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This book explores slash fan fiction communities during the pivotal years of the late 1990s and early 2000s as the practice transitioned from print to digital circulation. Delving into over ten years of online and in-person ethnography, the book offers an in-depth examination of slash fan fiction - original stories written by and circulated within female-centered communities about same-sex characters borrowed from previously published sources - to document the history of a feminist, queer media subculture whose infrastructure, creativity, and ways of life are often obscured in dominant histories of the internet's development and by the contemporary focus on industry-friendly but often misogynist digital fan subcultures. Arguing that online slash communities created an alternate public space that provided opportunities for unanticipated encounters with a wide range of complex sexual, relational, and political practices, the book contends that slash thereby added to readers' tools for experiencing and thinking about pleasure and ways of living by forming a "pocket public," that is a digital space public enough to be found and protected enough to shield participants from harassment and censorship. This insightful and comprehensive study will interest students and scholars working in the areas of media studies, literary studies, anthropology, new media, audience communities, convergence culture, fan studies, women's studies, and queer studies. Introduction of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons [Attribution-Non Commercial (CC-BY- NC)] license. Funded by Social Sciences and Humanities Research Council of Canada (grant 435-2019-0691).
Fan fiction --- Gay culture in literature --- Lesbians' writings
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At the start of the twentieth century, tales of "how the other half lives" experienced a surge in popularity. People looking to go slumming without leaving home turned to these narratives for spectacular revelations of the underworld and sordid details about the deviants who populated it. In this major rethinking of American literature and culture, Scott Herring explores how a key group of authors manipulated this genre to paradoxically evade the confines of sexual identification. Queering the Underworld examines a range of writers, from Jane Addams and Willa Cather to Carl Van Vechten and Djuna Barnes, revealing how they fulfilled the conventions of slumming literature but undermined its goals, and in the process, queered the genre itself. Their work frustrated the reader's desire for sexual knowledge, restored the inscrutability of sexual identity, and cast doubt on the value of a homosexual subculture made visible and therefore subject to official control. Herring is persuasive and polemical in connecting these writers to ongoing debates about lesbian and gay history and politics, and Queering the Underworld will be widely read by students and scholars of literature, history, and sexuality.
American literature --- Gay culture in literature. --- Slums in literature. --- City and town life in literature. --- Homosexuality in literature. --- Lesbianism in literature. --- Homosexuality --- Lesbianism --- Female homosexuality --- Lesbian love --- Sapphism --- Women --- Same-sex attraction --- Sexual orientation --- Bisexuality --- History and criticism. --- History. --- Sexual behavior --- Sociology of culture --- Sociology of the family. Sociology of sexuality --- Sexology --- Fiction --- Addams, Jane --- Barnes, Djuna --- Cather, Willa --- anno 1900-1999 --- United States --- djuna barnes, carl van vechten, willa cather, jane addams, literature, slumming, poverty, class, american studies, underworld, deviance, crime, sexuality, identity, homosexuality, subculture, lesbian, gay, history, canon, lgbt, lgbtq, lgbtqia, slums, hullhouse, philanthropy, charity, tramps, capitalism, compton, blackness, race, down low, bisexuality, masculinity, gender, queer, harlem, signs, nonfiction. --- United States of America --- LGBTQIA culture --- Literature --- Book --- Subcultures
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