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Gilgamesh --- Epic of Gilgamesh --- Ghilgameš --- Gilgamesch --- Gilgamesz --- Gilgāmish --- Guilgamesh --- Ishtar and Izdubar --- Ishtar (Assyro-Babylonian epic) --- Izdubar --- Jiljāmish --- Kilkāmish --- Sha naqba imura --- Criticism, Textual. --- Translations into German. --- Criticism, Textual --- Translations into German --- Litterature sumerienne
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This book contains an edition of an important Sumerian literary work, the 'Death of Gilgamesh' (am gal-e ba-nú), which was last published by the late S.N. Kramer, in 1944. An Iraqui excavation uncovered important new fragments in Meturan-Tall Haddad. These are published here for the first time. The Nippur fragments are published anew (introduction, commentary and French translation, with a chapter on Sumerian funerary texts and index).
Cuneiform inscriptions, Sumerian --- Inscriptions cunéiformes sumériennes --- Gilgamesh --- Gilgamesj. --- Mort. --- Bestattung. --- Keilschrifttext. --- Tod. --- Gilgamesch. --- Gilgamesh. --- Altbabylonisch. --- Mēturan. --- Sumerer. --- Death. --- Sumerian language --- Sumérien (Langue) --- Death --- Dying --- End of life --- Life --- Terminal care --- Terminally ill --- Thanatology --- Philosophy
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Gilgamesh --- Assyria --- Assyrie --- Congresses. --- Congrès --- 222.2 --- 299.219 --- Genesis --- Godsdiensten van Babyloniërs en Assyriërs --- Conferences - Meetings --- 299.219 Godsdiensten van Babyloniërs en Assyriërs --- Congrès --- Epic of Gilgamesh --- Ghilgameš --- Gilgamesch --- Gilgamesz --- Gilgāmish --- Guilgamesh --- Ishtar and Izdubar --- Ishtar (Assyro-Babylonian epic) --- Izdubar --- Jiljāmish --- Kilkāmish --- Sha naqba imura --- Assur (Kingdom) --- Asshur (Kingdom) --- Congresses
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The Akkadian Gilgamesh Epic, perhaps the most famous of Mesopotamian literature, has been considered the artistry of one author inspired by Sumerian tales. Specialists have assumed that all the earliest evidence (ca. 1800-1700 BCE) reflects this creative unity. Deep contrasts in characterization and narrative logic, however, distinguish the central adventure to defeat the monster Huwawa from what precedes and follows it. The Huwawa narrative stands on its own, so that the epic must have been composed from this prior Akkadian composition. Recognition of the tale embedded in the epic allows each block of material to be understood on its own terms. Such literary-historical investigation from contemporary texts is new to Assyriology and may produce important results when applied to other Mesopotamian writing. 'The book is well written and tightly argued...This makes it a first point of reference for anyone interested in the OB evidence for the Gilgamesh Epic.' Scott C. Jones, Covenant College
Assyriology --- Epic poetry, Assyro-Babylonian --- History. --- History and criticism. --- Gilgamesh. --- History and criticism --- History --- Gilgamesh --- Assyro-Babylonian epic poetry --- Assyro-Babylonian poetry --- Assyro-Babylonian studies --- Epic of Gilgamesh --- Ghilgameš --- Gilgamesch --- Gilgamesz --- Gilgāmish --- Guilgamesh --- Ishtar and Izdubar --- Ishtar (Assyro-Babylonian epic) --- Izdubar --- Jiljāmish --- Kilkāmish --- Sha naqba imura
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Epic poetry, Assyro-Babylonian --- History and criticism --- Gilgamesh --- -Assyro-Babylonian epic poetry --- Assyro-Babylonian poetry --- History and criticism. --- Gilgamesh. --- -History and criticism --- Assyro-Babylonian epic poetry --- Epic of Gilgamesh --- Ghilgameš --- Gilgamesch --- Gilgamesz --- Gilgāmish --- Guilgamesh --- Ishtar and Izdubar --- Ishtar (Assyro-Babylonian epic) --- Izdubar --- Jiljāmish --- Kilkāmish --- Sha naqba imura --- Epic poetry, Assyro-Babylonian - History and criticism
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This book provides a groundbreaking reassessment of the prehistory of Homeric epic. It argues that in the Early Iron Age bilingual poets transmitted to the Greeks a set of narrative traditions closely related to the one found at Bronze-Age Hattusa, the Hittite capital. Key drivers for Near Eastern influence on the developing Homeric tradition were the shared practices of supralocal festivals and venerating divinized ancestors, and a shared interest in creating narratives about a legendary past using a few specific storylines: theogonies, genealogies connecting local polities, long-distance travel, destruction of a famous city because it refuses to release captives, and trying to overcome death when confronted with the loss of a dear companion. Professor Bachvarova concludes by providing a fresh explanation of the origins and significance of the Greco-Anatolian legend of Troy, thereby offering a new solution to the long-debated question of the historicity of the Trojan War.
Epic poetry, Greek --- Hittites --- Hittite literature --- History and criticism --- Religion --- Homer. --- Gilgamesh --- Homer --- Epic poetry, Greek - History and criticism --- Hittites - Religion --- Hittite literature - History and criticism --- Homer - Iliad --- History and criticism. --- Religion. --- Gilgamesh. --- Epic of Gilgamesh --- Ghilgameš --- Gilgamesch --- Gilgamesz --- Gilgāmish --- Guilgamesh --- Ishtar and Izdubar --- Ishtar (Assyro-Babylonian epic) --- Izdubar --- Jiljāmish --- Kilkāmish --- Sha naqba imura
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The world's oldest work of literature, the Epic of Gilgamesh recounts the adventures of the semimythical Sumerian king of Uruk and his ultimately futile quest for immortality after the death of his friend and companion, Enkidu, a wildman sent by the gods. Gilgamesh was deified by the Sumerians around 2500 BCE, and his tale as we know it today was codified in cuneiform tablets around 1750 BCE and continued to influence ancient cultures-whether in specific incidents like a world-consuming flood or in its quest structure-into Roman times. The epic was, however, largely forgotten, until the cuneiform tablets were rediscovered in 1872 in the British Museum's collection of recently unearthed Mesopotamian artifacts. In the decades that followed its translation into modern languages, the Epic of Gilgamesh has become a point of reference throughout Western culture.In Gilgamesh among Us, Theodore Ziolkowski explores the surprising legacy of the poem and its hero, as well as the epic's continuing influence in modern letters and arts. This influence extends from Carl Gustav Jung and Rainer Maria Rilke's early embrace of the epic's significance-"Gilgamesh is tremendous!" Rilke wrote to his publisher's wife after reading it-to its appropriation since World War II in contexts as disparate as operas and paintings, the poetry of Charles Olson and Louis Zukofsky, novels by John Gardner and Philip Roth, and episodes of Star Trek: The Next Generation and Xena: Warrior Princess.Ziolkowski sees fascination with Gilgamesh as a reflection of eternal spiritual values-love, friendship, courage, and the fear and acceptance of death. Noted writers, musicians, and artists from Sweden to Spain, from the United States to Australia, have adapted the story in ways that meet the social and artistic trends of the times. The spirit of this capacious hero has absorbed the losses felt in the immediate postwar period and been infused with the excitement and optimism of movements for gay rights, feminism, and environmental consciousness. Gilgamesh is at once a seismograph of shifts in Western history and culture and a testament to the verities and values of the ancient epic.
Assyro-Babylonian literature. --- Ancient History & Classical Studies. --- LITERARY CRITICISM / Ancient & Classical. --- Akkadian literature --- Babylonian literature --- Gilgamesh --- Gilgamesh. --- Epic of Gilgamesh --- Ghilgameš --- Gilgamesch --- Gilgamesz --- Gilgāmish --- Guilgamesh --- Ishtar and Izdubar --- Ishtar (Assyro-Babylonian epic) --- Izdubar --- Jiljāmish --- Kilkāmish --- Sha naqba imura --- Influence. --- Adaptations.
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The deeds and struggles of Gilgamesh, legendary king of the city-state Uruk in the land of Sumer, have fascinated readers for millennia. They are preserved primarily in the Epic of Gilgamesh, one of the most well-known pieces of Mesopotamian literature. Studying the text draws us into an orbit that is engaging and thrilling, for it is a work of fantasy and legend that addresses some of the very existential issues with which contemporary readers still grapple. We experience the excitement of trying to penetrate the mind-set of another civilization, an ancient one--in this instance, a civilization that ultimately gave rise to our own.The studies gathered here all demonstrate Tzvi Abusch's approach to ancient literature: to make use of the tools of literary, structural, and critical analysis in service of exploring the personal and psychological dimensions of the narration. The author focuses especially on the encounters between males and females in the story. The essays are not only instructive for understanding the Epic of Gilgamesh, they also serve as exemplary studies of ancient literature with a view to investigating streams of commonality between ancient times and ours.
Epic poetry, Assyro-Babylonian --- Man-woman relationships in literature. --- Assyro-Babylonian epic poetry --- Assyro-Babylonian poetry --- History and criticism. --- Gilgamesh. --- Epic of Gilgamesh --- Ghilgameš --- Gilgamesch --- Gilgamesz --- Gilgāmish --- Guilgamesh --- Ishtar and Izdubar --- Ishtar (Assyro-Babylonian epic) --- Izdubar --- Jiljāmish --- Kilkāmish --- Sha naqba imura --- Epic poetry, Assyro-Babylonian. --- Ishtar
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Alhena Gadotti offers a much needed new edition of the Sumerian composition Gilgamesh, Enkidu, and the Netherworld, last published by Aaron Shaffer in his 1963 doctoral dissertation. Since then, several new manuscripts have come to light, prompting not only a new edition of the text, but also a re-examination of the composition. In this book, Gadotti argues that Gilgamesh, Enkidu, and the Netherworld was the first, not the last of the Sumerian stories about Gilgamesh. She also suggests that a Sumerian Gilgamesh Cycle, currently only attested in old Babylonian manuscripts (ca. 18th century BCE), was in fact developed during the Ur III period (ca. 2100-2000 BCE). Providing a new way to look at the Sumerian Gilgamesh stories, this book is relevant not only to scholars of the ancient Near East, but also to anyone interested in epic and epic cycle.
Epic poetry, Assyro-Babylonian --- Epic poetry, Sumerian --- Sumerian epic poetry --- Sumerian poetry --- Assyro-Babylonian epic poetry --- Assyro-Babylonian poetry --- History and criticism. --- Gilgamesh. --- Epic of Gilgamesh --- Ghilgameš --- Gilgamesch --- Gilgamesz --- Gilgāmish --- Guilgamesh --- Ishtar and Izdubar --- Ishtar (Assyro-Babylonian epic) --- Izdubar --- Jiljāmish --- Kilkāmish --- Sha naqba imura --- Ancient Near Eastern epic. --- Mesopotamian literature. --- Sumerian literature.
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"This collection of articles has two aims: The first is to create a comprehensive compendium of iconography on Gilgamesh, that includes three formerly published and several new papers on the visual representation of Gilgamesh. The second is to publish some objects of Near Eastern art from the Bible+Orient Collection in Fribourg, which relate to Gilgamesh."--Summary.
Gilgamesh (Legendary character) --- Art, Assyro-Babylonian. --- Art. --- Gilgamesh --- Criticism, interpretation, etc. --- Art, Assyro-Babylonian --- 892.1 --- 73.046 --- 82:7 --- 82:7 Literatuur en kunst --- Literatuur en kunst --- 73.046 Mythologie; religie; epiek in de beeldhouwkunst --- Mythologie; religie; epiek in de beeldhouwkunst --- 892.1 Akkadische, Sumerische literatuur --- Akkadische, Sumerische literatuur --- Art, Babylonian --- Assyro-Babylonian art --- Babylonian art --- Epic of Gilgamesh --- Ghilgameš --- Gilgamesch --- Gilgamesz --- Gilgāmish --- Guilgamesh --- Ishtar and Izdubar --- Ishtar (Assyro-Babylonian epic) --- Izdubar --- Jiljāmish --- Kilkāmish --- Sha naqba imura
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