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World War, 1939-1945 --- War films --- Suffering in motion pictures. --- Psychic trauma in motion pictures. --- Germans in motion pictures. --- Motion pictures and the war. --- History --- Germans in motion pictures --- Psychic trauma in motion pictures --- Suffering in motion pictures --- World War, 1939-1945, in motion pictures --- Motion pictures --- Anti-war films --- Motion pictures and the war
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In the aftermath of the Second World War, both the allied occupying powers and the nascent German authorities sought Germans whose record during the war and the Nazi period could serve as a counterpoint to the notion of Germans as evil. That search has never really stopped. In the past few years, we have witnessed a burgeoning of cultural representations of this "other" kind of Third Reich citizen - the "good German" - as opposed to the committed Nazi or genocidal maniac. Such representations have highlighted individuals' choices in favor of dissenting behavior, moral truth, or at the very least civil disobedience. The "good German's" counterhegemonic practice cannot negate or contradict the barbaric reality of Hitler's Germany, but reflects a value system based on humanity and an "other" ideal community. This volume of new essays explores postwar and recent representations of "good Germans" during the Third Reich, analyzing the logic of moral behavior, cultural and moral relativism, and social conformity found in them. It thus draws together discussions of the function and reception of "Good Germans" in Germany and abroad.
Literature and morals --- German literature --- Germans in literature. --- Germans in motion pictures. --- Identity (Psychology) --- Littérature et morale --- Identité (psychologie) --- History and criticism. --- Histoire et critique. --- Dans la littérature. --- Germany --- Civilization --- Philosophy. --- Littérature et morale --- Identité (psychologie) --- Dans la littérature.
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The re-emergence of the issue of wartime suffering to the fore of German public discourse represents the greatest shift in German memory culture since the Historikerstreit of the 1980's. The (international) attention and debates triggered by, for example, W.G. Sebald's Luftkrieg und Literatur , Günter Grass's Im Krebsgang , Jörg Friedrich's Der Brand testify to a change in focus away from the victims of National Socialism to the traumatic experience of the 'perpetrator collective' and its legacies. The volume brings together German, English and Israeli literary and film scholars and historians
History of civilization --- History of Germany and Austria --- anno 1900-1999 --- 830 "19" --- 791.43 <43> --- 82.04 --- Duitse literatuur--20e eeuw. Periode 1900-1999 --- Filmkunst. Films. Cinema--Duitsland voor 1945 en na 1989 --- Literaire thema's --- German literature --- Germans in literature. --- Germans in motion pictures. --- Motion pictures --- Suffering in literature. --- Suffering in motion pictures. --- War in literature. --- World War, 1939-1945 --- History and criticism. --- History. --- Motion pictures and the war. --- Germans in literature --- Germans in motion pictures --- Suffering in literature --- Suffering in motion pictures --- War in literature --- Germanic Literature --- Languages & Literatures --- Motion pictures and the war --- History and criticism --- History --- 82.04 Literaire thema's --- 791.43 <43> Filmkunst. Films. Cinema--Duitsland voor 1945 en na 1989 --- 830 "19" Duitse literatuur--20e eeuw. Periode 1900-1999 --- World War, 1939-1945, in motion pictures --- Guerre mondiale (1939-1945) --- Littérature et guerre --- Art et guerre --- SOUFFRANCE DANS LA LITTERATURE --- FILMS DE GUERRE --- ALLEMANDS DANS LA LITTERATURE --- Allemagne --- 1945-....
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Re-examines German cinema's representation of the Germans as victims during the Second World War and its aftermath. The recent "discovery" of German wartime suffering has had a particularly profound impact in German visual culture. Films from Margarethe von Trotta's Rosenstrasse (2003) to Oliver Hirschbiegel's Oscar-nominated Downfall (2004) and the two-part television mini-series Dresden (2006) have shown how ordinary Germans suffered during and after the war. Such films have been presented by critics as treating a topic that had been taboo for German filmmakers. However, the representation of wartime suffering has a long tradition on the German screen. For decades, filmmakers have recontextualized images of Germans as victims to engage shifting social and ideological discourses. By focusing on this process, the present volume explores how the changing representation of Germans as victims has shaped the ways in which both of the postwar German states and the now-unified nation have attempted to facethe trauma of the past and to construct a contemporary place for themselves in the world. Contributors: SeaÌn Allan, Tim Bergfelder, Daniela Berghahn, Erica Carter, David Clarke, John E. Davidson, Sabine Hake, JenniferKapczynski, Manuel KoÌppen, Rachel Palfreyman, Brad Prager, Johannes von Moltke. Paul Cooke is Professor of German Cultural Studies at the University of Leeds and Marc Silberman is Professor of German at the University of Wisconsin.
World War, 1939-1945 --- War films --- Suffering in motion pictures. --- Psychic trauma in motion pictures. --- Germans in motion pictures. --- Motion pictures and the war. --- History --- Motion pictures --- Anti-war films --- World War, 1939-1945, in motion pictures --- Downfall. --- Dresden. --- German cinema. --- Germans as victims. --- Margarethe von Trotta. --- Oliver Hirschbiegel. --- Sabine Hake. --- Second World War. --- Seán Allan. --- Tim Bergfelder. --- contemporary place. --- postwar German states. --- social and ideological discourses. --- trauma of the past. --- wartime suffering.
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Why has a fascination with fascism re-emerged after the Cold War? What is its cultural function now, in an era of commemoration? Focusing particularly on the British context, this study offers the first analysis of contemporary popular and literary fiction, film, TV and art exhibitions about Nazis and Nazism. Petra Rau brings this material into dialogue with earlier responses to fascism and demonstrates how, paradoxically, Nazism has been both mediated and mythologised to the extent that it now often replaces a critical engagement with actual, violent history.
National socialism in literature. --- National socialism in motion pictures. --- Nazis in motion pictures. --- National socialism in art. --- Fascism in motion pictures. --- Germans in motion pictures. --- Motion pictures -- Germany -- History. --- World War, 1939-1945 -- Motion pictures and the war. --- Fascism in literature --- National socialism in literature --- National socialism in motion pictures --- Nazis in motion pictures --- National socialism in art --- Languages & Literatures --- Music, Dance, Drama & Film --- Film --- Literature - General --- World War, 1939-1945 --- Motion pictures --- Motion pictures and the war. --- History. --- World War, 1939-1945, in motion pictures --- Fascism in literature.
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Since the fall of the Berlin Wall, there has been a proliferation of German historical films. These productions have earned prestigious awards and scored at box offices both at home and abroad, where they count among the most popular German films of all time. Suddenly, however, a significant departure has been made from the country's prominent cinematic take on history: the radical style, content, and politics of the New German Cinema. With in-depth analyses of the major trends and films, this book represents a comprehensive assessment of the historical film in postwall Germany. Challenging p
Film. --- Germans in motion pictures. --- Historia på film. --- Historical films --- Historical films. --- Historischer Film. --- History in motion pictures. --- Motion pictures. --- Tyskar på film. --- Tyskland. --- History and criticism. --- Deutschland. --- Germany --- Germany. --- In motion pictures. --- History in motion pictures --- Histoire au cinéma --- In motion pictures --- #SBIB:309H1328 --- Films met een ideologische en spiegelfunctie --- Histoire au cinéma --- Au cinéma --- #SBIB:309H1326 --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Films historiques --- History and criticism --- Histoire et critique --- Allemagne --- Motion pictures --- Germans in motion pictures --- Alemania --- Ashkenaz --- BRD --- Bu̇gd Naĭramdakh German Uls --- Bundesrepublik Deutschland --- Deutsches Reich --- Deutschland --- Doitsu --- Doitsu Renpō Kyōwakoku --- Federal Republic of Germany --- Federalʹna Respublika Nimechchyny --- FRN --- German Uls --- Germania --- Germanii︠a︡ --- Germanyah --- Gjermani --- Grossdeutsches Reich --- Jirmānīya --- KhBNGU --- Kholboony Bu̇gd Naĭramdakh German Uls --- Nimechchyna --- Repoblika Federalin'i Alemana --- República de Alemania --- República Federal de Alemania --- Republika Federal Alemmana --- Vācijā --- Veĭmarskai︠a︡ Respublika --- Weimar Republic --- Weimarer Republik --- ХБНГУ --- Германия --- جرمانيا --- ドイツ --- ドイツ連邦共和国 --- ドイツ レンポウ キョウワコク --- Germany (East) --- Germany (Territory under Allied occupation, 1945-1955) --- Germany (Territory under Allied occupation, 1945-1955 : British Zone) --- Germany (Territory under Allied occupation, 1945-1955 : French Zone) --- Germany (Territory under Allied occupation, 1945-1955 : Russian Zone) --- Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone) --- Germany (West) --- Holy Roman Empire --- Deguo --- 德国 --- Gėrman --- Герман Улс
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In the aftermath of the Second World War, both the allied occupying powers and the nascent German authorities sought Germans whose record during the war and the Nazi period could serve as a counterpoint to the notion of Germans as evil. That search has never really stopped. In the past few years, we have witnessed a burgeoning of cultural representations of this "other" kind of Third Reich citizen - the "good German" - as opposed to the committed Nazi or genocidal maniac. Such representations have highlighted individuals' choices in favor of dissenting behavior, moral truth, or at the very least civil disobedience. The "good German's" counterhegemonic practice cannot negate or contradict the barbaric reality of Hitler's Germany, but reflects a value system based on humanity and an "other" ideal community. This volume of new essays explores postwar and recent representations of "good Germans" during the Third Reich, analyzing the logic of moral behavior, cultural and moral relativism, and social conformity found in them. It thus draws together discussions of the function and reception of "Good Germans" in Germany and abroad. Contributors: Eoin Bourke, Manuel Bragança, Maeve Cooke, Kevin De Ornellas, Sabine Egger, Joachim Fischer, Coman Hamilton, Jon Hughes, Karina von Lindeiner-Strásky, Alexandra Ludewig, Pól O Dochartaigh, Christiane Schönfeld, Matthias Uecker. Pól O Dochartaigh is Professor of German and Dean of the Faculty of Arts at the University of Ulster, Northern Ireland. Christiane Schönfeld is Senior Lecturer in German and Head of the Department of German Studies at Mary Immaculate College, University of Limerick.
Literature and morals --- German literature --- Germans in literature. --- Germans in motion pictures. --- Identity (Psychology) --- Littérature et morale --- Identité (psychologie) --- History and criticism. --- Histoire et critique. --- Dans la littérature. --- Germany --- Civilization --- Philosophy. --- Personal identity --- Personality --- Self --- Ego (Psychology) --- Individuality --- Motion pictures --- Literature --- Morals and literature --- Ethics --- Influence --- Moral and ethical aspects --- Alemania --- Ashkenaz --- BRD --- Bu̇gd Naĭramdakh German Uls --- Bundesrepublik Deutschland --- Deguo --- 德国 --- Deutsches Reich --- Deutschland --- Doitsu --- Doitsu Renpō Kyōwakoku --- Federal Republic of Germany --- Federalʹna Respublika Nimechchyny --- FRN --- Gėrman --- German Uls --- Герман Улс --- Germania --- Germanii︠a︡ --- Germanyah --- Gjermani --- Grossdeutsches Reich --- Jirmānīya --- KhBNGU --- Kholboony Bu̇gd Naĭramdakh German Uls --- Nimechchyna --- Repoblika Federalin'i Alemana --- República de Alemania --- República Federal de Alemania --- Republika Federal Alemmana --- Vācijā --- Veĭmarskai︠a︡ Respublika --- Weimar Republic --- Weimarer Republik --- ХБНГУ --- Германия --- جرمانيا --- ドイツ --- ドイツ連邦共和国 --- ドイツ レンポウ キョウワコク --- Germany (East) --- Germany (Territory under Allied occupation, 1945-1955) --- Germany (Territory under Allied occupation, 1945-1955 : British Zone) --- Germany (Territory under Allied occupation, 1945-1955 : French Zone) --- Germany (Territory under Allied occupation, 1945-1955 : Russian Zone) --- Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone) --- Germany (West) --- Holy Roman Empire --- Culture. --- Germany. --- Literature. --- Moral Ambiguity. --- Nazi Period. --- Second World War.
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