen Jorma --- Kaila Jan --- van Zutphen Mels --- Rosler Martha --- Mullican Matt --- Hernandez Antonio --- Araki Nobuyoshi --- 77.047 --- Exhibitions --- CDL --- Abeles, Kim --- Araki, Nobuyoshi --- Arnatt, Keith --- Baart, Theo --- Baltz, Lewis --- Basilico, Gabriele --- Berger, Wout --- Bick, Nico --- Bos, Theo --- Brodsky, Michael --- Bustamante, Jean-Marc --- Landscape photography --- Photography, Artistic --- Exhibitions.

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"In the mid-1960s, The Minneapolis Institute of Arts was in the vanguard of museums that recognized the importance of photography as a fine art--an art that demanded to be collected and exhibited for a wider audience. While major institutions, such as The Museum of Modern Art and the Art Institute of Chicago, had created formidable photography collections and exhibition programs, few other, smaller institutions had followed their lead. The Minneapolis Institute of Arts was an exception. Its decisive turn, in 1964, toward establishing a permanent place for photography was a major shift that reflected the changing position that photography held in the inner sanctum of museum art. For a relatively young medium with no real history, beginning a collection was, in part, contributing to its evolving history. Entrusted to the supervision of a young, then untried curator, Carroll T. Hartwell, the museum began to acquire photographs that, in the aggregate, would reflect both photography's greatest traditions, as embodied in the pioneering works of Frederick H. Evans, Hill and Adamson, and Julia Margaret Cameron; its modern giants of this century, including Walker Evans, Robert Frank, and Lee Friedlander; and its boldest forays, as revealed in the works of the contemporary photographers Reed Estabrook, Frank Gohlke, Marsha Burns, Nicholas Nixon, William Eggleston, and many others. Minneapolis's attention to current photographers is dramatically reflected in this volume. While the significance of the medium's traditions has always been a recurrent thread through the collection, its broader character reflects a modern sensibility that refers to the distinct aesthetic character and value of picture making, the camera, and camera vision. The Making of a Collection documents the creation of a truly remarkable collection of photographs and the simultaneous development of the curatorial mind and eye."--Amazon.com.

Minneapolis Institute of Arts --- fotografie --- museumcollecties --- 19de eeuw --- 20ste eeuw --- Photography, Artistic --- 760.5 --- fotogeschiedenis --- Verenigde Staten --- Europa --- Fox Talbot, William Henry --- Frith, Francis --- Hill, David Octavius --- Adamson, Robert --- Thomson, John --- Evans, Frederick H --- Cameron, Julia Margaret --- Pirou, Eugène --- Tourtin, Emile --- Muybridge, Eadweard --- Gurney, Jeremiah --- Atget, Eugene --- Sommer, Giorgio --- Curtis, Edward S --- Russell, Andrew Joseph --- Jackson, William Henry --- Watkins, Carleton E --- Eakins, Thomas --- Coburn, Alvin Langdon --- Bellocq, E. J --- Hine, Lewis --- Van DerZee, James --- Stieglitz, Alfred --- Newman, Arnold --- Cunningham, Imogen --- Strand, Paul --- Brandt, Bill --- Sander, August --- Telberg, Vel --- Alvarez Bravo, Manuel --- Brassaï --- Lartigue, Jacques-Henri --- Steichen, Edward --- Abbott, Berenice --- Kertész, André --- Steiner, Ralph --- Renger-Patzsch, Albert --- Evans, Walker --- Bros, Clarence K --- Adams, Ansel --- Chiarenza, Carl --- Weston, Brett --- Weston, Edward --- Bullock, Wynn --- Siskind, Aaron --- White, Minor --- Callahan, Harry --- Faurer, Louis --- Liebling, Jerome --- Palfi, Marion --- Frank, Robert --- Welpott, Jack --- Meatyard, Ralph Eugene --- Wilcox, Robert Gene --- Uelsmann, Jerry N --- Davidson, Bruce --- Wessel Jr., Henry --- Krims, Leslie --- Cohen, Mark --- Mertin, Roger --- Swedlund, Charles --- Gowin, Emmet --- Crane, Arnold --- Weegee --- Klein, William --- Arbus, Diane --- Avedon, Richard --- Dovydenas, Jonas --- Selkirk, Neil --- Snyder, Joel --- Mayes, Elaine --- Nixon, Nicolas --- Olsenius, Richard --- Burns, Marsha --- Goin, Peter --- Moss, Joan --- Muxter, Ramon J --- Dickey, Michael --- Fink, Larry --- Coplans, John --- Holmgren, Robert --- Arndt, Thomas F --- Lanzano, Louis --- DeLory, Peter --- Donneman, Eve --- Lang, Gerald --- Jensen, Mark E --- Tice, George A --- Jachna, Joseph D --- Levinson, Joel D --- Friedlander, Lee --- Simon, Michael --- Myers, Joan --- McFarland, Lawrence --- Deal, Joe --- Agar, Will --- Barrow, Thomas F --- Swerdlove, Allen --- Gohlke, Frank W --- Smith, Michael A --- MacWeeney, Alen --- Tuckerman, Jane --- Winogrand, Garry --- Papageorge, Tod --- Meyerowitz, Joel --- Lyons, Joan --- Eggleston, William --- Callis, Jo Ann --- Neimanas, Joyce --- Golden, Judith --- James, Christopher P --- Estabrook, Reed --- Henkel, James --- Merill, Lawrence J --- Albert, Brian --- Christenberry, William --- Jenshel, Len --- Klipper, Stuart D --- fotografie, verzamelen - musea - tentoonstellingen --- Minneapolis. --- Minneapolis Society of Fine Arts. --- Minneapolis Institute of Fine Arts --- Minneapolis Institute of Art (1915-2015) --- MIA (Minneapolis Institute of Arts) --- Minneapolis Institute of Art --- Photograph collections. --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics --- Minneapolis Institute of Arts. --- museumcollecties. --- 19de eeuw. --- 20ste eeuw.