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Giordano Bruno, een martelaar der vrije gedachte
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Year: 1889 Publisher: Amsterdam : De Dageraad,

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Giordano, Bruno,


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Giordano Bruno ou le chevalier errant de la philosophie : poème mélique et musique
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Year: 1925 Publisher: Paris : Imprimerle Nationale,

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Giordano Bruno : his life and thought : with annotated translation of his work On the infinite universe and worlds
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Year: 1950 Publisher: New York : Henry Schumann,

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Renaissance theory of love : the context of Giordano Bruno's Eroici furori
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Year: 1958 Publisher: New-York London : Columbia University Press,

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La soglia dell'ombra : letteratura, filosofia e pittura in Giordano Bruno
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ISBN: 8831781499 Year: 2003 Publisher: Venezia : Marsilio,

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Article
On Giordano Bruno, Wilde and Yeats.
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Year: 1964 Publisher: S.l. : s.n.,

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Giordano Bruno
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ISBN: 2213029733 9782213029733 Year: 1995 Publisher: Paris : Fayard,

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A proposito di Maria Goretti : santità e canonizzazioni : atti della Commissione di studio istituita dalla Congregazione per le cause dei santi il 5 febbraio 1985
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ISBN: 9788820915308 8820915308 Year: 1986 Publisher: Città del Vaticano: Libreria editrice Vaticana,

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Mais pourquoi donc a-t-on brûlé Giordano Bruno?Essai sur la notion de divinité.Un Dieu pour le troisième millénaire.Edition revisée
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ISBN: 9782748301243 2748301242 Year: 2004 Publisher: Paris Publibook

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The secret life of puppets
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ISBN: 0674041410 Year: 2001 Publisher: Cambridge, Massachusetts ; London, England : Harvard University Press,

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In one of those rare books that allows us to see the world not as we've never seen it before, but as we see it daily without knowing, Victoria Nelson illuminates the deep but hidden attraction the supernatural still holds for a secular mainstream culture that forced the transcendental underground and firmly displaced wonder and awe with the forces of reason, materialism, and science. In a backward look at an era now drawing to a close, The Secret Life of Puppets describes a curious reversal in the roles of art and religion: where art and literature once took their content from religion, we came increasingly to seek religion, covertly, through art and entertainment. In a tour of Western culture that is at once exhilarating and alarming, Nelson shows us the distorted forms in which the spiritual resurfaced in high art but also, strikingly, in the mass culture of puppets, horror-fantasy literature, and cyborgs: from the works of Kleist, Poe, Musil, and Lovecraft to Philip K. Dick and virtual reality simulations. At the end of the millennium, discarding a convention of the demonized grotesque that endured three hundred years, a Demiurgic consciousness shaped in Late Antiquity is emerging anew to re-divinize the human as artists like Lars von Trier and Will Self reinvent Expressionism in forms familiar to our pre-Reformation ancestors. Here as never before, we see how pervasively but unwittingly, consuming art forms of the fantastic, we allow ourselves to believe.

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