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Table of Content Death Becomes Her: Maria Hassabi at the Museum by Claire Bishop Ed Atkins Missing Persons by Andrew Durbin I’m Not Too Sad to Tell You by Leslie Jamison Mary Shelley App by Bruce Hainley Theaster Gates Just What Is It That Makes Today’s Artist-Led Urban Development So Different, So Appealing? by Andrew Herscher Rebuilding the Future by Christine Mehring & Sean Keller Raise High the Roof Beam: Theaster Gates and Cathedrals by Dieter Roelstraete Lee Kit Scenes of Everyday Life by Doryun Chong Claiming Space: Occupation and Withdrawal in the Work of Lee Kit by Christina Li Marked by Hand by Francesca Tarocco Mika Rottenberg Rottenberg Pearls by Jonathan Beller “Eww, Gross!”: Mika Rottenberg’s Late Capitalist Feminism by Amelia Jones: Mika Rottenberg’s Bachelor(ette) Machines by Germano Celant Fuck Seth Price by Claire Lehmann
Atkins, Ed --- Rottenberg, Mika --- Kit, Lee --- Gates, Theaster
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"Published to accompany the major exhibition at Whitechapel Gallery in 2021 of Chicago-based artist Theaster Gates (b.1973), focussing on his clay-based work, collaborative projects and large scale sculptures and installations since 2005. Gates's interdisciplinary practice draws on his training in both urban planning and pottery, resulting in work which aims to instigate the creation of cultural communities and the recirculation of art-world capital, all the time considering the notion of Black space and ideology. Featuring a new poem by Ben Okri, an interview with the artist by Edmund du Waal, and essays by Monica Miller and Georgia Haseldine, as well as complete installation photography of the exhibition and documentation of the artist's brand new film A Clay Sermon, this in-depth exploration of Gates's work is timely and relevant now in a world where a new generation are raising questions through making, identity and activism. 'A Clay Sermon' is part of 'A Question of Clay', a multi-institutional series in London by Theaster Gates exploring the labour and production of clay, and its collection through history: comprising of a two-year residency at the V&A, exhibitions at Whitechapel Gallery and White Cube, and culminating in 'Black Chapel', the 2022 Serpentine Pavilion at the Serpentine Gallery." --
Art --- racial discrimination --- colonization --- rituals [events] --- religions [belief systems, cultures] --- ceramics [object genre] --- studio ceramics --- labor --- clay --- Gates, Theaster --- kunst --- beeldhouwkunst --- installaties --- keramiek --- Verenigde Staten --- eenentwintigste eeuw --- Gates Theaster --- 7.071 GATES --- Gates, Theaster, --- 7.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Gates, Theaster °1973 (°Chicago, Verenigde Staten) --- Glazuren --- Shoji Hamada 1894-1978 (° Tokyo, Japan) --- dekolonisatie --- pottenbakken
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Art --- sculpture [visual works] --- installations [visual works] --- music [performing arts genre] --- performance art --- vases --- Gates, Theaster
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"This book features essays and other reflections commissioned in response to the Facsimile Cabinet of Women Origin Stories, a monumental participatory work by Theaster Gates (born 1973). The Cabinet includes nearly 3,000 framed images of women from the Johnson Publishing Company archive, and highlights from the collection appear in this edited volume. Founded in 1942, Chicago-based Johnson Publishing chronicled the lives of Black Americans for more than seven decades through the magazines Ebony and Jet. Composed from arguably the most important archive of American Black visual culture in the 20th century, Gates' work centers the essential and too often unsung role of women in this history. When the Cabinet was exhibited at the Colby College Museum of Art, 12 women from a wide range of disciplines (including archivists, legal scholars, anthropologists and librarians, as well as curators, visual artists, filmmakers, writers and art historians) were invited to reflect on a work that brings a sisterhood of images to light."--Publisher's website.
African American artists --- Women, Black, in art --- Installations (Art) --- Art --- Portrait photography --- Political aspects --- Gates, Theaster,
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The transformation of everyday and urban detritus is one of Chicago-based artist Theaster Gates’ (born 1973) fundamental artistic strategies. It is an approach that the works in this volume, some of which have been especially created for Kunsthaus Bregenz, encompassing sculptures and what are often large-scale installations, also adhere to. For the first time, elements of a collection that Edward J. Williams had assembled over many years and which Gates has titled Negrobilia, will be on public display. Williams’ aim was to remove these objects from the market and thus from any obvious visibility. Gates’ multilayered Black Archive and its critical engagement with political issues are addressed in a contribution by Romi Crawford, while Thomas D. Trummer focuses on expounding Gates’ artistic concept underlying the exhibition in Bregenz. Gates himself also provides a rumination on his own artistic practice.
politics --- Sculpture --- racial discrimination --- identity --- sculpture [visual works] --- installations [visual works] --- Gates, Theaster --- kunst en politiek --- social criticism
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Art --- phonograph records --- photographs --- installations [visual works] --- multimedia works --- music [performing arts genre] --- identity --- African American --- Gates, Theaster
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kunst --- eenentwintigste eeuw --- Verenigde Staten --- 7.071 GATES --- installaties --- performances --- kunst en economie --- kunst en politiek --- activisme --- Chicago --- Dorchester Projects --- stedelijkheid --- stedenbouw --- kunst en architectuur --- architectuur --- Gates Theaster --- 7.07 --- Gates, Theaster °1973 (°Chicago, Verenigde Staten) --- Kunst en politiek --- Kunst en stedenbouw --- Cultureel activisme --- Performances --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Art --- installations [visual works] --- community art --- video art --- performance art --- political art --- sculpting --- activists --- Gates, Theaster
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For his exhibition "Black Madonna" African-American artist Theaster Gates examined representations of black women, cultural legacies and spirituality. With his band, the Black Monks, he also engaged in a multifaceted musical and performative programme. Through pictorial reportage and new essays, the book illuminates the working methods and concepts underlying the project.
kunst --- beeldhouwkunst --- installaties --- kunst en muziek --- performances --- performance art --- afro-Amerikaanse kunst --- iconografie --- madonna's --- vrouwelijkheid --- zwarten --- gender studies --- Gates Theaster --- Black Monks --- 7.071 GATES --- Exhibitions --- Art --- racial discrimination --- video art --- gender issues --- African American --- Gates, Theaster --- spiritualiteit --- kunst en politiek
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"Described by Art Review as ‘one of the most influential people in the contemporary art world in 2018’, Theaster Gates (b. 1973, Chicago) explores the complex and interweaving issues of race, territory and inequality as a socially engaged artist. Living and working in Chicago, Gates began his career studying urban planning, followed by ceramics, both of which continue to inform his work. At the heart of the book, Gates looks at the history of Malaga Island in Maine, USA. In 1912, the state governor evicted the island’s ethnically diverse population with no offer of housing or support. Gates’s body of work - sculpture, installation, film, music and dance - responds to this little-known story, connecting it with the wider history of African-American people. A highlight of the book are the many beautiful stills from his film, Dance of Malaga 2019, which features the choreography of acclaimed American dancer Kyle Abraham. Through a combination of essays, Theaster Gates’ own words and a careful selection of illustrations, this publication underlines the artist’s influence in contemporary art and interracial relationships, while its accessible approach appeals to all."--Publisher's webpage.
7.07 --- Gates, Theaster °1973 (°Chicago, Verenigde Staten) --- Kunst en politiek --- Cultureel activisme --- Thema's in de kunst ; rassenpolitiek ; Afro-Amerikaanse problematiek --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A-Z --- Gates, Theaster --- Art --- assemblages [sculpture] --- installations [visual works] --- multimedia works --- racial discrimination --- social stratification --- video art --- territories --- environments [sculpture]
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Art --- art [discipline] --- interior spaces [spaces by location] --- identity --- Vo, Danh --- Broodthaers, Marcel --- Gates, Theaster --- Baghramian, Nairy --- Beier, Nina --- Burr, Tom --- Cesarco, Alejandro --- Hohn, Ull --- Mauss, Nick --- McKenzie, Lucy --- Raad, Walid --- Sietsema, Paul --- Zaatari, Akram --- Aran, Uri --- Andrade, de, Jonathas --- Laverrière, Janette --- McArthur, Park --- Chaimowicz, Marc Camille --- Lawler, Louise --- Nashat, Shahryar --- Trockel, Rosemarie --- Siegelaub, Seth --- Stettheimer, Florine
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