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Iconography --- Art --- Sculpture --- Film --- installations [visual works] --- multimedia works --- video art --- sculpting --- landscapes [representations] --- Gillette, Frank --- Lucier, Mary --- Myers, Rita --- Vasulka, Steina --- Viola, Bill --- Birnbaum, Dara --- Hall, Doug --- anno 1900-1999 --- United States of America

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Art --- sculpture [visual works] --- installations [visual works] --- multimedia works --- biology --- video art --- Nature --- floras [documents] --- climate change --- digital art [visual works] --- photography [discipline] --- extinctions [natural events] --- bioart --- Anker, Suzanne --- Gillette, Frank

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Film --- video art --- Buren, Daniel --- Chiari, Giuseppe --- Gillette, Frank --- Lucier, Alvin --- Beuys, Joseph --- Otth, Jean --- Palestine, Charlemagne --- Pirelli, Alberto --- Paolini, Giulio --- Viola, Bill --- Jonas, Joan --- Acconci, Vito --- Calzolari, Pier Paolo --- Kounellis, Jannis --- Baldessari, John --- Lüthi, Urs --- Kaprow, Allan --- anno 1900-1999 --- Europe --- United States of America

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"Video is everywhere. Since its debut as a consumer medium in the 1960s, video has shaped our opinions, our politics and our societies. On our phones and computer screens, walls and streets, it defines new spaces and experiences--spreading memes, lies, fervor, fact and fiction. In other words, video has transformed the world. Featuring works from the collection of the Museum of Modern Art, New York, this illuminating exhibition catalog--MoMA's first major publication on video art in nearly 30 years--explores the ways in which artists have both championed and questioned video's promise, some hoping to create new networks of communication, democratic engagement and public participation, others protesting commercial and state control over information, vision and truth itself. Lavishly illustrated essays by esteemed scholars and artists--including Ina Blom, Aria Dean, David Joselit, Pamela M. Lee, Glenn Ligon and Ravi Sundaram--highlight video's widely varied formats, contexts and global reach. Signals is a manual for understanding the present, an era in which video has pervaded all aspects of life"--

Video art --- Experimental films --- film --- kunst --- videokunst --- 791.45 --- videoinstallaties --- videokunst en openbare ruimte --- Abu Hamdan Lawrence --- Ant Farm --- American Artist --- Béar Liza --- Bender Gretchen --- Birnbaum Dara --- Black Audio Film Collective --- CADA (Colectivo Acciones de Arte) --- Callas Peter --- Delat Chto --- Cokes Tony --- Cort David --- Davidovich Jaime --- Export Valie --- Farocki Harun --- Galindo Regina José --- Galloway Kit --- Geiger Anna Bella --- General Idea --- Gillette Frank --- Graham Dan --- Hatoum Mona --- Hughes Every Ocean --- Idemitsu Mako --- Iveković Sanja --- Jacir Emily --- Jenkins Ulysses --- Kanwar Amar --- Kavelina Dana --- Klier Michael --- Leeson Lynn Hershman --- Leppe Carlos --- Masayesva Jr. Victor --- Minujín Marta --- Motta Carlos --- Mujinga Sandra --- Muntadas --- Nakaya Fujiko --- New Red Order --- Not Channel Zero --- Paik Nam June --- Parente Letícia --- Perry Sondra --- Pindell Howardena --- Raad Walid --- Raindance Corporation --- Riggs Marlon --- Rosler Martha --- Santos Eder --- Scher Julia --- Serra Richard --- Sia Tiffany --- Song Dong --- Stark Frances --- Syms Martine --- Tajiri Rea --- Tas Marcelo --- Tsang Wu --- TVTV --- Vanderbeek Stan --- Videofreex --- Vostell Wolf --- Wong Ming --- Zhen Xu --- Yalter Nil --- Yau Ching --- Žmijewski Artur --- Avant-garde films --- Experimental videos --- Personal films --- Underground films --- Motion pictures --- Electronic art --- Experimental television --- Art, Modern --- Performance art --- Television --- Time-based art --- History --- Museum of Modern Art (New York, N.Y.) --- New York (City). --- New York (N.Y.). --- Nyū Yōku Kindai Bijutsukan --- MOMA --- video [discipline] --- video artists --- experimental films --- multimediakunst

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This book investigates the state of panoptic art at a time when issues of security and civil liberties are on many people's minds. Traditional imaging and tracking systems have given way to infinitely more powerful "dataveillance" technologies, as an ever-evolving arsenal of surrogate eyes and ears in our society shifts its focus from military to domestic space. Taking as its point of departure an architectural drawing by Jeremy Bentham that became the model for an entire social regime, CTRL [SPACE] looks lat the shifting relationships between design and power, representation and subjectivity, imaging and oppression from the eight-teenth to twenty-first centuries. From the photographs taken with hidden cameras by Walker Evans and Paul Strand in the early twentieth century to the appropriation of military satellite technology by Marko Peljhan a hundred years later, the works of a wide range of artists have explored the dynamics of watching and being watched. Andy Warhol, Bruce Nauman, Dan Graham, Rem Koolhaas, Michel Klier, Thomas Ruff, Pierre Huyghe, Sophie Calle, Julia Scher, Diller + Scofidio, Peter Weibel, and Yoko Ono are among the artists whose panoptical preoccupations are featured here. This is the first state-of-the-art survey of the full range of panopticism - in digital culture, architecture, video, painting, photography, conceptual art, cinema, installation work, television, robotics, and satellite imaging.

Art --- Mass communications --- Thema's in de kunst ; controle ; observatie ; Big Brother --- Real Time film ; video ; reality TV --- Panoptische kunst --- Elektronische informatietechnologie ; databanken --- Beeldcultuur ; audio-visuele media --- International Media Art Award --- Tentoonstellingscatalogi ; Karlsruhe ; Center for Art and Media ; ZKM --- 7.049 --- 7.01 --- (069) --- Iconografie ; verschillende onderwerpen --- Kunst ; theorie, filosofie, esthetica --- (Musea. Collecties) --- ed. by Thomas Y. Levin, Ursula Frohne, and Peter Weibel --- kunst --- twintigste eeuw --- bewaking --- satelliettechnologie --- politiek --- kunst en politiek --- dataveillance --- waarneming --- Big Brother --- Nauman Bruce --- Graham Dan --- Weibel Peter --- Schneider Ira --- Gillette Frank --- Klier Michael --- Luhmann Niklas --- Ruff Thomas --- Stein Lewis --- straf --- bestraffing --- Farocki Harun --- Virilio Paul --- Bentham Jeremy --- Koolhaas Rem --- Dahlberg Jonas --- Langlands & Bell --- Thiel Frank --- Colomer Henry --- bewakingssystemen --- Todorovic Zoran --- veiligheid --- staatsveiligheid --- Echelon --- Stasi --- Leccia Ange --- Schleime Cornelia --- Korpys/Löffler --- Stih & Schnock --- Klauke Jürgen --- Chip Lord --- Lord Chip --- Mélian Michaela --- panopticum --- Burgin Victor --- Warhol Andy --- narcisme --- Huyghe Pierre --- Scher Julia --- Crandall Jordan --- Alpern Merry --- Haagsma Harco --- Marketou Jenny --- Lundin Ulf --- Mayer H. Jürgen --- Deleuze Gilles --- architectuur --- kunst en architectuur --- 3D --- Deutsch David --- Naldi Pat --- Kirkup Wendy --- Diller+Scofidio --- Roth Daniel --- Mihaltianu Dan --- GRAFT --- NYCLU --- New York Civil Liberties Union --- visomat --- visomat inc. --- Baltz Lewis --- Acconci Vito --- Lennon John --- Ono Yoko --- Calle Sophie --- Kurgan LAura --- Bush Paul --- Art+Com --- Peljhan MArko --- Lowenberg Richard --- cybernetica --- panopticisme --- Baudrillard Jean --- Wagg jamie --- Froese Dieter --- Petit Chris --- Dijkman Bart --- Caviezel Kurt --- Komen A.P. --- Murphy Karen --- G.R.A.M. --- Bonde Niels --- Siden Ann-Sofi --- reality tv --- videobewaking --- reclame --- reclamevormgeving --- film --- narratologie --- Cornwell Peter --- Bureau of Inverse Technology --- Institute for Applied Autonomy --- I.A.A. --- Beaubois Denis --- Guess Jeff --- Mühlenbrock Heiner --- Surveillance Camera Players --- Bacher Luiz --- Haddock Jon --- Ra'ad Walid --- design --- cultuurfilosofie --- gevangenissen --- 7.038 --- 130.2 --- 791.5 --- visomat inc --- Komen A.P --- G.R.A.M --- I.A.A --- Multimedia (Art) --- Electronic surveillance --- Multimedia (Art) - Exhibitions --- Electronic surveillance - Art