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Communication in politics --- Rhetoric --- Ghostwriters --- Political oratory
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Popular literature --- Ghostwriters --- Fiction --- Authors --- Literature, Popular --- Books and reading --- Popular culture --- Authorship
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Una redazione raccogliticcia che prepara un quotidiano destinato, più che all'informazione, al ricatto, alla macchina del fango, a bassi servizi per il suo editore. Un redattore paranoico che, aggirandosi per una Milano allucinata (o allucinato per una Milano normale), ricostruisce la storia di cinquant'anni sullo sfondo di un piano sulfureo costruito intorno al cadavere putrefatto di uno pseudo Mussolini. E nell'ombra Gladio, la P2, l'assassinio di papa Luciani, il colpo di stato di Junio Valerio Borghese, la Cia, i terroristi rossi manovrati dagli uffici affari riservati, vent'anni di stragi e di depistaggi, un insieme di fatti inspiegabili che paiono inventati sino a che una trasmissione della BBC non prova che sono veri, o almeno che sono ormai confessati dai loro autori. E poi un cadavere che entra in scena all'improvviso nella più stretta e malfamata via di Milano. Un'esile storia d'amore tra due protagonisti perdenti per natura, un ghost writer fallito e una ragazza inquietante che per aiutare la famiglia ha abbandonato l'università e si è specializzata nel gossip su affettuose amicizie, ma ancora piange sul secondo movimento della Settima di Beethoven. Un perfetto manuale per il cattivo giornalismo che il lettore via via non sa se inventato o semplicemente ripreso dal vivo. Una storia che si svolge nel 1992 in cui si prefigurano tanti misteri e follie del ventennio successivo, proprio mentre i due protagonisti pensano che l'incubo sia finito.
Civilization, Modern --- Political satire --- Social satire --- Conspiracies --- Conspiracies. --- Extortion --- Extortion. --- Ghostwriters --- Ghostwriters. --- Man-woman relationships --- Man-woman relationships. --- Publishers and publishing --- Publishers and publishing. --- Truthfulness and falsehood --- Truthfulness and falsehood. --- 1900-1999. --- Italy --- Civilization, Modern - 20th century - Fiction
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Ghostwriters --- Authorship, Disputed --- Literary forgeries and mystifications --- Nègres (Rédacteurs) --- Paternité littéraire contestée --- Faux et supercheries littéraires --- Nègres (Rédacteurs) --- Paternité littéraire contestée --- Faux et supercheries littéraires --- Prête-plume (Nègre littéraire)
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Retracer la biographie de Gaspard de Cherville, ce n'est pas seulement éclairer la trajectoire chaotique d'un homme et des écrits qu'il a produits avec Dumas ou qu'il a rédigés seul. C'est aussi récolter des informations sur le Dumas des dernières années et sur ses pratiques d'écriture. C'est encore, entre autres, remarquer les rapports difficiles qu'ont entretenus Hetzel, Dumas et Cherville avec l'éditeur belge Alphonse Lebègue ; revenir sur le rôle important qu'à tenu Noël Parfait, l'infatigable secrétaire de Dumas, aux côtés de son patron ; juger l'attitude de Dumas fils à l'égard du collaborateur de son père, etc. Enfin, et ce n'est pas la seule surprise, découvrir le jeune Émile Zola demandant conseil pour sa carrière à Cherville et s'inspirant plus tard de textes et de réflexions du marquis pour écrire certains épisodes de La Terre.
Nègres (collaborateurs anonymes) --- Ghostwriters --- Authors and publishers --- French literature --- Biography --- History --- History and criticism --- Dumas, Alexandre, --- Cherville, Gaspard de Pekow, --- Authors, French --- Cherville, Gaspard-Georges Pescow, --- Friends and associates. --- Dumas, Alexandre
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In this timely analysis of the economics of access that surround contemporary female celebrity, Hannah Yelin reveals a culture that requires women to be constantly ‘baring all’ in physical exposure and psychic confessions. As famous women tell their story, in their ‘own words’, constellations of ghostwriters, intermediaries and market forces undermine assertions of authorship and access to the ‘real’ woman behind the public image. Yelin’s account of the presence of the ghostwriter offers a fascinating microcosm of the wider celebrity machine, with insights pertinent to all celebrity mediation. Yelin surveys life-writing genres including fiction, photo-diary, comic-strip, and art anthology, as well as more ‘traditional’ autobiographical forms; covering a wide range of media platforms and celebrity contexts including reality TV, YouTube, pop stardom, and porn/glamour modelling. Despite this diversity, Yelin reveals seemingly inescapable conventions, as well as spaces for resistance. Celebrity Memoir: from Ghostwriting to Gender Politics offers new insights on the curtailment of women’s voices, with ramifications for literary studies of memoir, feminist media studies, celebrity studies, and work on the politics of production in the creative industries.
Celebrities. --- Popular Culture. --- Cultural studies. --- Celebrity Studies. --- Popular Culture . --- Cultural Studies. --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Celebrity culture --- Celebs --- Cult of celebrity --- Famous people --- Famous persons --- Illustrious people --- Well-known people --- Persons --- Fan clubs --- Autobiography --- Ghostwriting --- Ghostwriters. --- Women authors --- History and criticism. --- Moral and ethical aspects. --- Ghost writers --- Authors --- Ghost writing --- Authorship --- Autobiographies --- Egodocuments --- Memoirs --- Biography as a literary form --- Collaboration --- History and criticism --- Technique
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