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Kleinmotor --- Elektroantrieb --- Elektromagnetische Schwingung --- Mechanische Welle --- Schwingungsdämpfung --- Geräusch --- Optimierung
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This work systematically describes the mechanisms of tyre/road noise atdriving and braking torque based on measurements with different tyres. The studies on the influence of circumferential force on tyre/road noise can be divided into two different tire tread designs. One sub-chapter reports about a selective influence of force induced tyre/road noise using inclined groove edges. The influence of the circumferential stiffness of the tread blocks on the tyre/road noise is discussed afterwards.
Elektrofahrzeug --- electric vehicle --- Reifen-Fahrbahn-Geräusch --- Antriebsmomenttyre-road-noise --- driving torque
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Lexicology. Semantics --- Psycholinguistics --- Semantics --- Cognition --- Grammar, Comparative and general --- Wortfeld. --- Wahrnehmung. --- Geräusch. --- Wortschatz. --- Fontaine-sur-Ay <2000> --- Französisch. --- Fontaine-sur-Ay <2000>.
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Luigi Russolo (1885-1947)-painter, composer, builder of musical instruments, and first-hour member of the Italian Futurist movement-was a crucial figure in the evolution of twentieth-century aesthetics. As creator of the first systematic poetics of noise and inventor of what has been considered the first mechanical sound synthesizer, Russolo looms large in the development of twentieth-century music. In the first English language study of Russolo, Luciano Chessa emphasizes the futurist's interest in the occult, showing it to be a leitmotif for his life and a foundation for his art of noises. Chessa shows that Russolo's aesthetics of noise, and the machines he called the intonarumori, were intended to boost practitioners into higher states of spiritual consciousness. His analysis reveals a multifaceted man in whom the drive to keep up with the latest scientific trends coexisted with an embrace of the irrational, and a critique of materialism and positivism.
Futurism (Music). --- Russolo, Luigi - Criticism and interpretation. --- Russolo, Luigi -- Criticism and interpretation. --- Visual arts. --- Futurism (Music) --- Russolo, Luigi --- Criticism and interpretation. --- Futurism (Literary movement). --- Futurismus. --- Musik. --- Geräusch. --- Russolo, Luigi. --- Russolo, Luigi, --- Italien. --- Russolo, L. --- Music
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Sonic Interventions makes a compelling case for the importance of sound in theorizing literature, subjectivity and culture. Sound is usually understood as our second sense and – as our belief in a visually dominated culture prevails – remains of secondary interest. Western cultures are considered to be predominantly visual, while other societies are thought to place more importance on the acoustic dimension. This volume questions these assumptions by examining how sound differs from, and acts in relationship to, the visual. It moves beyond theoretical dichotomies (between the visual and the sonic, the oral and literature) and, instead, investigates sonic interventions in their often multi-faceted forms. The case studies deal with political appropriations of music and sounds, they explore the poetic use of the sonic in novels and plays, they develop theoretical concepts out of sonic phenomena, and pertain to identity formation and the practice of mixing in hip hop, opera and dancehall sessions. Ultimately, the book brings to the fore what roles sound may play for the formation of gendered identity, for the stabilization or questioning of race as a social category, and the conception of place. Their intricate interventions beckon critical attention and offer rich material for cultural analysis.
Anthropologie. --- Communication and culture. --- Geräusch. --- Literatur. --- Sound --- Visual communication. --- Social aspects. --- Graphic communication --- Imaginal communication --- Pictorial communication --- Acoustics --- Culture and communication --- Communication --- Continuum mechanics --- Mathematical physics --- Physics --- Pneumatics --- Radiation --- Wave-motion, Theory of --- Culture
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Akustik. --- American literature --- American literature. --- Bruit dans la littérature. --- Bruits naturels dans la littérature. --- Geräusch --- Literatur. --- Littérature américaine --- Noise in literature. --- Son dans la littérature. --- Sound in literature. --- History and criticism --- Histoire et critique --- 1800-1999. --- Geschichte 1890-1985. --- USA.
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The pioneering film director and theorist Sergei Eisenstein is known for the unequalled impact his films have had on the development of cinema. Less is known about his remarkable and extensive writings, which present a continent of ideas about film._x000D__x000D_Robert Robertson presents a lucid and engaging introduction to a key area of Eisenstein's thought: his ideas about the audiovisual in cinema, which are more pertinent today than ever before. With the advent of digital technology, music and sound now act as independent variables combined with the visual medium to produce a truly audiov
Sound in motion pictures. --- Motion picture music --- Filmmusik --- Audiotechnik --- Film --- Geräusch --- Photomontage --- Eisenstein --- Sound in motion pictures --- Analysis, appreciation. --- Sergei --- 1898-1948 --- Analysis, appreciation --- Eisenstein, Sergei, --- Ėjzenštejn, Sergej M. --- Criticism and interpretation. --- film --- filmtheorie --- geluid --- filmmuziek --- filmtechniek --- montage --- Eisenstein Sergei --- twintigste eeuw --- 791.471 EISENSTEIN --- Eisenstein, Sergei, 1898-1948 -- Criticism and interpretation. --- Motion picture music -- Analysis, appreciation. --- Music, Dance, Drama & Film --- Filmmusik. --- Audiotechnik. --- Film. --- Geräusch. --- Photomontage. --- 1898-1948.
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