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Une étude consacrée aux génériques cinématographiques. Une partie historique retrace les 4 grandes périodes des génériques depuis les débuts du cinéma. Une partie théorique analyse les divers rôles sonores, visuels, scripturaires et structurels des génériques de films.
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This is the first book to be published on one of the greatest American designers of the 20th century, who was as famous for his work in film as for his corporate identity and graphic work. Saul Bass (1920-1996) created some of the most compelling images of American postwar visual culture. Having extended the remit of graphic design to include film titles, he went on to transform the genre. His best-known works include a series of unforgettable posters and title sequences for films such as Alfred Hitchcock's Vertigo and Otto Preminger's The Man with the Golden Arm and Anatomy of a Murder. He also created some of the most famous logos and corporate identity campaigns of the century, including those for major companies such as AT&T, Quaker Oats, United Airlines and Minolta. His wife and collaborator, Elaine, joined the Bass office in the late 1950s. Together they created an impressive series of award-winning short films, including the Oscar-winning Why Man Creates, as well as an equally impressive series of film titles, ranging from Stanley Kubrick’s Spartacus in the early 1960s to Martin Scorsese’s Cape Fear and Casino in the 1990s. Designed by Saul Bass's daughter Jennifer and written by distinguished design historian Pat Kirkham, who knew Saul Bass, this book contains more than 1,400 illustrations, many from the Bass archive and never published before, providing an in-depth account of one of the leading graphic artists of the 20th century. This definitive study is eagerly anticipated by design and film enthusiasts.
Bass, Saul. --- Graphisme --- Publicité --- Logotype --- Affiche --- Emballage --- Bass, Saul --- Biografie --- Graphic artists --- Credit titles (Motion pictures, television, etc.) --- Graphistes --- Générique (Cinéma, télévision, etc.) --- Biography. --- Biographies --- Catalogs --- Criticism and interpretation. --- 766.071 BASS --- Bass Saul --- Verenigde Staten --- affiches --- corporate identity --- film --- film en grafische vormgeving --- filmaffiches --- filmtitels --- generieken --- grafisch design --- grafisch ontwerp --- grafische vormgeving --- huisstijl --- logo's --- posters --- twintigste eeuw --- 753 --- grafische vormgevers --- regisseurs --- grafische vormgeving , geschiedenis, grafische vormgevers afzonderlijk --- Ontwerpers --- Vormgevers --- 766.07 --- Bass, Saul 1920-1996 (°New York, Verenigde Staten) --- Grafische vormgeving ; met betrekking tot film --- Affiches ; filmaffiches --- Grafische vomgeving en film ; titels ; openingstitels --- Grafische vormgeving ; labels ; etiketten ; logo's ; merken --- Gebruiksgrafiek ; grafische designers, reclamekunstenaars, typografen, illustrators A-Z --- Ontwerper --- Vormgever
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Writing on the edge analyzes texts that surround movies - so-called filmic paratexts. They include opening and closing credits, film posters, and tie-in products such as novelizations. More accessory than an actual part of the film they accompany, paratexts nevertheless serve as an essential framing device that generates expectations and guides audiences through their viewing experience. The book discusses the exchange between the extradiegetic nature of paratexts and the diegesis of the films proper - the space between the producers' attempts to advertise a product and the filmmakers' attempts to tell a story. Writing on the edge investigates cinema's manifold conventions developed to link these realms. In doing so, the book analyzes a wide range of credit sequences and promotional materials covering all periods of film history.
Credit titles (Motion pictures, television, etc.) --- Titles of motion pictures. --- Openings (Rhetoric) --- Motion picture producers and directors --- Credits of motion picture producers and directors --- Film credits of motion picture producers and directors --- Beginnings (Rhetoric) --- First lines (Rhetoric) --- Opening sentences --- Rhetoric --- Motion picture titles --- Motion pictures --- Titles, Credit (Motion pictures, television, etc.) --- Television --- Video recordings --- Credits. --- Actors --- Screenwriters --- Cinematographers --- Film criticism. --- Advertising --- Générique (Cinéma, télévision, etc.) --- Films --- Ouverture (Rhétorique) --- Producteurs et réalisateurs --- Acteurs --- Scénaristes --- Directeurs de la photographie --- Critique cinématographique --- Publicité --- Cinéma --- Credits --- Marketing --- Titres --- Filmographie --- Commercialisation --- Titles of motion pictures --- Film criticism --- Motion picture producers and directors - Credits --- Actors - Credits --- Screenwriters - Credits --- Cinematographers - Credits --- Advertising - Motion pictures --- Motion pictures - Marketing --- USA --- USA.
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