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The gaze entices, inspects, fascinates. The voice hypnotizes, seduces, disarms. Are gaze and voice part of the relationship we call love ... or hate? If so, what part? How do they function? This provocative book examines love as the mediating entity in the essential antagonism between the sexes, and gaze and voice as love's medium. The contributors proceed from the Lacanian premise that "there is no sexual relationship," that the sexes are in no way complementary, and that love - figured in the gaze and the voice - embodies the promise and impossibility of any relation between them. The first detailed Lacanian elaboration of this topic, Gaze and Voice as Love Objects examines the status of gaze, voice, and love in philosophy from Plato to Kant, in ideology from early Christianity to contemporary cynicism, in music from Hildegard of Bingen to Richard Wagner, in literature from Edith Wharton's Age of Innocence to Kazuo Ishiguro's The Remains of the Day, and in cinema from Michael Powell's Peeping Tom to Kieslowski's A Short Film on Love. Throughout, the contributors seek to show that the conflict between the sexes is the site of a larger battle over the destiny of modernity. Approaching its topic with utter disregard for predominant multiculturalist and deconstructionist commonplaces, and with insights into the underlying target of racist and sexist violence, this book offers surprising revelations into the nature of an ancient enigma - love.
Criticism. --- Psychoanalysis and literature. --- Gaze in literature. --- Voice in literature.
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Gaze in literature --- Ford, Ford Madox, --- Criticism and interpretation.
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Gaze in literature. --- Senses and sensation in literature. --- Vision in literature.
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Gaze in literature --- Literature, Medieval --- Sex role in literature --- Women in literature --- History and criticism
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Gaze in literature --- German literature --- Literature, Modern --- History and criticism --- Schneider, Helmut J --- Schneider, Helmut J. --- Gaze in literature - Congresses --- German literature - History and criticism - Congresses --- Literature, Modern - History and criticism - Congresses --- Schneider, Helmut J - Congresses
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Visual culture, performance and spectacle lay at the heart of all aspects of ancient Greek daily routine, such as court and assembly, cult and ritual, and art and culture. Seeing was considered the most secure means of obtaining knowledge, with many citing the etymological connection between 'seeing' and 'knowing' in ancient Greek as evidence for this. Seeing was also however often associated with mere appearances, false perception and deception. Gazing and visuality in the ancient Greek world have had a central place in the scholarship for some time now, enjoying an abundance of pertinent discussions and bibliography. If this book differs from the previous publications, it is in its emphasis on diverse genres: the concepts 'gaze', 'vision' and 'visuality' are considered across different Greek genres and media. The recipients of ancient Greek literature (both oral and written) were encouraged to perceive the narrated scenes as spectacles and to 'follow the gaze' of the characters in the narrative. By setting a broad time span, the evolution of visual culture in Greece is tracked, while also addressing broader topics such as theories of vision, the prominence of visuality in specific time periods, and the position of visuality in a hierarchisation of the senses.
Gaze in literature. --- Greek literature --- Greek literature. --- Vision in literature. --- History and criticism. --- Ancient Greek gaze. --- performance. --- vision. --- visuality.
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Drama --- Gaze in literature. --- Psychoanalysis and literature --- Psychology in literature. --- Tragedy. --- Visual perception in literature. --- Psychological aspects.
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Spanish literature --- Gaze in literature. --- Visualization in literature. --- Petrarchism. --- Littérature espagnole --- Littérature espagnole --- History and criticism.
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Une analyse de la place du regard dans l'oeuvre romanesque d'A. Robbe-Grillet, d'abord par une définition de la relation entre regardeur et regardé, puis par une étude de l'angle spécifique de la perversité et de la jouissance recherchée par le regard.
Authors, French --- Gaze in literature --- Ecrivains français --- Regard dans la littérature --- Robbe-Grillet, Alain, --- Themes, motives --- Ecrivains français --- Regard dans la littérature --- Themes, motives.
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