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The page turner : a novel.
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ISBN: 039575285X 0395957877 Year: 1998 Publisher: Boston Houghton Mifflin

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Gay musicians --- Fiction

The grand illusion
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ISBN: 1281126721 9786611126728 0814400809 9780814400807 9781281126726 9780814409169 0814409164 6611126724 Year: 2007 Publisher: New York AMACOM

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Queer episodes in music and modern identity
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ISBN: 9780252075780 Year: 2002 Publisher: Urbana : University of Illinois Press,

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Queer noises : male and female homosexuality in twentieth century music
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ISBN: 0816627185 0816627193 Year: 1995 Publisher: Minneapolis : University of Minnesota Press,

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Queering the pitch : the new gay and lesbian musicology
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ISBN: 0415907527 Year: 1994 Publisher: New York & London Routledge

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Seduced and abandoned
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ISBN: 1474286984 9781474286985 9780304333431 0304333433 9780304333431 1474286992 Year: 2016 Publisher: London

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"Smith examines the different ways in which gay men use pop music, both as producers and consumers, and how, in turn, pop uses gay men. He asks what role culture plays in shaping identity and why pop continues to thrill gay men. These 40 essays and interviews look at how performers, from The Kinks' Ray Davies to Gene's Martin Rossiter, have used pop as a platform to explore and articulate, conform to or contest notions of sexuality and gender. A defence of cultural differences and an attack on cultural elitism, Seduced and Abandoned is as passionate and provocative as pop itself."--

Queering the popular pitch
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ISBN: 0415978041 041597805X 9780415978040 9780415978057 Year: 2006 Publisher: New York : Routledge,

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"Queering the Popular Pitch is a new collection of 19 essays that situate queering within the discourse of sex and sexuality in relation to popular music. This investigation addresses the changing debates within gay, lesbian and queer discourse in relation to the dissemination of musical texts -performance, cultural production and sexual meaning - situating music within the broader patterns of culture that it both mirrors and actively reproduces." --

Queering the pitch : the new gay and lesbian musicology
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ISBN: 0415978831 041597884X 9780415978835 9780415978842 Year: 2006 Publisher: New York : Routledge,

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When the first edition of Queering the Pitch was published in early 1994, it was immediately hailed as a landmark and defining work in the new field of Gay Musicology. In light of the explosion of Gay Musicology since 1994, a new edition of Queering the Pitch is timely and needed. In this new work, the editors are including a landmark essay by Philip Brett on Gay Musicology, its history and scope. The essay itself has become a cause celebre, and this will be its first full appearance in print. Along with this new historical essay, the editors are contributing a new introduction that outlines the changes that have occurred over the last decade as Gay Musicology has grown

Seduced and abandoned : essays on gay men and popular music
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ISBN: 0304333476 1474286992 1474286984 Year: 1995 Publisher: London, England : London, England : Cassell, Bloomsbury Publishing,

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"Smith examines the different ways in which gay men use pop music, both as producers and consumers, and how, in turn, pop uses gay men. He asks what role culture plays in shaping identity and why pop continues to thrill gay men. These 40 essays and interviews look at how performers, from The Kinks' Ray Davies to Gene's Martin Rossiter, have used pop as a platform to explore and articulate, conform to or contest notions of sexuality and gender. A defence of cultural differences and an attack on cultural elitism, Seduced and Abandoned is as passionate and provocative as pop itself."--


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Love Don't Need a Reason : The Life &amp; Music of Michael Callen
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Year: 2020 Publisher: Brooklyn, NY punctum books

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From a stage erected in front of the US Capitol, on April 25, 1993, Michael Callen surveyed the throng: an estimated one million people stretched across the National Mall in the largest public demonstration of queer political solidarity in history. "What a sight," he told the crowd, his earnest Midwestern twang reverberating through loudspeakers. "You're a sight for sore eyes. Being gay is the greatest gift I have ever been given, and I don't care who knows about it." He then launched into a gorgeous rendition of "Love Don't Need a Reason," the AIDS anthem he composed with Marsha Malamet and the late Peter Allen. As Callen finished singing, people stood cheering and flashing the familiar American Sign Language symbol for "I Love You." For they knew the song's sentiment rang true for Callen, who had recently announced his retirement from music and activism after a living for more than a decade with what was then called "full-blown AIDS." After the March on Washington, Callen returned to his recently adopted West Coast home, Los Angeles. In the ensuing months, his health rapidly declined, and on 27 December 1993, Callen died of AIDS-related pulmonary Kaposi's sarcoma. Love Don't Need a Reason focuses on Callen's most important and lasting legacy: his music. A witness to the overlooked last years of Gay Liberation and a major figure in the early years of the AIDS crisis, Michael Callen chronicled these experiences in song. A community organizer, activist, author, and architect of the AIDS self-empowerment movement, he literally changed the way we have sex in an epidemic when he co-authored one of the first safe-sex guides in 1983. A gifted singer, songwriter, and performer, he also made gay music for gay people and used music to educate and empower people with AIDS. Listening again to his music allows us to hear the shifting dynamics of American families, changing notions of masculinity, gay migration to urban areas, the sexual politics of Gay Liberation, and HIV/AIDS activism. Using extensive archival materials and newly-conducted oral history interviews with Callen's friends, family, and fellow musicians, Matthew J. Jones reintroduces Callen to the history of LGBTQIA+ music and places Callen's music at the center of his important activist work.

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