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self-portraits --- Vasari, Giorgio --- Anguissola, Sofonisba --- Art [Renaissance ] --- Art de la Renaissance --- Gender identity in art --- Geslachtsidentiteit in de kunst --- Identité sexuelle dans l'art --- Kunst [Renaissance] --- Renaissance art --- Renaissancekunst --- Art, Renaissance --- Self-portraits, Italian --- -Italian self-portraits --- -Criticism and interpretation --- -Anguissola, Sofonisba --- -Art, Renaissance --- Italian self-portraits --- Women --- Anguissola, Sofonisba, --- Vasari, Giorgio, --- Vazari, Dzhordzho, --- Vasari, Georges, --- Вазари, Джорджо, --- Criticism and interpretation. --- Criticism and interpretation --- Self-portraits --- Self-portraits [Italian ] --- 16th century --- Portraits --- ヴァザリ, ジョルジョ

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This multivoiced collection of essays and images presents the perspectives of activists, scholars, artists, and curators from a broad range of constituencies. Challenging traditional disciplinary and cultural boundaries, the book moves beyond any unified feminist historical narrative to present a "relational" feminism of diverse communities, affiliations, and practices. The texts/images partake of many genres: reflective essay, testimonial dialogue, performance piece, digital collage, prose poem, and photomontage. Forging connections between usually compartmentalized areas of knowledge and of activism, the volume helps us to envision alternative epistemologies and imaginative alliances.

Feminism and the arts --- Feminisme en kunst --- Féminisme et arts --- Gender identity in art --- Geslachtsidentiteit in de kunst --- Identité sexuelle dans l'art --- Multiculturalism in art --- Multiculturalisme dans l'art --- Multiculturele samenleving in de kunst --- Developmental psychology --- Sociology of culture --- Sociology of the family. Sociology of sexuality --- Art --- United States --- Arts and society --- History --- 20th century --- Féminisme --- Activisme --- Racisme --- Femmes artistes --- Décolonial --- Femme artiste --- Femme, thème --- United States of America --- Race --- Feminism --- Feminist art --- Gender --- Identity --- Multiculturalism --- Book

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Contributions à une journée d'études internationale de 2008 sur l'apport des femmes dans la construction du discours critique et le discours sur les pratiques artistiques des femmes, du XIXe au XXIe siècle, dans les domaines de la presse, la littérature, la bande dessinée, des arts plastiques et du cinéma.

Femininity in art --- Féminité dans l'art --- Gender identity in art --- Gender identity in literature --- Gender identity in motion pictures --- Geslachtsidentiteit in de film --- Geslachtsidentiteit in de kunst --- Geslachtsidentiteit in de literatuur --- Identité sexuelle dans l'art --- Identité sexuelle dans la littérature --- Identité sexuelle dans le cinéma --- Vrouwelijkheid in de kunst --- Women art critics --- Women artists --- Feminist criticism --- Femmes critiques d'art --- Femmes artistes --- Critique féministe --- Women critics --- Women and literature --- Feminism and art --- Feminism and motion pictures --- Critique féministe --- Art criticism --- Social aspects --- Feminist criticism - Congresses --- Women critics - Congresses --- Women and literature - Congresses --- Feminism and art - Congresses --- Feminism and motion pictures - Congresses

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Illuminated here are the relationships between visual culture, faith, and gender in the courtly, monastic, and urban spheres of the early modern Burgundian Netherlands. By examining works by artists such as the Master of Mary of Burgundy, Jan van Eyck, Hans Memling, and Bernard van Orley, author Andrea Pearson identifies and explores pictorial constructions of masculinity and femininity in regard to the expectations, experiences, and practices of devotion. Specifically, she demonstrates that two of the most prominent visual genres of the period, books of hours and devotional portrait diptychs, were manipulated by patrons and spectators of both sexes to challenge and negotiate the boundaries and hierarchies of gender, and that marginalized individuals and groups appropriated the types to resist the authority of others and advance their own. Ultimately, the books and diptychs emerge as critical and often contentious sites for deliberating and transacting gender. By integrating books of hours and devotional portrait diptychs into current interdisciplinary theoretical discourse on gender, power and devotion, the author engages scholars in a range of disciplines: art history, history, religion and literature, as well as women's and men's studies.

Gender identity in art --- Geslachtsidentiteit in de kunst --- Identité sexuelle dans l'art --- Christian art and symbolism --- Gender identity in art. --- Art et symbolisme chrétiens --- Netherlands --- Pays-Bas --- History --- Histoire --- gender --- symbolisme --- religieuze kunst --- 1350 - 1530 --- 14de eeuw --- 15de eeuw --- 16de eeuw --- Nederlanden --- Art chrétien --- --Pays-Bas --- --Genre --- --1350-1530 --- --Netherlands --- Art et symbolisme chrétiens --- Identité sexuelle dans l'art --- sex discrimination --- Bourgondische Nederlanden --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- Renaissance --- iconography --- worship --- History of the Low Countries --- Art --- House of Burgundy --- anno 500-1499 --- anno 1400-1499 --- anno 1300-1399 --- anno 1500-1599 --- Art, Netherlandish. --- Medieval, 500-1500 --- 1450-1600 (Renaissance) --- House of Burgundy, 1384-1477 --- Symbolism in art --- Middle Ages, 500-1500 --- Christian art and symbolism - Netherlands - Medieval, 500-1500 --- Christian art and symbolism - Netherlands - Renaissance, 1450-1600 --- Genre --- Netherlands - History - House of Burgundy, 1384-1477 --- Netherlands - History - House o Burgundy, 1384-1477 --- gender. --- symbolisme. --- religieuze kunst. --- 1350 - 1530. --- 14de eeuw. --- 15de eeuw. --- 16de eeuw. --- Nederlanden. --- Christelijke kunst