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Italian poetry --- Poésie italienne --- History and criticism --- Periodicals --- Histoire et critique --- Périodiques --- Renaissance. --- Lyrik. --- Zeitschrift. --- Geschichte 1420-1600 --- Italienisch. --- Geschichte --- 1420-1600 --- Arts and Humanities --- Literature

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Engineering sciences. Technology --- History of civilization --- anno 1600-1699 --- anno 1400-1499 --- anno 1500-1599 --- Machinery --- History --- 930.85.44 --- Cultuurgeschiedenis: Renaissance --- Maschine --- Maschine. --- Motiv (Literatur) --- Technik --- Renaissance. --- Literatur. --- Maschine --- Renaissance --- History. --- Geschichte --- Geschichte 1420-1600 --- Renaissance (Epoche). --- Geschichte 1450-1500. --- Geschichte 1500-1600. --- Motiv (Literatur). --- Technik . --- Maschine . --- Geschichte. --- Geschichte 1420-1600. --- 930.85.44 Cultuurgeschiedenis: Renaissance --- Machines --- Manufactures --- Power (Mechanics) --- Technology --- Mechanical engineering --- Motors --- Power transmission --- Curious devices --- Machinery - History

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History of civilization --- Religious studies --- anno 1500-1599 --- Europe --- Science [Renaissance ] --- Science de la Renaissance --- Wetenschap [Renaissance-] --- Intellectual life --- 17th century --- Science, Renaissance. --- Europe - Intellectual life - 17th century. --- Aufsatzsammlung. --- Culture. --- Cultuur. --- Geschichte (1420-1600). --- Geschichte 1500-1600. --- Intellectual life. --- Renaissance. --- Science --- Sciences de la Renaissance. --- Volksgeloof. --- Volksglaube. --- Wetenschap. --- Wissenschaft. --- culture (concept). --- culture note. --- History. --- Europa. --- 1600-1699. --- Europe. --- Social life and customs --- Vie intellectuelle

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A reconsideration of the problem of time in the Renaissance, examining the complex and layered temporalities of Renaissance images and artifacts. In this widely anticipated book, two leading contemporary art historians offer a subtle and profound reconsideration of the problem of time in the Renaissance. Alexander Nagel and Christopher Wood examine the meanings, uses, and effects of chronologies, models of temporality, and notions of originality and repetition in Renaissance images and artifacts. Anachronic Renaissance reveals a web of paths traveled by works and artists―a landscape obscured by art history's disciplinary compulsion to anchor its data securely in time. The buildings, paintings, drawings, prints, sculptures, and medals discussed were shaped by concerns about authenticity, about reference to prestigious origins and precedents, and about the implications of transposition from one medium to another. Byzantine icons taken to be Early Christian antiquities, the acheiropoieton (or “image made without hands”), the activities of spoliation and citation, differing approaches to art restoration, legends about movable buildings, and forgeries and pastiches: all of these emerge as basic conceptual structures of Renaissance art. Although a work of art does bear witness to the moment of its fabrication, Nagel and Wood argue that it is equally important to understand its temporal instability: how it points away from that moment, backward to a remote ancestral origin, to a prior artifact or image, even to an origin outside of time, in divinity. This book is not the story about the Renaissance, nor is it just a story. It imagines the infrastructure of many possible stories

Art --- anno 500-1499 --- anno 1500-1599 --- Art, Renaissance. --- Architecture, Renaissance. --- Building materials --- Time and art. --- Recycling. --- Architecture, Renaissance --- Art, Renaissance --- Time and art --- Art and time --- Architectural materials --- Architecture --- Building --- Building supplies --- Buildings --- Construction materials --- Structural materials --- Materials --- Renaissance art --- Renaissance architecture --- Renaissance revival (Architecture) --- Recycling --- Renaissance --- Analyse de l'art --- kunst --- kunsttheorie --- 7.01 --- 7.034 --- renaissance --- tijdelijkheid --- tijd --- Geschichte 1420-1550. --- Geschichte 1420-1600. --- 1400-1500. --- 1500-1600. --- Art de la Renaissance --- Architecture de la Renaissance --- Construction --- Temps et art --- Matériaux --- Recyclage

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Out of the diverse traditions of medical humanism, classical philology, and natural philosophy, Renaissance naturalists created a new science devoted to discovering and describing plants and animals. Drawing on published natural histories, manuscript correspondence, garden plans, travelogues, watercolors, and drawings, The Science of Describing reconstructs the evolution of this discipline of description through four generations of naturalists. In the late fifteenth and early sixteenth centuries, naturalists focused on understanding ancient and medieval descriptions of the natural world, but by the mid-sixteenth century naturalists turned toward distinguishing and cataloguing new plant and animal species. To do so, they developed new techniques of observing and recording, created botanical gardens and herbaria, and exchanged correspondence and specimens within an international community. By the early seventeenth century, naturalists began the daunting task of sorting through the wealth of information they had accumulated, putting a new emphasis on taxonomy and classification. Illustrated with woodcuts, engravings, and photographs, The Science of Describing is the first broad interpretation of Renaissance natural history in more than a generation and will appeal widely to an interdisciplinary audience.

Science --- Natural history --- Science, Renaissance. --- Renaissance science --- History, Natural --- Natural science --- Physiophilosophy --- Biology --- Natural sciences --- Science of science --- Sciences --- History --- Science, Renaissance --- 094:58 --- 094:59 --- 094:59 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Zoologie. Dierkunde --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Zoologie. Dierkunde --- 094:58 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Botany --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Botany --- Pure sciences. Natural sciences (general) --- science [modern discipline] --- description [activity] --- 42.05 natural history. --- Beschreibung. --- Illustration. --- Kunst. --- Natur. --- Natural history. --- Naturbeobachtung. --- Naturgeschichte --- Natuurlijke historie. --- Renaissance. --- Science. --- Sciences de la Renaissance. --- Sciences naturelles --- Wissenschaft. --- Histoire --- 1500-1599. --- Geschichte 1420-1600. --- Geschichte 1500-1650. --- Europa --- Europa. --- Europe. --- Illustration --- Kunst --- Wissenschaft --- Science - Europe - History - 16th century. --- Natural history - Europe - History - 16th century. --- science, scientific, natural history, historical context, renaissance, europe, european, description, traditions, medical humanism, classical philosophy, philosophical, naturalists, naturalism, discovery, discovering, plants, animals, correspondence, garden plans, travelogues, watercolors, art, artwork, drawings, development, distinguishing, cataloging, characteristics, species, nature, taxonomy, classification, 16th century, interdisciplinary studies, common sense.