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Music and geography --- Music and society --- Musique et géographie --- Musique et société --- Muziek en geografie --- Muziek en maatschappij --- Music --- Social aspects --- #SBIB:309H142 --- #SBIB:AANKOOP --- Populaire muziek: functies, muziekgenres, historiek --- Music and geography. --- Geografie --- Social aspects. --- Sociale en economische geografie --- Varia. --- Geography and music --- Geography --- Music - Social aspects
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Sound Tracks is the first comprehensive book on the new geography of popular music, examining the complex links between places, music and cultural identities. It provides an interdisciplinary perspective on local, national and global scenes, from the 'Mersey' and 'Icelandic' sounds to 'world music', and explores the diverse meanings of music in a range of regional contexts.In a world of intensified globalisation, links between space, music and identity are increasingly tenuous, yet places give credibility to music, not least in the 'country', and music is commonly linked to place,
Popular music --- Globalization --- Musique populaire --- Mondialisation --- Social aspects. --- Aspect social --- -Music and geography --- -#SBIB:309H142 --- #SBIB:032.AANKOOP --- Global cities --- Globalisation --- Internationalization --- International relations --- Anti-globalization movement --- Geography and music --- Geography --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- Social aspects --- Populaire muziek: functies, muziekgenres, historiek --- Music and geography. --- Music and geography --- #SBIB:309H142
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Everyday articulations of music, place, urban politics, and inclusion/exclusion are powerfully present in Istanbul. This volume analyzes landscapes of music, community, and exclusion across a century and a half. An interdisciplinary group of scholars and artists presents four case studies: the rembetika, the music of the Asiks, the Zakir/Alevi tradition, and hip-hop, in Beyoglu, Üsküdar, the gentrifying Sulukule neighborhood, and across the metropolis. »A significant contribution to the literature of music in and from Istanbul, which will show readers from different disciplines, social, and musical contexts the four important musical cornerstones of this landscape.« Hande Saglam, Anthropos, 114 (2019) »Der Band ist [...] lesenswert und weckt vor allem Interesse an mehr Forschung, die, wie in den besten Texten dieses Buches, soziale, städtebauliche, sozial und religiöse Hintergründe Istanbuler Musiklandschaften mit einer Analyse der Musikszenen verbindet.« Martin Greve, Wiener Zeitschrift für die Kunde des Morgenlandes, 109 (2019) » Unbedingt lesenswert!« Sebastian Gietl, Bayerisches Jahrbuch für Volkskunde, 07.10.2019 Besprochen in: Volkskunde, 1 (2018), Liselotte Sels
Anthropology --- Human beings --- History. --- Alevi. --- City. --- Cultural Anthropology. --- Exclusion. --- Gentrification. --- Hip-Hop. --- Inclusion. --- Landscape. --- Music. --- Politics. --- Pop Music. --- Popular Culture. --- Rembetika. --- Sociology. --- Subculture. --- Sulukule. --- Turkey. --- Urban Studies. --- Urbanity. --- Zakir. --- Istanbul; Music; Landscape; Politics; Exclusion; Inclusion; Urbanity; Gentrification; Sulukule; Rembetika; Subculture; Zakir; Alevi; Hip-Hop; City; Popular Culture; Urban Studies; Pop Music; Cultural Anthropology; Turkey; Sociology --- Popular music --- Music and geography --- Political aspects --- Social aspects --- Geography and music --- Geography --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions
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