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Preventing heterosexism and homophobia
Authors: --- ---
ISBN: 0761900233 0761900225 Year: 1996 Volume: 17 Publisher: Thousand Oaks, Calif. Sage Publications


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Relocations
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ISBN: 0814769675 9780814784082 0814784089 9780814769676 9780814783092 0814783090 9780814783108 0814783104 Year: 2011 Publisher: New York, NY

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What queer lives, loves and possibilities teem within suburbia’s little boxes? Moving beyond the imbedded urban/rural binary, Relocations offers the first major queer cultural study of sexuality, race and representation in the suburbs. Focusing on the region humorists have referred to as “Lesser Los Angeles”—a global prototype for sprawl—Karen Tongson weaves through suburbia’s “nowhere”spaces to survey our spatial imaginaries: the aesthetic, creative and popular materials of the new suburbia.Across southern California’s freeways, beneath its overpasses and just beyond its winding cloverleaf interchanges, Tongson explores the improvisational archives of queer suburban sociability, from multimedia artist Lynne Chan’s JJ Chinois projects and the amusement park night-clubs of 1980s Orange County to the imperial legacies of the region known as the Inland Empire. By taking a hard look at the cosmopolitanism historically considered de rigeur for queer subjects, while engaging with the so-called “New Suburbanism” that has captivated the national imaginary in everything from lifestyle trends to electoral politics, Relocations radically revises our sense of where to see and feel queer of color sociability, politics and desire.

Disidentifications : queers of color and the performance of politics
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ISBN: 0816630143 0816630151 9780816630141 9780816630158 Year: 1999 Volume: v. 2 Publisher: Minneapolis : University of Minnesota Press,

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"There is more to identity than identifying with one's culture or standing solidly against it. Jos Esteban Munoz looks at how those outside the racial and sexual mainstream negotiate majority culture--not by aligning themselves with or against exclusionary works but rather by transforming these works for their own cultural purposes. Munoz calls this process disidentification, and through a study of its workings, he develops a new perspective on minority performance, survival, and activism. Disidentifications is also something of a performance in its own right, an attempt to fashion a queer world by working on, with, and against dominant ideology. By examining the process of identification in the work of filmmakers, performance artists, ethnographers, Cuban choteo, forms of gay male mass culture (such as pornography), museums, art photography, camp and drag, and television, Munoz persistently points to the intersecting and short-circuiting of identities and desires that result from misalignments with the cultural and ideological mainstream in contemporary urban America. Munoz calls attention to the world-making properties found in performances by queers of color--in Carmelita Tropicana's Camp/Choteo style politics, Marga Gomez's performances of queer childhood, Vaginal Creme Davis's Terrorist Drag, Isaac Julien's critical melancholia, Jean-Michel Basquiat's disidentification with Andy Warhol and pop art, Felix Gonzalez-Torres's performances of disidentity, and the political performance of Pedro Zamora, a person with AIDS, within the otherwise artificial environment of the MTV serial The Real World." --

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