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Ernie Gehr (né le 20 juillet 1941 à Milwaukee, Wisconsin) est un cinéaste expérimental américain étroitement lié avec le mouvement structuraliste des années 1970. Artiste autodidacte, sa passion pour le cinéma expérimental provient des films de Stan Brakhage. Son film Serene Velocity (1970) fut sélectionné pour la National Film Registry en 2001. Gehr fut également membre du personnel du San Francisco Art Institute.
Art vidéo --- Installations (art) --- Installations (Art) -- Exhibitions --- Gehr, Ernie, --- Installation-art --- Cinéma --- Gehr, Ernie --- Installations (Art) --- Art vidéo.
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Experimental films --- Films expérimentaux --- History and criticism --- Histoire et critique --- film --- experimentele film --- Ono Yoko --- Snow Michael --- Gehr Ernie --- Murphy J.J. --- Fisher Morgan --- Frampton Hollis --- Mulvey Laura --- Wollen Peter --- Benning James --- Friedrich Su --- Gianikian Yervant --- Ricci Lucchi Angela --- Sonbert Warren --- Regio Godfrey --- Trinh T. Minh-ha --- Rainer Yvonne --- Watkins Peter --- 791.471 AAAA --- Scott Macdonald --- Films expérimentaux --- Murphy J.J
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film --- kunst --- precinema --- filmtheorie --- experimentele film --- filmgeschiedenis --- Verenigde Staten --- Groot-Brittannië --- voorgeschiedenis film --- fotografie --- kubisme --- futurisme --- abstracte film --- Art Cinema --- filmgedichten --- absolute film --- dadaïsme --- surrealisme --- Frankrijk --- documentaires --- underground --- structuralisme --- poststructuralisme --- kunst en politiek --- Jarman Derek --- Greenaway Peter --- gender studies --- Ruttmann Walther --- Lye Len --- Fischinger Oskar --- Whitney John --- Whitney James --- Brakhage Stan --- Menken Marie --- Sharits Paul --- Snow Michael --- Gehr Ernie --- Frampton Hollis --- Landow George --- Le Grice Malcolm --- Welsby Chris --- Rybczynski Zbigniew --- Barber George --- Krikorian Tamara --- Dwoskin Stephen --- Goddard Judith --- Keiller Patrick --- Smith John --- Hamlyn Nicky --- Wearing Gillian --- Pfaffanbichler Norbert --- reMI --- Gidal Peter --- Rebello Samantha --- Raban William --- Mirza Karen --- Payne Simon --- Fanderl Helga --- Lowder Rose --- Ono Yoko --- 791.43 --- Cinéma expérimental --- experimentele films --- Experimental films --- Avant-garde films --- Experimental videos --- Personal films --- Underground films --- Motion pictures --- Video art --- History and criticism --- History and criticism. --- 798.4 --- avant-garde --- geschiedenis --- film, geschiedenis der filmkunst --- Films expérimentaux --- Histoire et critique --- Histoire et critique. --- #SBIB:309H1326 --- #SBIB:309H1320 --- #SBIB:39A8 --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Antropologie: linguïstiek, audiovisuele cultuur, antropologie van media en representatie --- Films expérimentaux
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Sculpture --- sculpture [visual works] --- outdoor sculpture --- earthworks [sculpture] --- environmental art --- Fluxus --- Visser, Carel --- Andre, Carl --- LeWitt, Sol --- Snow, Michael --- Wieland, Joyce --- Dibbets, Jan --- Buren, Daniel --- Oppenheim, Dennis --- Paik, Nam June --- Oldenburg, Claes --- Bladen, Ronald --- Gonschior, Kuno --- Rinke, Klaus --- Smith, Tony --- Snelson, Kenneth --- Joepat --- Noord-Brabant Group --- Baillie, Bruce --- Conrad, Tony --- Edinoff, Ellen --- Frampton, Hollis --- Gehr, Ernie --- Morris, Robert --- Christo --- Jacobs, Ken --- Koetsier, Hans --- Smithson, Robert --- Kubelka, Peter --- Landow, George --- Lawder, Standish Dyer --- Weiner, Lawrence --- Engels, Pieter --- Beuys, Joseph --- Nelson, Robert --- Philips, Egbert --- Sajiki, Tenjo --- Tajiri, Shinkichi --- Sharits, Paul --- Siegel, Eric --- Stuyf, Koert --- Long, Richard --- Kawara, On --- Yokoyama --- Dekkers, Ger --- Heizer, Michael --- Serra, Richard --- Brouwn, Stanley --- Merz, Mario --- Ruscha, Ed --- Vries, de, Herman --- Acconci, Vito --- Graham, Dan --- Flanagan, Barry --- Judd, Donald --- Artschwager, Richard --- Eykelboom, Hans --- Nauman, Bruce --- Armagnac, d', Ben --- Bakker, Douwe Jan --- Boezem, Marinus --- Darboven, Hanne --- Dekkers, Ad --- Huebler, Douglas --- Kraan, van der, Axel --- Maria, de, Walter --- Matsuzawa, Yutaka --- Prini, Emilio --- Roehr, Peter --- Rückriem, Ulrich --- Sandback, Frederick Laue --- Sanejouand, Jean-Michel --- Wechgelaar, Lex --- Ader, Bas Jan --- Knoebel, Imi --- Elk, van, Ger --- Schippers, Wim T. --- Volten, André --- Panamarenko --- Mass Moving --- Eventstructure Research Group --- Instituut voor Creatief Werk --- Enschede Group --- anno 1900-1999
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Internet --- Film --- photography [process] --- computer art [visual works] --- video art --- Art --- performance art --- installations [visual works] --- Painting --- Photography --- painting [image-making] --- Taymor, Julie --- Holliday, George --- Fusco, Coco --- Gehr, Ernie --- Sherman, Cindy --- Williams, Sue --- Hammer, Barbara --- Sekula, Allan --- Kelly, John --- LeCompte, Elisabeth --- Fisher, Holly --- Viola, Bill --- Pierson, Jack --- Green, Renée --- Trinh T. Minh-ha --- Ray, Charles --- Cain, Peter --- Smith, Kiki --- Atlas, Charles --- Ligon, Glenn --- Applebroog, Ida --- Jones, William --- Osorio, Pepón --- Durham, Jimmie --- Gomez, Marga --- Lee, Spike --- McCauley, Robbie --- Simpson, Lorna --- Dash, Julie --- Campus, Peter --- Finley, Jeanne C. --- Saar, Alison --- Robinson, Jonathan --- Antoni, Janine --- Portillo, Lourdes --- Shephard, Greg --- Connor, Maureen --- Barney, Matthew --- Martinez, Daniel J. --- Varela, Willie --- Pittman, Lari --- Torres, Francesc --- Fraser, Andrea --- Not Channel Zero --- Kim, Byron --- Münch, Christopher --- Burden, Chris --- Chang, Christine --- Billops, Camille --- Gober, Robert --- Benning, Sadie --- Fulbeck, Kip --- Moffett, Donald --- Leonard, Zoe --- Tanaka, Janice --- Cheang, Shu Lea --- McClelland, Suzanne --- Grey, Michael Joaquin --- Dance Noise --- Paper Tiger Television --- Sellars, Peter --- Gómez-Peña, Guillermo --- Spero, Nancy --- Calle, Sophie --- Huff, Randolph --- Wilson, Fred --- Luna, James --- Williams, Marco --- Leone & Macdonald --- Kelley, Mike --- Williams, Pat Ward --- Bogawa, Roddy --- Kilimnik, Karen --- Hatch, James --- Rappaport, Mark --- Gorin, Jean-Pierre --- Leung, Simon --- Goldin, Nan --- Yonemoto, Bruce & Norman --- Hill, Gary --- Wellman, Mac --- Gandert, Miguel --- Pettibon, Raymond --- Martin, Timothy --- Dunye, Cheryl --- Wolff, Kevin --- Simmons, Gary --- Gulf Crisis TV Project --- The Wooster Group --- Deep Dish TV [New York, N.Y.] --- anno 1900-1999 --- United States --- Art, American --- Art américain --- Exhibitions --- Expositions --- Whitney Museum of American Art --- Art américain --- Torres Monsó, Francesco --- Martinez, Daniel Joseph --- easel paintings [paintings by form] --- net art --- Exhibitions. --- Paper Tiger Television [New York, N.Y.] --- paintings [visual works] --- United States of America
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Sur plus de 2000 m2, l’exposition plonge dans le rêve d’Icare et offre, à travers près de 500 œuvres en dialogue (peintures, photographies, dessins, films, maquettes d’architecture, installations, livres et revues…), un panorama inédit et spectaculaire de l’art moderne et contemporain. Depuis quelques années, la vue aérienne suscite un regain d’intérêt. Du succès de La Terre vue du ciel de Yann Arthus-Bertrand à la popularité de Google Earth, la vue à vol d’oiseau fascine, tant par la beauté des paysages dévoilés que par le sentiment de toute-puissance qu’elle inspire. L’exposition Vues d’en haut prend appui sur cette actualité pour remonter aux origines de la photographie aérienne et explorer son impact sur la création artistique et, de fait, sur l’histoire de l’art. Les premiers clichés aériens pris par Nadar depuis un aérostat, dans les années 1860, marquent le début de l’émancipation du regard. Voir le monde, non plus à hauteur d’yeux, mais depuis une machine volante, revient à briser le modèle de perspective issu de la Renaissance. Désormais le corps, mobile et flottant, n’est plus le point d’ancrage de la vision de l’espace. C’est un monde sans relief, dénué de saillies et de creux, qui s’offre au regard, devenu panoramique. Progressivement, la terre se mue en une surface plane où les repères se confondent et se perdent. Depuis plus de 150 ans, peintres, photographes, architectes et cinéastes ne cessent d’explorer les enjeux esthétiques et sémantiques de ce renversement perspectif. L’exposition Vues d’en haut propose de retracer ce cheminement passionnant qui, pour la première fois, fait l’objet d’une grande exposition pluridisciplinaire. L’exposition se déploie en huit sections thématiques – basculement, planimétrie, extension, distanciation, domination, topographie, urbanisation, supervision – qui s’inscrivent dans la chronologie des temps modernes, ponctuée par la Première et la Seconde Guerres mondiales. Une scénographie inédite fait évoluer le visiteur dans le temps comme dans l’espace : au fil du parcours, la vision s’élève, du balcon au satellite.
steden --- topografie --- modernisme --- kubisme --- De Stijl --- avant-garde --- Wereldoorlog I --- Wereldoorlog II --- stadsontwikkeling --- fotografie --- film --- architectuur --- vogelvluchtperspectief --- Devambez, André --- Mondriaan, Piet --- Moholy-Nagy, László --- Kandinsky, Wassily --- Klee, Paul --- Albers, Jozef --- Bayer, Herbert --- Petschow, Robert --- Le Corbusier (pseud.) --- Bourke-White, Margaret --- Desvigne, Michel --- Storr, Marcel --- Ruscha, Ed --- 19de eeuw --- 20ste eeuw --- 21ste eeuw --- Photographie aérienne --- Histoire de la peinture --- Histoire de la photographie --- Paysage --- Urbanisation --- Aerial photography --- Bird's-eye views in art --- Cities and towns in art --- Views --- Art --- Dans l'art --- kunst --- luchtfotografie --- vogelperspectief --- kunst en fotografie --- Nadar --- Tissandier Gaston --- Devambez André --- schilderkunst --- Mondriaan Piet --- Mondrian Piet --- utopie --- Moholy-Nagy Laszlo --- Kandinsky Wassily --- Klee Paul --- Albers Josef --- Le Corbusier --- Smithson Robert --- stedenbouw --- Ristelhueber Sophie --- Dallaporta Raphaël --- Abbott Berenice --- Abdessemed Adel --- Almendra Wilfrid --- ArT errOriste --- Arthus-Bertrand Yann --- Atkinson Lawrence --- Bay Didier --- Bayer Herbert --- Bayrle Thomas --- Bel Geddes Norman --- Berkeley Busby --- Black James Wallace --- Boulade Antonin --- Boulade Léo --- Bourke-White Margaret --- Braque Georges --- Bridges Marilyn --- Büchel Christoph --- Buckminster Fuller Richard --- Burkhard Balthasar --- Caillebotte Gustave --- Carline Richard --- Chashnik Ilya --- Closky Claude --- Coburn Alvin Langdon --- Cognée Philippe --- Daumier Honoré --- De Palma Brian --- Debord Guy --- Delaunay Robert --- Deutsch David --- Desvigne Michel --- Diebenkorn Richard --- van Doesburg Theo --- Dürer Albrecht --- Eames Charles --- Eames Ray --- van Eesteren Cornelis --- Estève Maurice --- Farocki Harun --- Feininger Andreas --- Ferrari Leon --- Francis Sam --- François Michel --- Freedland Thornton --- Friedman Yona --- Frize Bernard --- Gefeller Andreas --- Gehr Ernie --- Gerster Georg --- Giacomelli Mario --- Gimpel Léon --- Goldblatt David --- Gorin Jean --- Gowin Emmet --- Grandville --- Graubner Oscar --- Griaule Marcel --- Gropius Walter --- Gursky Andreas --- Hadjithomas Joana --- Joreige Khalil --- Hallo Charles-Jean --- Haviland Paul --- Heartfield John --- Henner Mishka --- Hine Lewis W. --- Hoover H. Earl --- Hutchinson Peter --- Ichac Pierre --- Ignatovitch Boris --- Johnson Dano --- Travis Jeffrey --- Kertesz André --- Klier Michael --- Klucis Gustav --- Konrad Aglaia --- Koolhaas Rem --- Krull Germaine --- Lalanne François-Xavier --- Landau Ergy --- Léger Fernand --- Leonard Zoe --- Lewis Mark --- LeWitt Sol --- Lissitzky El --- Lotar Eli --- Lumière Auguste --- Lumière Louis --- MacLean Alex --- Malevich kazimir --- Ray Man --- Man ray --- Marinetti Filippo Tommaso --- Masoero Filippo --- Mattheuer Wolfgang --- Mole Arthur S. --- Thomas John D. --- Monet Claude --- Morris Robert --- Namuth Hans --- Napangardi Ruby Rose Yardaya --- Neubronner Julius --- Nevinson Christopher --- Noguchi Isamu --- O'Keeffe Georgia --- Oppenheim Dennis --- Otto Frei --- Oud J.J.P. --- Perrault Dominique --- Petschow Robert --- Picasso Pablo --- Polke Sigmar --- Pollock Jackson --- Richter Gerhard --- Riefenstahl Leni --- Roh Franz --- Rovner Michal --- Ruscha Ed --- Schelcher André --- Schiele Egon --- Schum Gerry --- Severini Gino --- Sheeler Charles --- Souietine Nikolaï --- Steichen Edward --- Stevens Albert William --- Storr Marcel --- Strand Paul --- Superstudio --- Tato --- Thiel Frank --- Tillmans Wolfgang --- Tobey Mark --- Umbo --- Sadahide Utagawa --- Valloton Félix --- Vantongerloo Georges --- Vostell Wolf --- Wadsworth Edward --- Weininger Andor --- Wenz Emile --- Wyler William --- 7.036/039 --- Exhibitions --- Hine Lewis W --- Mole Arthur S --- Thomas John D --- Oud J.J.P --- Aerial photography - Exhibitions --- Bird's-eye views in art - Exhibitions --- Cities and towns in art - Exhibitions --- Views - Exhibitions --- steden. --- topografie. --- modernisme. --- kubisme. --- De Stijl. --- avant-garde. --- Wereldoorlog I. --- Wereldoorlog II. --- stadsontwikkeling. --- film. --- architectuur. --- vogelvluchtperspectief. --- Devambez, André. --- Mondriaan, Piet. --- Moholy-Nagy, László. --- Kandinsky, Wassily. --- Klee, Paul. --- Albers, Jozef. --- Bayer, Herbert. --- Petschow, Robert. --- Le Corbusier (pseud.). --- Bourke-White, Margaret. --- Desvigne, Michel. --- Storr, Marcel. --- Ruscha, Ed. --- 19de eeuw. --- 20ste eeuw. --- 21ste eeuw.
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