Listing 1 - 8 of 8 |
Sort by
|
Choose an application
Aesthetics of art --- Arts --- Philosophy. --- Gesamtkunstwerk (Arts) --- Aesthetics --- Art, Modern
Choose an application
Music --- French fiction --- Musical fiction --- Music and literature. --- History and criticism. --- Gesamtkunstwerk (Arts)
Choose an application
Gesamtkunstwerk (Arts) --- Modernism (Art) --- Arts, German --- Arts, German --- Wagner, Richard, --- Influence.
Choose an application
Gesamtkunstwerk (Arts) --- Arts, German --- Arts, German --- Arts, German --- Senses and sensation in art. --- Philosophy.
Choose an application
Theatrical science --- Aesthetics of art --- Aesthetics. --- Art --- Mass media. --- Performing arts. --- Popular culture. --- History. --- Gesamtkunstwerk (Arts) --- Arts and society --- Performing arts --- History --- Wagner, Richard, --- Influence.
Choose an application
Opera Village Africa, a participatory art experiment by the late German multimedia artist Christoph Schlingensief, serves as a testing ground for a critical interrogation of Richard Wagner’s notion of the Gesamtkunstwerk. Sarah Hegenbart traces the path from Wagner’s introduction of the Gesamtkunstwerk in Bayreuth to Schlingensief’s attempt to charge the idea of the total artwork with new meaning by transposing it to the West African country Burkina Faso. Schlingensief developed Opera Village in collaboration with the world-renowned architect Francis Kéré. This final project of Schlingensief is inspired by and illuminates the diverse themes that informed his artistic practice, including coming to terms with the German past, anti-Semitism, critical race theory, and questions of postcolonial (self-)criticism. From Bayreuth to Burkina Faso introduces the notion of the postcolonial Gesamtkunstwerk to disrupt the Eurocentric perspective on art history, exploring how the socio-political force of a postcolonial Gesamtkunstwerk could affect processes of transcultural identity construction. It reveals how Schlingensief translocated the Wagnerian concept to Burkina Faso to address German colonial history and engage with it from the perspective of multidirectional memory cultures.
Art --- antisemitism --- racial discrimination --- colonization --- community art --- Gesamtkunstwerk --- political art --- Burkina Faso --- postcolonialism --- architecture [object genre] --- interactive art --- Schlingensief, Christoph --- Germany --- Opera --- Gesamtkunstwerk (Arts) --- Schlingensief, Christoph, --- Wagner, Richard, --- Criticism and interpretations. --- Postcolonial studies --- Laongo Lango (Burkina Faso) --- Operndorf Afrika.
Choose an application
Opera --- 830 "18" WAGNER, RICHARD --- 830 "18" WAGNER, RICHARD Duitse literatuur--19e eeuw. Periode 1800-1899--WAGNER, RICHARD --- Duitse literatuur--19e eeuw. Periode 1800-1899--WAGNER, RICHARD --- Wagner, Richard --- Wagner, Wilhelm Richard, --- Drach, Wilhelm, --- Fājner, Rītshārd, --- Vāgners, Richards, --- Vagner, Rikhard, --- Vagner, R. --- Wagner, R. --- Wagunā, R., --- Vagneri, Rihard, --- Wagner, Riccardo, --- ואגנר, ריכארד, --- ואגנר, ריכרד, --- Criticism and interpretation. --- Wagner, Richard, --- Gesamtkunstwerk (Arts)
Choose an application
"Beyond Reason relates Wagner's works to the philosophical and cultural ideas of his time, centering on the four music dramas he created in the second half of his career: Der Ring des Nibelungen, Tristan und Isolde, Die Meistersinger von Nürnberg, and Parsifal. Karol Berger seeks to penetrate the "secret" of large-scale form in Wagner's music dramas and to answer those critics, most prominently Nietzsche, who condemned Wagner for his putative inability to weld small expressive gestures into larger wholes. Organized by individual opera, this is essential reading for both musicologists and Wagner experts."--Provided by publisher.
Operas --- Philosophy and aesthetics. --- Wagner, Richard, --- Nietzsche, Friedrich Wilhelm, --- Ni-tsʻai, --- Niče, Fridrih Wilhelm, --- Nīche, --- Nietzsche, --- Nietzsche, Bedřich, --- Nietzsche, Federico, --- Nietzsche, Frédéric, --- Nietzsche, Friederich, --- Nietzsche, Fryderyk, --- Niichʻe, --- Nitche, Fridrikh, --- Nīṭjhśe, --- Nitse, --- Nîtşe, Frîdrîk, --- Nīṭṣē, K̲apreṭarik Villiyam, --- Nitse, Phreiderikos, --- Nītshah, Frīdrish, --- Nit︠s︡he, F., --- Niṭshe, Fr. --- Niṭshe, Friedrikh, --- Niṭsheh, --- Nītshih, Firīdrīk, --- Nit︠s︡she, Fridrikh, --- Nitt︠s︡she, Fridrikh, --- Νιτσε, Φρειδερικος, --- Ницше, Фридрих, --- ניעטצשע, פריעדריך --- ניעטצשע, פרידריך וילהלם, --- ניצי׳שה, פרידריך --- ניטשע, פריעדריך --- ניטשע פריעדריך, --- ניטשע, פרידריך --- ניטשע, פרידריך, --- ניטשה --- ניטשה, פרידריך --- ניטשה, פרידריך, --- ניטשה, פרידריך וילהלם --- ניטשה, פרידריך וילהלם, --- نيتشه، فريدريك،, --- 尼采, --- 尼采弗里德里希, --- Wagner, Wilhelm Richard, --- Drach, Wilhelm, --- Fājner, Rītshārd, --- Vāgners, Richards, --- Vagner, Rikhard, --- Vagner, R. --- Wagner, R. --- Wagunā, R., --- Vagneri, Rihard, --- Wagner, Riccardo, --- ואגנר, ריכארד --- ואגנר, ריכרד, --- Philosophy. --- Criticism and interpretation. --- Music / instruction & study / voice. --- Music / lyrics. --- Music / printed music / vocal. --- Music / genres & styles / opera. --- Operas (Wagner, Richard). --- Nietzsche, Friedrich --- Nietzsche, Friederich --- Wagner, Richard --- Nietzsche, Friedrich Wilhelm --- ואגנר, ריכארד, --- Philosophy and aesthetics --- Political and social views. --- Influence --- Wagner. --- Composers --- Opera --- Gesamtkunstwerk (Arts) --- Attitudes.
Listing 1 - 8 of 8 |
Sort by
|