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More than any other avant-garde movement, German Expressionism captures the aesthetic revolution of 20th-century modernity in all its contrasts and conflicts. In continuous eruptions from 1905 to 1925, Expressionism upset reigning practices in the arts, most vividly in painting and the visual arts. In the literature, a heady intellectualism combined with dramatic gesture, graphic visions, exuberant emotions and urgent proclamations to forge forceful styles of verbal expression. Expressionism introduced into art both visual and verbal a shockingly new intensity with many facets and many faces.This volume presents the literature of German Expressionism, which is far less known in the English-speaking world, with essays by leading scholars on Expressionism's philosophical origins, its thematic preoccupations, and its divergent stylistic manifestations by writers whose common bond is intensity and whose lines on the page read like the gouges of a woodcut: Georg Kaiser, Walter Hasenclever,and Ernst Toller in drama; Gottfried Benn, Georg Heym, Else Lasker-Schüler, and Georg Trakl in poetry; Alfred Döblin, Carl Einstein, and Carl Sternheim in prose, to name just a few. Against the background of the journals, exhibitions, and anthologies, the café meeting places and public life of Expressionism, the volume's highly focused, intrinsic analyses of texts and comprehensive overviews of extrinsic contexts (and of the most up-to-date research) shows the fervor and complexity of the period and its effulgent literary formations.
Neil H. Donahue is Professor of German and Comparative Literature at Hofstra University.
Expressionism --- Expressionisme --- Expressionnisme --- German literature --- History and criticism --- Aesthetics --- 20th century --- Expressionism. --- History and criticism. --- 20th-century modernity. --- German Expressionism. --- art. --- avant-garde movement. --- complexity. --- dramatic gesture. --- exuberant emotions. --- fervor. --- graphic visions. --- intellectualism. --- literary formations. --- literature. --- painting.
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Silent cinema and contemporaneous literature explored themes of mesmerism, possession, and the ominous agency of corporate bodies that subsumed individual identities. At the same time, critics accused film itself of exerting a hypnotic influence over spellbound audiences. Stefan Andriopoulos shows that all this anxiety over being governed by an outside force was no marginal oddity, but rather a pervasive concern in the late nineteenth and early twentieth centuries. Tracing this preoccupation through the period's films-as well as its legal, medical, and literary te
Hypnotism in motion pictures. --- Hypnotism in literature. --- Hypnotism and crime. --- Crime in motion pictures. --- Corporations --- Corporate bribery --- Corporate corruption --- Corporate crime --- Business ethics --- Commercial crimes --- Crime and hypnotism --- Crime --- Motion pictures --- Corrupt practices. --- Film --- Thematology --- silent film, cinema, mesmerism, possession, haunting, hypnotism, identity, cabinet of dr caligari, mabuse the gambler, murder, crime, free will, control, agency, kafka, bernheim, broch, autonomy, modernism, literature, suggestion, german expressionism, somnambulism, sleepwalking, vision, hallucination, nonfiction, art, berlin, babelsberg.
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In the first comprehensive study of Jewish identity and its meaning for the history of art, eleven influential scholars illuminate the formative role of Jews as subjects of art historical discourse. At the same time, these essays introduce to art history an understanding of the place of cultural identity in the production of scholarship. Contributors explore the meaning of Jewishness to writers and artists alike through such topics as exile, iconoclasm, and anti-Semitism. Included are essays on Anselm Kiefer and Theodor Adorno; the effects of the Enlightenment; the rise of the nation-state; Nazi policies on art history; the criticism of Meyer Schapiro, Clement Greenberg, and Aby Warburg; the art of Judy Chicago, Eleanor Antin, and Morris Gottlieb; and Jewish patronage of German Expressionist art. Offering a new approach to the history of art in which the cultural identities of the makers and interpreters play a constitutive role, this collection begins an important and overdue dialogue that will have a significant impact on the fields of art history, Jewish studies, and cultural studies.
Arts, Modern --- Jewish arts. --- Jews in art. --- Jews --- HISTORY / Medieval. --- Identity, Jewish --- Jewish identity --- Jewishness --- Jewish law --- Jewish nationalism --- Jewish way of life in art --- Arts, Jewish --- Arts --- 20th century. --- Identity. --- Ethnic identity --- Race identity --- Legal status, laws, etc. --- abstract art. --- aby warburg. --- aesthetic. --- aniconism. --- anselm kiefer. --- anti semitism. --- art history. --- art. --- assimilation. --- berlin. --- clement greenberg. --- cultural identity. --- cultural studies. --- eleanor antin. --- enlightenment. --- exile. --- german expressionism. --- german expressionist art. --- iconoclasm. --- jewish art. --- jewish identity. --- jewish patronage. --- jewish studies. --- jewishness. --- judaism. --- judy chicago. --- meyer schapiro. --- modern art. --- morris gottlieb. --- nazi germany. --- nazis. --- religion. --- theodor adorno.
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David MacDougall is a pivotal figure in the development of ethnographic cinema and visual anthropology. As a filmmaker, he has directed in Africa, Australia, India, and Europe. His prize-winning films (many made jointly with his wife, Judith MacDougall) include The Wedding Camels, Lorang's Way, To Live with Herds, A Wife among Wives, Takeover, PhotoWallahs, and Tempus de Baristas. As a theorist, he articulates central issues in the relation of film to anthropology, and is one of the few documentary filmmakers who writes extensively on these concerns. The essays collected here address, for instance, the difference between films and written texts and between the position of the filmmaker and that of the anthropological writer.In fact, these works provide an overview of the history of visual anthropology, as well as commentaries on specific subjects, such as point-of-view and subjectivity, reflexivity, the use of subtitles, and the role of the cinema subject. Refreshingly free of jargon, each piece belongs very much to the tradition of the essay in its personal engagement with exploring difficult issues. The author ultimately disputes the view that ethnographic filmmaking is merely a visual form of anthropology, maintaining instead that it is a radical anthropological practice, which challenges many of the basic assumptions of the discipline of anthropology itself. Although influential among filmmakers and critics, some of these essays were published in small journals and have been until now difficult to find. The three longest pieces, including the title essay, are new.
Ethnology. Cultural anthropology --- Film --- Documentary films --- Motion pictures in ethnology. --- History and criticism. --- Motion pictures in ethnology --- History and criticism --- Cinéma en anthropologie sociale et culturelle --- Documentaires --- Histoire et critique --- PERFORMING ARTS / Film & Video / History & Criticism. --- Akazama. --- Ananas. --- Ballantyne, Tanya. --- Baruya Muka Archival. --- Bhumbra, Jaswant Singh. --- Blue, James. --- Bresson, Robert. --- Brown, Quentin. --- Bunuel, Luis. --- Caldwell, Erskine. --- Cantrill, Corinne. --- Chakrabarty, Dipesh. --- Dali, Salvador. --- Familiar Places. --- Geddes, William. --- German expressionism. --- Greek tragedy. --- Gurrmanamana, Frank. --- Hemingway, Ernest. --- Hollywood. --- Jarmusch, Jim. --- Kabuki theatre. --- Leacock, Richard. --- Lunacharsky, Anatoli. --- absence. --- aesthetics. --- anthropological writing. --- anthropology. --- chronophotography. --- cognitive science. --- collaboration. --- conflict structure. --- connotation. --- consciousness. --- contextualization. --- denotation. --- dialogue. --- documentary film. --- embodiment. --- epistemology. --- ethnocentrism. --- ethnography. --- film editing. --- film structure. --- filmmaking encounter. --- freeze-frame. --- history. --- identification. --- illustrative films. --- indigenous media. --- intersubjectivity. --- kinesics. --- logocentrism. --- Anthropologie --- Ethnologie --- Visuelle Medien --- Moving-pictures in ethnology --- Visual anthropology --- Documentary films - History and criticism
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Charles Maland focuses on the cultural sources of the on-and-off, love-hate affair between Chaplin and the American public that was perhaps the stormiest in American stardom.
Chaplin, Charlie --- Beroemdheid --- Fame --- Renommée --- Motion picture producers and directors --- Producteurs et réalisateurs de cinéma --- Biography --- Biographies --- Chaplin, Charlie, --- United States --- Etats-Unis --- Civilization --- Civilisation --- Producteurs et réalisateurs de cinéma --- Chaplin, Charles --- Comedians --- Celebrities --- 20th century --- Actores --- Productores y directores de cine --- Crítica e interpretación. --- Estados Unidos --- Civilización y cultura --- America First Committee. --- American Film Institute. --- Animal Crackers. --- Barnes, Howard. --- Burkan, Nathan. --- Cahiers du cimema. --- Cameron, Kate. --- Dreiser, Helen. --- English music halls. --- European Film Fund. --- Fortune Systems. --- Gandhi, Mohandas. --- George, Lloyd. --- German expressionism. --- Goldwyn, Samuel. --- Hamlet. --- Hartung, Philip. --- His Musical Career. --- Jowett, Garth. --- Kerr, Walter. --- Koch, Howard. --- Korean War. --- Lane, Rose Wilder. --- Lennon, John. --- Liberty Loan Committee. --- Litvinoff, Maxim. --- Macherey, Pierre. --- Mad Dog of Europe. --- Main Street. --- Marceau, Marcel. --- McCarthyism. --- Newhouse, Edward. --- Olson, Culbert. --- Osgood, Robert Endicott. --- Paine, Thomas. --- Pauling, Linus. --- Purviance, Edna. --- Ritchie, Billie. --- Rusk, Dean. --- Sarris, Andrew. --- Shirer, William. --- academic interest in film. --- aesthetic distance. --- anti-Communist. --- biographical legend. --- fascism. --- feminist criticism. --- ideological approach. --- interventionism. --- isolationism. --- mass culture. --- neoformalism. --- pantomime. --- ABŞ --- ABSh --- Ameerika Ühendriigid --- America (Republic) --- Amerika Birlăshmish Shtatlary --- Amerika Birlăşmi Ştatları --- Amerika Birlăşmiş Ştatları --- Amerika ka Kelenyalen Jamanaw --- Amerika Qūrama Shtattary --- Amerika Qŭshma Shtatlari --- Amerika Qushma Shtattary --- Amerika (Republic) --- Amerikai Egyesült Államok --- Amerikanʹ Veĭtʹsėndi︠a︡vks Shtattnė --- Amerikări Pĕrleshu̇llĕ Shtatsem --- Amerikas Forenede Stater --- Amerikayi Miatsʻyal Nahangner --- Ameriketako Estatu Batuak --- Amirika Carékat --- AQSh --- Ar. ha-B. --- Arhab --- Artsot ha-Berit --- Artzois Ha'bris --- Bí-kok --- Ē.P.A. --- EE.UU. --- Egyesült Államok --- ĒPA --- Estados Unidos da América do Norte --- Estados Unidos de América --- Estaos Xuníos --- Estaos Xuníos d'América --- Estatos Unitos --- Estatos Unitos d'America --- Estats Units d'Amèrica --- Ètats-Unis d'Amèrica --- États-Unis d'Amérique --- Fareyniḳṭe Shṭaṭn --- Feriene Steaten --- Feriene Steaten fan Amearika --- Forente stater --- FS --- Hēnomenai Politeiai Amerikēs --- Hēnōmenes Politeies tēs Amerikēs --- Hiwsisayin Amerikayi Miatsʻeal Tērutʻiwnkʻ --- Istadus Unidus --- Jungtinės Amerikos valstybės --- Mei guo --- Mei-kuo --- Meiguo --- Mî-koet --- Miatsʻyal Nahangner --- Miguk --- Na Stàitean Aonaichte --- NSA --- S.U.A. --- SAD --- Saharat ʻAmērikā --- SASht --- Severo-Amerikanskie Shtaty --- Severo-Amerikanskie Soedinennye Shtaty --- Si︠e︡vero-Amerikanskīe Soedinennye Shtaty --- Sjedinjene Američke Države --- Soedinennye Shtaty Ameriki --- Soedinennye Shtaty Severnoĭ Ameriki --- Soedinennye Shtaty Si︠e︡vernoĭ Ameriki --- Spojené obce severoamerické --- Spojené staty americké --- SShA --- Stadoù-Unanet Amerika --- Stáit Aontaithe Mheiriceá --- Stany Zjednoczone --- Stati Uniti --- Stati Uniti d'America --- Stâts Unîts --- Stâts Unîts di Americhe --- Steatyn Unnaneysit --- Steatyn Unnaneysit America --- SUA (Stati Uniti d'America) --- Sŭedineni amerikanski shtati --- Sŭedinenite shtati --- Tetã peteĩ reko Amérikagua --- U.S. --- U.S.A. --- United States of America --- Unol Daleithiau --- Unol Daleithiau America --- Unuiĝintaj Ŝtatoj de Ameriko --- US --- USA --- Usono --- Vaeinigte Staatn --- Vaeinigte Staatn vo Amerika --- Vereinigte Staaten --- Vereinigte Staaten von Amerika --- Verenigde State van Amerika --- Verenigde Staten --- VS --- VSA --- Wááshindoon Bikéyah Ałhidadiidzooígíí --- Wilāyāt al-Muttaḥidah --- Wilāyāt al-Muttaḥidah al-Amirīkīyah --- Wilāyāt al-Muttaḥidah al-Amrīkīyah --- Yhdysvallat --- Yunaeted Stet --- Yunaeted Stet blong Amerika --- ZDA --- Združene države Amerike --- Zʹi︠e︡dnani Derz︠h︡avy Ameryky --- Zjadnośone staty Ameriki --- Zluchanyi︠a︡ Shtaty Ameryki --- Zlucheni Derz︠h︡avy --- ZSA --- Η.Π.Α. --- Ηνωμένες Πολιτείες της Αμερικής --- Америка (Republic) --- Американь Вейтьсэндявкс Штаттнэ --- Америкӑри Пӗрлешӳллӗ Штатсем --- САЩ --- Съединените щати --- Злучаныя Штаты Амерыкі --- ولايات المتحدة --- ولايات المتّحدة الأمريكيّة --- ولايات المتحدة الامريكية --- 미국 --- États-Unis --- É.-U. --- ÉU --- Amerik --- Америк --- Amerikiĭn Nėgdsėn Uls --- Америкийн Нэгдсэн Улс --- ANU --- АНУ --- Северо-Американские Штаты --- Северо-Американские Соединенные Штаты --- Сѣверо-Американскіе Соединенные Штаты --- Соединенные Штаты Америки --- Соединенные Штаты Северной Америки --- Соединенные Штаты Сѣверной Америки --- США --- ЗДА --- Зьєднані Держави Америки
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