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Professor Francesca Flores d'Arcais's chronological survey of Giotto's life and work incorporates an impressive range of sources, from fourteenth-century Latin and Italian documents to the most recent art-historical investigations. Her international research leads her to important re-attributions of Giottesque paintings and to new insights regarding the execution and dating of famous and less well-known works. The engaging text is illustrated by hundreds of oversize, superbly reproduced photographs - some on double gatefold pages. The illustrations are drawn from new photography of Giotto's paintings, many of which have been recently restored to their original brilliance.
75.07 --- Schilderkunst ; Italië ; Trecento ; Giotto --- Muurschilderkunst ; frescoschilderkunst --- Giotto (di Bondone) 1267-75(?) - 1337 (°Vespignano, bij Firenze) --- Schilderkunst ; schilders A-Z --- Giotto, --- Giotto di Bondone --- Bondone, Giotto di --- Dzhotto di Bondone --- Dzhiotto --- Di Bondone, Giotto --- ジオット --- Criticism and interpretation.
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"A historical and critical study of the great Italian Renaissance architect Donato Bramante, but also a polemic, even manifesto, about contemporary architectural practice"--
Architecture --- Renaissance --- Bramante, Donato, --- Criticism and interpretation. --- golden section --- Italian Renaissance-Baroque styles --- architects --- Bramante --- Giotto (di Bondone) 1267-75(?) - 1337 (°Vespignano, bij Firenze) --- Dante (= Durante) Alighieri 1265-1321 (°Florence) --- Architectuur ; Barok --- Architectuur ; Italië ; 15de en 16de eeuw --- Princen, Bas (°1975, Zeeland, Nederland) --- Bramante, Donato --- 72.07 --- Architecten. Stedenbouwkundigen A - Z
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Giotto --- Padua --- Scrovegni kapel (Padua) --- 14de eeuw --- 091 <45 PADOVA> --- 091.31 <45> --- 091 <064> --- Giotto (di Bondone) 1267/75 - 1337 (° Vespignano, bij Firenze, Italië) --- Schilderkunst ; Italië ; Trecento ; Giotto --- Muurschilderkunst ; frescoschilderkunst ; Padua ; Scrovegnikapel --- Europalia 2003 ; Italië --- Schilderkunst : Italië ; 14de eeuw --- 75.07 --- (069) --- Davide Banzato --- kunst --- schilderkunst --- veertiende eeuw --- Italië --- fresco's --- middeleeuwen --- renaissance --- Guariento --- muurschilderingen --- restauratie --- Pietro da Rimini --- Giuliano da Rimini --- Semitecolo Nicoletto --- Altichiero --- Jacopo da Verona --- Cennini Cennino --- beeldhouwkunst --- Rinaldino di Pietro di Francia --- Dotto Vincenzo --- Valle Giovanni --- etskunst --- grafiek --- Urbani Marino --- fotografie --- Naya Carlo --- aquarellen --- Benvenisti Gabriele --- Grasselli Vincenzo --- Lava Barnaba --- Moro Marco --- Prout Samuel --- Sorgato Antonio --- Borlinetto Luigi --- Bellucco Francesco --- Chevalier Pietro --- vijftiende eeuw --- zestiende eeuw --- zeventiende eeuw --- achttiende eeuw --- negentiende eeuw --- 75.071 GIOTTO --- Handschriftenkunde. Handschriftencatalogi--Italië--PADOVA --- Verluchte handschriften--Italië --- Handschriftenkunde. Handschriftencatalogi--Tentoonstellingscatalogi. Museumcatalogi --- Schilderkunst ; schilders --- (Musea. Collecties) --- Exhibitions --- 091 <064> Handschriftenkunde. Handschriftencatalogi--Tentoonstellingscatalogi. Museumcatalogi --- 091.31 <45> Verluchte handschriften--Italië --- 091 <45 PADOVA> Handschriftenkunde. Handschriftencatalogi--Italië--PADOVA --- Giotto. --- 14de eeuw. --- Padua.
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"This book offers an analysis of Giotto's painted architecture, focusing on issues of structural logic, clarity of composition, and its role within the narrative of the painting. Giotto was the first artist since antiquity to feature highly detailed architecture in a primary role in his paintings. Francesco Benelli demonstrates how architecture was used to create pictorial space, one of Giotto's key inventions. He argues that Giotto's innovation was driven by a new attention to classical sources, including low reliefs, mosaics, mural paintings, coins and Roman ruins. The book shows how Giotto's images of fictive buildings, as well as portraits of well-known monuments, both ancient and contemporary, play an important role in the overall narrative, iconography and meaning of his works. The conventions established by Giotto remained at the heart of early modern Italian painting until the sixteenth century"--
Architecture in art. --- Mural painting and decoration, Italian --- Mural painting and decoration, Gothic --- Architecture dans l'art --- Peinture et décoration murales italiennes --- Peinture et décoration murales gothiques --- Themes, motives --- Thèmes, motifs --- Giotto, --- 72.034 --- 75 --- Architectuur van de renaissance; barok; rococo en koloniale stijl --- Schilderkunst --- 75 Schilderkunst --- 72.034 Architectuur van de renaissance; barok; rococo en koloniale stijl --- Peinture et décoration murales italiennes --- Peinture et décoration murales gothiques --- Thèmes, motifs --- Architecture in art --- Italian mural painting and decoration --- Gothic mural painting and decoration --- Giotto di Bondone, --- Bondone, Giotto di, --- Dzhotto di Bondone, --- Dzhiotto, --- Di Bondone, Giotto, --- ジオット, --- Criticism and interpretation. --- Giotto di Bondone --- Bondone, Giotto di --- Dzhotto di Bondone --- Dzhiotto --- Di Bondone, Giotto --- ジオット --- 75.07 --- Giotto (di Bondone) 1267/75 - 1337 (° Vespignano, bij Firenze, Italië) --- 72.034(45) --- Schilderkunst ; schilders A-Z --- Architectuurgeschiedenis ; Renaissance ; Barok ; Rococo ; Italië
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