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Poet, philosopher, speculative architect and transdisciplinary artist, Madeline Gins (1941–2014) is well-known for her collaborations with her husband, the artist Arakawa, on the experimental architectural project Reversible Destiny, in which they sought to arrest mortality by transforming the built environment. Yet, her own writings—in the form of poetry, essays, experimental prose, and philosophical inquiries—represent her most visionary and transformative work. Expansive and playful, Gins’s vigorous and often ecstatic exploration of the physicality of language challenges us to sense more acutely the ways in which we can—and could—write and read. Like Gertrude Stein before her, Gins transfigures grammar and liberates words. Like her contemporaries in conceptual art, her writing is attuned to the energized, collaborative space between reader and page. She invites the reader into a field of infinite, ever-multiplying possibility. The Saddest Thing Is That I Have Had to Use Words: A Madeline Gins Reader is a revelatory anthology, edited and with an introduction by the writer and critic Lucy Ives. It brings never-before-published poems and essays together with a complete facsimile reproduction of Gins’s 1969 masterpiece, WORD RAIN (or A Discursive Introduction to the Intimate Philosophical Investigations of G,R,E,T,A, G,A,R,B,O, It Says), along with substantial excerpts from her two later books What the President Will Say and Do!! (1984) and Helen Keller or Arakawa (1994). Long out of print or unpublished, Gins’s poems and prose form a powerful corpus of experimental literature, one which is sure to upend existing narratives of American poetics at the close of the twentieth century.
Gins, Madeline. --- English literature --- poetry --- Gins, Madeline
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This manifesto is a verbal articulation of the authors' visionary theory of how the human body, architecture, and creativity define and sustain one another. This revolutionary work by artist-architects Arakawa and Madeline Gins demonstrates the inter-connectedness of innovative architectural design, the poetic process, and philosophical inquiry. Together, they have created an experimental and widely admired body of work--museum installations, landscape and park commissions, home and office designs, avant-garde films, poetry collections--that challenges traditional notions
Architecture --- Philosophy. --- Arakawa, Shusaku --- Gins, Madeline --- ARCHITECTURE --- PHILOSOPHY
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Arakawa, Shusaku, --- Gins, Madeline --- Exhibitions --- Arakawa, Shūsaku --- Arakawa, Shūsaku, --- Arakawa, Shūsaku, --- Exhibitions.
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Arakawa, Shusaku, --- Gins, Madeline --- Avant-garde (Aesthetics) --- History --- Arakawa, Shūsaku, --- Gina, Madeline --- Themes, motives. --- Arakawa, Shūsaku,
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Art --- art [discipline] --- lichaam (van de mens) --- Bacher, Lutz --- Zobernig, Heimo --- Grognard, Inge --- Davey, Moyra --- Pichler, Walter --- Gins, Madeline --- Harris, Lyle Ashton --- Jürgenssen, Birgit --- Madison, Tobias --- Arakawa, Shusaku --- Folly, Gina --- Stingily, Diamond --- COBRA --- Deix, Manfred --- Goldberg, Nathaniel --- Hirte, Benjamin --- Kokopeli, Marc --- Moke, Johnny --- André, Adeline --- Muslimova, Ebecho --- Ojo, Kayode --- Průša, Lucia Elena --- Berger, Anna-Sophie --- Charlesworth, Sarah --- Oppenheim, Meret --- Trockel, Rosemarie --- Brus, Günther --- Larmessin, de, Nicolas I
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Art --- installations [visual works] --- Phaophanit, Vong --- Gallaccio, Anya --- Kummer, Raimund --- Duchamp, Marcel --- Barry, Judith --- Barclay, Per --- Barlow, Phyllida --- Brodsky, Alexander --- Coleman, John --- Gins, Madeline --- Goldenberg, David --- Goodden, Nat --- Haseldon, Ron --- Jennings, Chris --- Kesseler, Rob --- Kawamata, Tadashi --- Laramee, Eve Andrée --- Mabe, Joni --- Pallanka, Heike --- Petry, Michael --- Sabin, Andrew --- Tisdale, Danny --- Torres Monsó, Francesco --- Utkin, Ilya --- Kabakov, Ilija Iosefovich --- Arakawa, Shusaku --- Thek, Paul --- Hatoum, Mona --- Graham, Dan --- Holzer, Jenny --- Judd, Donald --- Artschwager, Richard --- Turrell, James --- McCollum, Allan --- Noland, Cady --- Parker, Cornelia --- Orozco, Gabriel --- Bloom, Barbara --- Burden, Chris --- Chadwick, Helen --- Katase, Kazuo --- Laib, Wolfgang --- Muntadas, Antonio --- Thompson, Gladstone --- Piper, Adrian --- Bijl, Guillaume --- Matta-Clark, Gordon --- Kosuth, Joseph --- General Idea --- anno 1900-1999
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Art --- art [discipline] --- Kwade, Alicja --- Antunes, Leonor --- Parreno, Philippe --- Pak Sheung Chuen --- Cao Fei --- Chen, Chieh-Jen --- Czech, Natalie --- Davar, Katja --- Ding Yi --- Epaminonda, Haris --- Gins, Madeline --- Issa, Iman --- Liu Ding --- Liu Zheng --- Minemura, Ayumi --- Qiu Zhijie --- Roeckenschuss, Christian --- Uhlig, Max --- Xu Zhen --- Yang Fudong --- Yin Xiuzhen --- Zhang Ding --- Zhang Peili --- Zheng Guo Gu --- Lee Kit --- Ma, Qiusha --- Arakawa, Shusaku --- Wang, Sishun --- Guan, Xiao --- Li Ran --- Browne, Sarah --- The Utopia Group --- Dumke, Sibylla --- Fang Lu --- Partenheimer, Benedikt --- Wu Hao --- Yu Honglei --- Zheng Chongbin --- Böhm, Hartmut --- Mields, Rune --- Mosset, Olivier --- Struth, Thomas --- Gonzalez-Foerster, Dominique --- anno 1990-1999 --- anno 2000-2009 --- anno 2010-2019 --- China
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