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The Ōjōyōshū, written by the monk Genshin (942–1017), is one of the most important texts in the history of Japanese religions. It is the first comprehensive guide to the doctrine and practice of Pure Land Buddhism written in Japan and so played a pivotal role in establishing this form of Buddhism in the country. In Genshin’s Ōjōyōshū and the Construction of Pure Land Discourse in Heian Japan, the first book in English on the Ōjōyōshū in more than forty years, Robert F. Rhodes draws on the latest scholarship to shed new light on the text, its author, and the tumultuous age in which it was written.Rhodes begins by providing substantial discussion on the development of Pure Land Buddhism before the Ōjōyōshū’s appearance and a thorough account of Genshin’s life, the full details of which have never before been available in English. Japan in the tenth century was marked by far-reaching political, social, and economic change, all of which had a significant effect on religion, including the emergence of numerous new religious movements in Kyoto. Pure Land was the most popular of these, and the faith embraced by the Tendai scholar Genshin when he became disaffected with the growing factionalism at Enrakuji, Tendai’s central temple. A significant portion of Rhodes’ study is a wide-ranging examination of the Ōjōyōshū’s Pure Land teachings in which he describes and analyzes Genshin’s interpretations of Pure Land cosmology and nenbutsu practice. For Genshin the latter encompassed an extensive range of practices for focusing the mind on Amida Buddha―from the simple recitation of Namu Amidabutsu (“recitative nenbutsu”) to the advanced meditative practice of visualizing the buddha (“meditative nenbutsu”). According to the Ōjōyōshū, all of these are effective means for ensuring birth in Amida’s Pure Land.This impressively researched and updated treatment of the formative text in the Japanese Pure Land tradition will be welcomed by all scholars and students of Japanese religions. It also offers a fascinating window into Heian (794–1185) religious life, which will be of interest to anyone concerned with medieval Japan.

Pure Land Buddhism --- Genshin, - 942-1017

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Shinran --- 親鸞 --- Genshin --- 源信 --- Hōnen --- 法然

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Genshin --- 源信 --- Zhili --- 知禮 --- Yoshishige no, Yasutane --- 慶滋保胤

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According to the contributors to this volume, the relationship of Buddhism and the arts in Japan is less the rendering of Buddhist philosophical ideas through artistic imagery than it is the development of concepts and expressions in a virtually inseparable unity. By challenging those who consider religion to be the primary phenomenon and art the secondary arena for the apprehension of religious meanings, these essays reveal the collapse of other dichotomies as well. Touching on works produced at every social level, they explore a fascinating set of connections within Japanese culture and move to re-envision such usual distinctions as religion and art, sacred and secular, Buddhism and Shinto, theory and substance, elite and popular, and even audience and artist. The essays range from visual and literary hagiographies to No drama, to Sermon-Ballads, to a painting of the Nirvana of Vegetables. The contributors to the volume are James H. Foard, Elizabeth ten Grotenhuis, Frank Hoff, Laura S. Kaufman, William R. LaFleur, Susan Matisoff, Barbara Ruch, Yoshiaki Shimizu, and Royall Tyler.Originally published in 1992.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Buddhism and art --- Buddhism in literature. --- Japanese literature --- Art and Buddhism --- Art --- Buddhist art --- History and criticism. --- Acala. --- Amaterasu. --- Anne Bradstreet. --- Arahitogami. --- Benkei. --- Benzaiten. --- Biography. --- Bodhi. --- Bodhidharma. --- Bodhisattva. --- Buddha-nature. --- Buddhahood. --- Buddhism and Christianity. --- Buddhism in Japan. --- Buddhism. --- Buddhist philosophy. --- Buddhist poetry. --- Calligraphy. --- Chion-in. --- D. T. Suzuki. --- Deity. --- Demonology. --- Devadatta. --- Dogen. --- Earl Miner. --- Edo period. --- Esoteric Buddhism. --- Fujiwara. --- Gagaku. --- Gautama Buddha. --- Genji Monogatari Emaki. --- Genshin. --- Gongen. --- Guanyin. --- Hachiman. --- Hagiography. --- Hayashi Razan. --- Honji suijaku. --- How It Happened. --- Illustration. --- Impermanence. --- Ippen. --- Iris Murdoch. --- Itako. --- Ivan Morris. --- Japanese aesthetics. --- Japanese art. --- Japanese painting. --- Japanese poetry. --- Kaibara Ekken. --- Kegon. --- Ki no Tsurayuki. --- Kobayashi Issa. --- Kojiro. --- Kokugaku. --- Kshitigarbha. --- Kukai. --- Liminality. --- Literature. --- Lotus Sutra. --- Mahasthamaprapta. --- Mahayana. --- Masao Abe. --- Matsuo Basho. --- Metempsychosis. --- Mircea Eliade. --- Murasaki Shikibu. --- Narrative. --- Nichiren. --- Nyorai. --- Onryo. --- Oracle. --- Parinirvana. --- Parody. --- Perfection of Wisdom. --- Poetry. --- Preta. --- Religion. --- Rennyo. --- Renunciation. --- Royall Tyler (academic). --- Setsuwa. --- Shinbutsu bunri. --- Shingon Buddhism. --- Shinran. --- Shinto. --- Shoshin. --- State Shinto. --- Tachikawa-ryu. --- Taima Mandala. --- Tendai. --- Tengu. --- Tenjin (kami). --- The Tale of the Heike. --- Traditional story. --- Upaya. --- Vipassana. --- Yamabushi. --- Zen master. --- Zoku.