Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Homosexuality in motion pictures. --- Gays in motion pictures. --- Motion pictures --- Gay motion picture producers and directors --- Independent filmmakers --- Homosexuality in motion pictures --- Gays in motion pictures --- Gay people in motion pictures. --- Gay people in motion pictures

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This reference helps readers navigate the perilous odyssey those of an LGBTQ orientation had to face in an age less enlightened than our own, when an attraction to members of the same gender could lead to horrendous abuse. Just as American society has changed dramatically from decade to decade, so has queer cinema. Taking us from a time when LGBTQ characters were often represented as either caricatures or figures of farce, this lively yet authoritative reference explores the sea change ushered in by such stars as Greta Garbo and Marlene Dietrich in the 1930s and '40s, androgynous figures such as Montgomery Clift, James Dean, and Marlon Brando in the '50s, and closeted gay men such as Rock Hudson and Liberace, whose double lives were exposed by the scourge of AIDS. Included are alphabetically arranged entries on stars, directors, films, themes, and other topics related to queer cinema in America, including films and persons from outside the U.S. who nonetheless figured prominently in America popular culture. Entries cite works for further reading, sidebars provide snippets of interesting trivia, a timeline highlights key events, and a selected, general, end-of-work bibliography cites the most important major works on the topic.

Film, TV & radio --- Motion pictures --- Gays in motion pictures --- Homosexuality in motion pictures --- History. --- Gay people in motion pictures

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"In an era of digitally mediated cropping, remixing, extracting, and pirating, a second life for traditional media appears via the internet and emerging platforms. Pink 2.0 examines the mechanisms through which the internet and associated technologies both produce and limit the intelligibility of contemporary queer cinema. Challenging conventional conceptions of the internet as an exceptionally queer medium, Noah A. Tsika explores the constraints that publishers, advertisers, and content farms place on queer cinema as a category of production, distribution, and reception. He shows how the commercial internet is increasingly characterized by the algorithmic reduction of diverse queer films to the dimensions of a highly valued white, middle-class gay masculinity―a phenomenon that he terms "Pink 2.0." Excavating a rich set of online materials through the practice of media archaeology, he demonstrates how the internet's early and intense associations with gay male consumers (and vice versa) have not only survived the medium's dramatic global expansion but have also shaped a series of strategies for producing and consuming queer cinema. Identifying alternatives to such corporate and technological constraints, Tsika uncovers the vibrant lives of queer cinema in the complex, contentious, and libidinous pockets of the internet where resistant forms of queer fandom thrive." --

Homosexuality in motion pictures. --- Gays in motion pictures. --- Mass media --- Technological innovations. --- Gays in motion pictures --- Mass media - Technological innovations. --- Gay people in motion pictures.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Homosexuality in motion pictures --- Gays in motion pictures --- Homosexualité au cinéma --- Homosexuels au cinéma --- Encyclopedias. --- Encyclopédies --- Gay people in motion pictures

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

French Queer Cinema looks at queer self-representation in contemporary auteur film and experimental video in France. Whilst there is growing research on representations of queer sexualities in France, this is the first comprehensive study of the cultural formation and critical reception of contemporary queer film and video. French Queer Cinema addresses the socio-political context informing both queer DIY video and independent gay cinema, including films such as Patrice Chéreau's Ceux qui m'aiment prendront le train, Olivier Ducastel and Jacques Martineau's Drôle de Félix, François Ozon's Le T

Sociology of the family. Sociology of sexuality --- Film --- Sociology of culture --- France --- Homosexuality and motion pictures --- Gays in motion pictures. --- Homosexuality in motion pictures. --- Motion pictures --- Motion pictures and homosexuality --- Gay people in motion pictures.