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"Queer Returns returns us to the scene of multiculturalism, diaspora, and queer through the lens of Black expression, identity, and the political. The essays question what it means to live in a multicultural society, how diaspora impacts identity and culture, and how the categories of queer and Black and Black queer complicate the political claims of multiculturalism, diaspora, and queer politics. These essays return us to foundational assumptions, claims, and positions that require new questions without dogmatic answers." --
Queer theory. --- Black people --- African diaspora. --- Sexual minorities. --- Multiculturalism. --- Gays, Black. --- Group identity. --- Geography --- Race identity. --- Psychological aspects. --- Gay people, Black.
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"Colouring the Rainbow" uncovers the often hidden world of Queer and Trans Blak Australia and tells it like it is. Twenty-two First Nations people reveal their inner reflections and outlooks on family and culture, identity and respect, homophobia, transphobia, racism and decolonisation, activism, art, performance and more, through life stories and essays. The contributors to this ground-breaking book not only record the continuing relevance of traditional culture and practices, they also explain the emergence of homonormativity within the context of contemporary settler colonialism. "Colouring the Rainbow" is a real, searing and celebratory exploration of modern culture in post-apology Australia.--publisher.
Gays --- Gays, Black --- Aboriginal Australians --- Aboriginals, Australian --- Aborigines, Australian --- Australian aboriginal people --- Australian aboriginals --- Australian aborigines --- Australians, Aboriginal --- Australians, Native (Aboriginal Australians) --- Native Australians (Aboriginal Australians) --- Ethnology --- Indigenous peoples --- Black gays --- Gay people --- Gay persons --- Homosexuals --- Persons --- Gay people, Black
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Who Look at Me?!: Shifting the Gaze of Education through Blackness, Queerness, and the Body explores how we, as a society, see Blackness and in particular Black youth. Drawing on a range of sources, the authors argue that the ability to operationalize the sentiment that #BlackLivesMatter, requires seeing Blackness wholly, as queer, and as a site of subversive knowledge production. Continuing the work of June Jordan and Langston Hughes, and based on their work as a Black queer artist collective known as Hill L. Waters, Who Look at Me?! provides alternative tools for reading about and engaging with the lived experiences of Black youth and educational research for and about Black youth. In this way, the book presents not only the possibilities of envisioning teaching and research practices but presents examples that embrace, celebrate, and make room for the fullness of Black and queer bodies and experiences. This work will appeal to those interested in emancipatory methodological and educational practices as well as interdisciplinary conversations related to sociocultural constructions of race and sexuality, politics of Blackness, and race in education.
African American youth --- Youth, Black. --- Gays, Black. --- Black gays --- Black youth --- Negro youth --- Afro-American youth --- Youth, African American --- Youth --- Education. --- Study and teaching. --- Social conditions. --- Gay people, Black.
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"Whether engaged in same-sex desire or gender nonconformity, black queer individuals live with being perceived as a threat while simultaneously being subjected to the threat of physical, psychological, and socioeconomic injury. Attending to and challenging threats has become a defining element in queer black artists' work throughout the black diaspora. GerShun Avilez analyzes the work of diasporic artists who, denied government protections, have used art to create spaces for justice. He first focuses on how the state seeks to inhibit the movement of black queer bodies through public spaces, whether on the street or across borders. From there, he pivots to institutional spaces--specifically prisons and hospitals--and the ways such places seek to expose queer bodies in order to control them. Throughout, he reveals how desire and art open routes to black queer freedom when policy, the law, racism, and homophobia threaten physical safety, civil rights, and social mobility"--
Sociology of minorities --- African American gays. --- Gays, Black. --- African American arts. --- Gay artists. --- Homophobia. --- Racism. --- Queer theory. --- Queer --- Art --- Body --- Racism --- Blackness --- Book --- African American gay people. --- Gay people, Black.
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Keeping It Unreal : Black Queer Fantasy and Superhero Comics explore la façon dont la fantaisie - en particulier les bandes dessinées de super-héros, qui sont généralement considérées comme naïves et enfantines - est un catalyseur pour engager l'imagination radicale noire. De tels engagements suscitent des "actes fantaisistes" contre l'anti-noirisme, une manière transgressive de "lire" au-delà de la page de la bande dessinée pour envisager et expérimenter des réalités alternatives et potentiellement plus justes. Selon l'auteur, les fantasmes sur les personnages de super-héros ne sont pas seulement, ni même principalement, des formes d'évasion, mais des remodelages actifs des lecteurs et de leurs mondes. Ce livre offre une riche méditation sur la relation entre le fantasme et la réalité, et entre l'imagination et l'être, car il mêle les souvenirs personnels de Scott sur ses rencontres avec les BD de super-héros à des lectures interprétatives de personnages tels que la Panthère noire, Luke Cage, Nubia et Blade, et à des théoriciens tels que Frantz Fanon, Eve Sedgwick, Leo Bersan et Saidiya Hartman. Explores Black representation in fantasy genres and comic booksCharacters like Black Panther, Storm, Luke Cage, Miles Morales, and Black Lightning are part of a growing cohort of black superheroes on TV and in film. Though comic books are often derided as naïve and childish, these larger-than-life superheroes demonstrate how this genre can serve as the catalyst for engaging the Black radical imagination.Keeping It Unreal: Comics and Black Queer Fantasy is an exploration of how fantasies of Black power and triumph fashion theoretical, political, and aesthetic challenges to-and respite from-white supremacy and anti-Blackness. It examines representations of Blackness in fantasy-infused genres: superhero comic books, erotic comics, fantasy and science-fiction genre literature, as well as contemporary literary "realist" fiction centering fantastic conceits.Darieck Scott offers a rich meditation on the relationship between fantasy and reality, and between the imagination and being, as he weaves his personal recollections of his encounters with superhero comics with interpretive readings of figures like the Black Panther and Blade, as well as theorists such as Frantz Fanon, Eve Sedgwick, Leo Bersani, Saidiya Hartman, and Gore Vidal. Keeping It Unreal represents an in-depth theoretical consideration of the intersections of superhero comics, Blackness, and queerness, and draws on a variety of fields of inquiry.Reading new life into Afrofuturist traditions and fantasy genres, Darieck Scott seeks to rescue the role of fantasy and the fantastic to challenge, revoke, and expand our assumptions about what is normal, real, and markedly human.
African American superheroes. --- African Americans --- Fantasy --- Fantasy comic books, strips, etc. --- Fantasy literature. --- Queer theory. --- Race identity. --- Social aspects. --- Gays, Black. --- Noirs américains --- Fantasmes --- Fantastique (littérature) --- Théorie queer. --- Ethnicité. --- Société. --- Gay people, Black.
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Whether engaged in same-sex desire or gender nonconformity, black queer individuals live with being perceived as a threat while simultaneously being subjected to the threat of physical, psychological, and socioeconomical injury. Attending to and challenging threats has become a defining element in queer black artists' work throughout the black diaspora. GerShun Avilez analyses the work of diasporic artists who, denied government protections, have used art to create spaces for justice. He first focuses on how the state seeks to inhibit the movement of black queer bodies through public spaces, whether on the street or across borders. From there, he pivots to institutional spaces - specifically prisons and hospitals - and the ways such places seek to expose queer bodies in order to control them.
African American arts. --- Gay artists. --- Gays, Black. --- Homophobia. --- Queer theory. --- Gender identity --- Anti-gay bias --- Anti-GLBT bias --- Anti-homosexual bias --- Anti-LGBT bias --- Antigay bias --- Discrimination against gays --- Fear of gays --- Fear of homosexuality --- GLBT bias --- Homonegativity --- Homophobic attitudes --- Homoprejudice --- Lesbophobia --- LGBT bias --- Sexual orientation discrimination --- Discrimination --- Phobias --- Heterosexism --- Black gays --- Artists --- Afro-American arts --- Arts, African American --- Negro arts --- Ethnic arts --- African American gays. --- Afro-American gays --- Afro-American homosexuals --- Gays, African American --- Gays --- Racism. --- Bias, Racial --- Race bias --- Race prejudice --- Racial bias --- Prejudices --- Anti-racism --- Critical race theory --- Race relations --- African American gay people. --- Gay people, Black.
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