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Museology --- Art --- museology --- Johann Wilhelm von der Pfalz --- Rubens, Peter Paul --- Getty Research Institute [Los Angeles, Calif.]
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Book history --- Photography --- photography [process] --- fonds [collections] --- bookstocks --- illustrations [layout features] --- Getty Research Institute [Los Angeles, Calif.]
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Drohnen mit eingebauten Fotokameras stehen heute unter Verdacht, eine neue, unangemessene Sichtbarkeit zu produzieren. Als Mitte des 19. Jahrhunderts die Fotografie erstmals als Zeitspeicher eingesetzt wurde, brachte sie ein positives Zukunftsversprechen mit sich, das gerade durch seine Vielfältigkeit quer zu einer teleologischen Geschichte von der Momentfotografie zum projizierten Film steht. Fotografische Speicherungsverfahren eröffneten einen Möglichkeitsraum, der weitreichende Metaphern und Phantasmen hervortrieb: Das Leben in reiner Bewegung, die lückenlose Dokumentation der bewegten Objekte, Zeitreisen - all dies sollten Bewegungsfotografien für zukünftige Betrachter speichern. Anhand von Fallstudien zu Auguste Chevallier, Camille Flammarion und Anton Giulio Bragaglia werden Zeitspeicher untersucht, welche die Fotografie zwischen technischem Ensemble, sprachlicher Metaphorisierung und bildlicher Prägnanz als Spur einer wahren Fiktion vorstellen.
Anton Giulio Bragaglia --- Auguste Chevallier --- Bewegungsfotografie --- Camille Flammarion --- Fotografische Panoramen --- Fotogrammetrie --- Zukunftswissen --- Getty Research Institute --- Historiografie --- Vergangene Zukunft
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In 1775 Prince Marcantonio Borghese IV and the architect Antonio Asprucci embarked upon a decorative renovation of the Villa Borghese. Initially their attention focused on the Casino, the principal building at the villa, which had always been a semi-public museum. By 1625 it housed much of the Borghese's outstanding collection of sculpture. Integrating this statuary with vast baroque ceiling paintings and richly ornamented surfaces, Asprucci created a dazzling and unified homage to the Borghese family, portraying its legendary ancestors as well as its newly born heir. In this book, Carole Paul reads the inventive decorative program as a set of exemplary scenes for the education of the ideal Borghese prince. Her wide-ranging essay also situates the Villa Borghese among the sumptuous palaces and suburban villas of Rome's collectors of antiquities and outlines the renovated Casino's pivotal role in the historic transition from the princely collection to the public museum. Rounding out this volume is a catalog of the Getty Research Institute's fifty-nine drawings for the refurbishing of the Villa Borghese and Alberta Campitelli's discussion of sketches for the short-lived Museo di Gabii, the Villa's other antiquities museum.
Asprucci, Antonio --- Conca, Tommaso --- 741.945 --- Arts Drawings Italy --- Architectural drawing --- Drawing --- Asprucci, Antonio, --- Getty Research Institute --- Casino Borghese (Rome, Italy) --- History
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Gentili, Berardino II --- Gentili, Giacomo II --- Gentili, Carmine --- Gentili [Family] --- Majolica, Italian --- Manuscripts, Italian --- Manuscripts --- Sources --- Gentile family --- Barnabei, Felice, --- Archives --- Getty Research Institute for the History of Art and the Humanities --- Italian manuscripts --- Italian majolica --- Getty Center for the History of Art and the Humanities --- Getty Research Institute
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Ever innovative and predictably diverse in their physical formats, artists' books occupy a creative space between the familiar four-cornered object and challenging works of art that effectively question every preconception of what a book can be. Many artists specialize in producing self-contained art projects in the form of books, like Ken Campbell and Susan King, or they establish small presses, like Simon Cutts and Erica Van Horn's Coracle Press or Harry and Sandra Reese's Turkey Press. Countless others who are primarily known as sculptors, painters, or performance artists carry on a parallel practice in artists' books, including Anselm Kiefer, Annette Messager, Ed Ruscha, and Richard Tuttle. Artists and Their Books / Books and Their Artists includes eighty important examples selected from the Getty Research Institute's Special Collections of more than six thousand editions and unique artists' books. This elegant catalogue also presents precursors to the artist's book, such as Joris Hoefnagel's sixteenth-century calligraphy masterpiece; single-sheet episodes from Albrecht DuIA rer's Life of Mary, designed to be either broadsides or a book; early illustrated scientific works; and avant-garde publications. Twentieth-century works reveal the impact of artists' books on Pop art, Fluxus, Conceptual, feminist art, and postmodernism. The selection of books by an international range of artists who have chosen to work with texts and images on paper provokes new inquiry into the nature of art and books in contemporary culture.
Artists' books --- Conceptual art --- Book history --- conceptuele kunst --- artists' books [books] --- book objects --- bookworks --- Boekgeschiedenis --- kunstenaarsboeken --- boekwerken --- boekobjecten --- Artists' books. --- Conceptual art. --- Getty Research Institute (Los Angeles) --- Antin, David --- 19de eeuw --- 20ste eeuw --- 21ste eeuw --- Kunstenaars --- Boek --- Vormgeving --- Kunstenaar --- Getty Research Institute (Los Angeles). --- kunstenaarsboeken. --- Antin, David. --- 19de eeuw. --- 20ste eeuw. --- 21ste eeuw.
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"The essays in this book analyze aspects of colonialism through investigations into the art, popular literature, material culture, film, and exhibitions that represented, celebrated, or were created for France's colonies across the seas. These studies draw from documents and media-photographs, albums, postcards, maps, posters, advertisements, and children's games-related to the nineteenth- and twentieth-century French Empire"
Imperialism in popular culture --- Propaganda, French --- Propagande française --- Impérialisme --- Colonies françaises --- History --- Histoire --- Dans la culture populaire --- ACHAC Collection (Getty Research Institute) --- France --- Colonies --- History. --- Colonisation. Decolonisation --- Art --- analysis --- popular culture --- Colonial African --- interpretation --- anno 1800-1999 --- Getty Research Institute (Los Angeles) --- kolonialisme --- propaganda --- imperialisme --- verzamelingen --- Wereldoorlog I --- 19de eeuw --- 20ste eeuw --- Frankrijk --- Propagande française --- Impérialisme --- Colonies françaises
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Available for a limited time, this artist's book by renowned visual artist Tacita Dean explores her chance encounters with objects in the archives of the Getty Research Institute. As the Getty Research Institute artist in residence in 2014-15, Tacita Dean was asked to define a subject and identify a path of research. What she proposed instead was a project titled "The Importance of Objective Chance as a Tool of Research." Her idea was to allow chance to be her guide. Dean researched randomly, picking out boxes from the collections without knowing their contents, meandering through objects and images from sources as varied as medieval alchemy books to twentieth-century artist letters. Monet Hates Me features reproductions of fifty artworks she created from Getty's archival holdings along with enlightening texts that expand on her method of research and illustrate her encounters with the archives.https://www.amazon.com/Monet-Hates-Me-Tacita-Dean/dp/160606777X
Assemblage (Art) --- Multiple art --- kunst --- fotografie --- archieven --- archivering --- onderzoek in de kunsten --- artistiek onderzoek --- Dean Tacita --- eenentwintigste eeuw --- 7.071 DEAN --- Art, Multiple --- Multiples (Art) --- Art, Modern --- Dadaism --- Found objects (Art) --- Dean, Tacita, --- Getty Research Institute --- Getty Research Institute for the History of Art and the Humanities --- Library resources
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The Getty Research Journal is a peer-reviewed periodical that publishes original research under way across the Getty"s programs: the Conservation Institute, Foundation, Research Institute, the Museum and Villa. Articles explore the collections of the Research Institute and the Museum, as well as the annual themes and ongoing research projects. Shorter texts highlight new acquisitions and discoveries, and also present the diverse tools for scholarship in development at the Getty. The Journal features the work of established and emerging scholars engaging with a range of methodological approaches and covering all periods of history, from ancient to contemporary. Published annually, it seeks to foster collaborative scholarship among art historians, museum curators, and conservators internationally. The Getty Research Journal is now available in a variety of digital formats: electronic issues are available on the JSTOR platform, and the e-Book Edition for iPad, iPhone, Kindle, Android, or computer is available for download.
Art --- Rare books --- Art archives --- Art. --- Art archives. --- Rare books. --- History --- Archival resources --- Archival resources. --- Getty Research Institute --- J. Paul Getty Trust --- Getty Research Institute. --- J. Paul Getty Trust. --- California --- Bibliography --- Book rarities --- Art, Daghestan --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Getty Trust --- Books --- Rare library materials --- Archives --- Arts --- Aesthetics --- Getty Research Institute for the History of Art and the Humanities --- Art, Primitive --- Livres rares --- Archives artistiques --- Histoire --- Fonds d'archives
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